tag:blogger.com,1999:blog-305967092012-02-01T14:28:07.603-08:00Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.comBlogger2431100tag:blogger.com,1999:blog-30596709.post-69269574141716273982010-09-28T06:47:00.000-07:002010-09-28T18:46:36.397-07:00<div style="text-align: center;"><img style="width: 200px; height: 200px;" src="http://images.amazon.com/images/P/B000002505.01._SCLZZZZZZZ_.jpg" id="il_fi" /><br /></div><br /><div style="text-align: center;">Simplesmente Magnífico.<br /><a href="http://www.megaupload.com/?d=HK3JTNN6">TOCOSONGS</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6926957414171627398?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com3tag:blogger.com,1999:blog-30596709.post-16872013929809925742010-09-27T16:35:00.000-07:002010-09-28T19:22:26.416-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i716.photobucket.com/albums/ww164/huyle1989/AC_CA_Illum_cover.jpg"><br /></a><div style="text-align: center;"><img id="ncode_imageresizer_container_2" src="http://i716.photobucket.com/albums/ww164/huyle1989/AC_CA_Illum_cover.jpg" alt="" border="0" width="500" height="246" /><br /></div><br /><div style="text-align: justify;">Illuminations foi lançado em setembro de 1974 por Carlos Santana e Alice Coltrane (viúva de John Coltrane). Músicos de jazz como Jules Broussard, Jack DeJohnette e Dave Holland também participaram do álbum, tocando saxofone, flauta, bateria e baixo. Alice toca alguns glissandos na harpa. O álbum é de jazz instrumental, com solos longos de guitarra, saxofone e teclado.<br /></div><div style="text-align: center;"><a href="http://www.megaupload.com/?d=D5P88IN9">TOCOSONGS</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1687201392980992574?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-13602838004811329842010-09-09T05:15:00.000-07:002010-09-28T07:04:04.731-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/TIjccAqaUMI/AAAAAAAAB4Y/tIeCcCUHBvE/s1600/im-new-here.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/TIjccAqaUMI/AAAAAAAAB4Y/tIeCcCUHBvE/s320/im-new-here.jpg" alt="" id="BLOGGER_PHOTO_ID_5514900117487505602" border="0" /></a><p>Acabo de ouvir o disco <em>I’m New Here</em>, retorno do genial compositor, cantor, multi-instrumentista e poeta americano Gil Scott-Heron, um dos pais do rap, influência para diversos músicos inteligentes que queriam passar uma mensagem por meio de suas letras.</p><p>Depois de lançar clássicos como <em>Small Talk at 125th and Lenox</em> e <em>Pieces of a Man</em>, Scott-Heron passou por momentos difíceis. Seu último álbum havia sido lançado em 1994. Ainda assim, desde 1980 ele não havia gravado nada que se igualasse em qualidade a seus trabalhos anteriores. Enquanto esteve no ostracismo, ele se afundou nas drogas até que, em 2001, foi preso por porte de cocaína e condenado a três anos de prisão na Rikers Island. Lá, recebeu uma carta do produtor Richard Russell (que já trabalhou com White Stripes, Radiohead e MIA). Assim nasceu <em>I’m New Here</em>.</p><p>Marcado pela vida no Bronx, Scott-Heron criou uma obra-prima que mistura rap, batidas eletrônicas e poesia. O disco apresenta uma atmosfera sombria, com letras densas e pessoais. Destaque para <em>On Coming From a Broken Home</em>, partes 1 e 2, que abrem e fecham o álbum, Me and the Devil e a faixa-título. Um testamento em forma de música. (by revista época)</p><p style="text-align: center;"><a href="http://rghost.net/826306">TOCOSONGS</a><br /></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1360283800481132984?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-26935769162812227152010-08-26T10:35:00.000-07:002010-08-25T06:38:09.903-07:00<div align="center"><a href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R9PdSe61AYI/AAAAAAAAA-E/G1PEEiuX5yQ/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5175723706386022786" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R9PdSe61AYI/AAAAAAAAA-E/G1PEEiuX5yQ/s200/front+cover.jpg" border="0" /></a><span style="color: rgb(51, 102, 255);"></span><span style="color: rgb(51, 102, 255);">TRACKS</span><br />1 Aint' Got Nothing (To Go Wrong) 6:58<br />2 Between Me and the Ground 3:15<br />3 What Needs Must Be 4:16<br />4 Down Here 2:43<br />5 'Till Kingdom Come 4:05<br />6 I'm Gone 4:13<br />7 Seven Seers 4:20<br />8 The Great Deceiver 3:06<br />9 The Queen of All Returns 5:33<br />10 Keep on Walking 3:01<br />11 Hard People/Hard Times 4:22<br />12 Either Way 10:20 </div><div align="center"><a href="http://www.mediafire.com/?1jj5mnytkmv">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2693576916281222715?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-21961318432132038752010-08-25T10:47:00.000-07:002010-08-25T06:38:59.322-07:00<a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R9Pb9O61AXI/AAAAAAAAA98/4QAcwS7Bug8/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5175722241802174834" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R9Pb9O61AXI/AAAAAAAAA98/4QAcwS7Bug8/s200/front+cover.jpg" border="0" /></a><br /><div align="center"><span style="color: rgb(51, 102, 255);">TRACKS</span><br />1 Drifting Down Streams (Dead Meadow) 8:16<br />2 Dusty Nothing (Dead Meadow) 3:56<br />3 Jusiamere Farm (Dead Meadow) 4:57<br />4 The White Worm (Dead Meadow) 8:08<br />5 The One I Don't Know (Dead Meadow) 4:12<br />6 Everything's Goin' On (Dead Meadow) 3:26<br />7 One and Old (Dead Meadow) 9:41<br />8 The Breeze Always Blows (Dead Meadow) 4:08 </div><div align="center"><a href="http://rapidshare.com/files/98159156/158_-_DM-HFTheHills__2001_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2196131843213203875?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-24792395722174081042010-08-24T07:41:00.000-07:002010-08-24T07:42:52.016-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/THPaWvbiXhI/AAAAAAAAAnw/cUdzj_rSATU/s1600/end.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 197px; height: 200px;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/THPaWvbiXhI/AAAAAAAAAnw/cUdzj_rSATU/s200/end.jpg" alt="" id="BLOGGER_PHOTO_ID_5508986853428190738" border="0" /></a><a href="http://www.mediafire.com/?dzy1injedgn">Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2479239572217408104?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-59991213278556685432010-08-24T05:02:00.000-07:002010-08-24T05:05:47.360-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/THO09bbUiKI/AAAAAAAAB4Q/V_tPacwC7sA/s1600/mellencamp_nbtt_5x5_250.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 250px; height: 250px;" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/THO09bbUiKI/AAAAAAAAB4Q/V_tPacwC7sA/s320/mellencamp_nbtt_5x5_250.jpg" alt="" id="BLOGGER_PHOTO_ID_5508945736631617698" border="0" /></a><br />“No Better Than This” é o 25º álbum de Mellencamp e um de seus mais singulares, não apenas pelo processo de gravação de baixa fidelidade, mas também pelos locais em que foi gravado: no Sun Studios, em Memphis; no Quarto 414 do Gunter Hotel, em San Antonio, onde Robert Johnson fez suas primeiras gravações em novembro de 1936; e na Primeira Igreja Batista Africana em Savannah, na Geórgia, a primeira igreja negra nos Estados Unidos e uma parada da ferrovia subterrânea antes da Guerra Civil.<br /><br /><div style="text-align: center;"><a href="http://oldrocker-oldandnew.blogspot.com/2010/07/0790-john-mellencamp-no-better-than.html">Download</a><br />Via @<a href="http://oldrocker-oldandnew.blogspot.com/">OldRocker</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-5999121327855668543?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-66666493602755731192010-08-23T06:31:00.000-07:002010-08-23T15:52:37.272-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/THJ4pxF1tHI/AAAAAAAAAnE/Zb34wu7ZDUM/s1600/endless.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/THJ4pxF1tHI/AAAAAAAAAnE/Zb34wu7ZDUM/s200/endless.jpg" alt="" id="BLOGGER_PHOTO_ID_5508597953175336050" border="0" /></a><div style="text-align: center;"><a href="http://www.mediafire.com/?yzymmgezifk">Parte 01 - Download</a><br /><a href="http://www.mediafire.com/?fggmybbyfzd"></a><a href="http://www.mediafire.com/?fggmybbyfzd">Parte 02 - Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6666649360275573119?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-26536441939127969592010-08-21T14:49:00.000-07:002010-08-22T06:14:52.868-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/THBLpZK9LvI/AAAAAAAAB4I/1oy1rfR56ps/s1600/2951112.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/THBLpZK9LvI/AAAAAAAAB4I/1oy1rfR56ps/s320/2951112.jpg" alt="" id="BLOGGER_PHOTO_ID_5507985518777675506" border="0" /></a><br /><div><br /></div><div><br /></div>Pai e mano, quando ouvi este som num podcast pensei:<div>- Caraca que som legal!</div><div>Fui atrás para verificar se achava alguma coisa e descobri que os caras tem apenas 02 CDs e tem muita influência de Lynyrd Skynyrd, Stepenwolf, Marshall Tucker Band e etc...</div><div>Bom vou deixar de falar e quero que vocês ouçam,</div><div>Grande abraço.</div><br /><div style="text-align: center;"><a href="http://www.furk.net/euescuto.com.br_-_Endless_Boogie_-_Full_House_Head.zip.html">Download</a><br /></div><div><br /></div><div>Eric Gomes</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2653644193912796959?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-5041787923454139152010-08-20T14:44:00.000-07:002010-08-20T14:48:52.595-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/TG7342rpmkI/AAAAAAAAB4A/aOaG2n4q0oM/s1600/100722041835537969.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/TG7342rpmkI/AAAAAAAAB4A/aOaG2n4q0oM/s320/100722041835537969.jpg" alt="" id="BLOGGER_PHOTO_ID_5507611950444026434" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/TG73c4GB2oI/AAAAAAAAB34/cn_L5klLLBw/s1600/tom-jones550.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 204px; height: 320px;" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/TG73c4GB2oI/AAAAAAAAB34/cn_L5klLLBw/s320/tom-jones550.jpg" alt="" id="BLOGGER_PHOTO_ID_5507611469786765954" border="0" /></a>Tom Jones está de volta com um novo álbum de covers, intitulado <i>Praise &amp; Blame</i>, segundo informou nesta segunda, 17, o site do semanário britânico <i>NME</i>.<br /><br />O cantor anunciou detalhes a respeito do disco, que chega às lojas no dia 26 de julho, pela Island Records. A produção ficou a cargo do indie Ethan Johns, que já trabalhou com o Kings of Leon e Rufus Wainwright.<br /><br /><i>Praise &amp; Blame</i> traz faixas que seguem o estilo gospel norte-americano, blues e country. O álbum conta com covers de Susan Werner, Bob Dylan, John Lee Hooker, The Staple Singers, Mahalia Jackson e Sister Rosetta Tharpe.<br /><br /><br />http://hotfile.com/dl/56865669/74f776d/www.NewAlbumReleases.net_Tom_Jones_-_Praise__Blame_%282010%29.rar.html<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-504178792345413915?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-55912542812060530482010-05-20T08:29:00.000-07:002010-05-20T08:31:17.943-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/S_VVqhKOhBI/AAAAAAAAAlk/fmfBV0kMvc8/s1600/Front.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 200px; height: 184px;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/S_VVqhKOhBI/AAAAAAAAAlk/fmfBV0kMvc8/s200/Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5473375111082837010" border="0" /></a><a href="http://sharebee.com/f917553f">Download</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-5591254281206053048?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-22861012003116220952010-04-23T08:27:00.000-07:002010-04-23T08:29:04.614-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/S9G8ogwifII/AAAAAAAAAjw/HiUIsHWsu-g/s1600/LA_Guns-Cocked_And_Loaded_3.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/S9G8ogwifII/AAAAAAAAAjw/HiUIsHWsu-g/s200/LA_Guns-Cocked_And_Loaded_3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5463355227151432834" /></a><div style="text-align: center;"><a href="http://rs50.rapidshare.com/files/57459870/L.A._Guns_-_Cocked_And_Loaded.rar">Download</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2286101200311622095?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-47353002942619240552010-03-20T18:24:00.000-07:002010-03-21T07:04:10.672-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/S6Ym9WXCo3I/AAAAAAAAB3o/VyH0MJKMOHQ/s1600-h/Fredrika+Stahl+-+Tributaries-+2008.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/S6Ym9WXCo3I/AAAAAAAAB3o/VyH0MJKMOHQ/s320/Fredrika+Stahl+-+Tributaries-+2008.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5451087234394661746" /></a><br /><span class="Apple-style-span" style="font-family:Verdana, Arial, Helvetica, sans-serif;font-size:100%;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;font-size:11px;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; color: rgb(51, 51, 51); line-height: 18px; font-family:Trebuchet, 'Trebuchet MS', Arial, sans-serif;font-size:12px;"><div><br /></div><div><span class="Apple-style-span" style="font-family:Verdana, Arial, Helvetica, sans-serif;font-size:100%;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;font-size:11px;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; color: rgb(51, 51, 51); line-height: 18px; font-family:Trebuchet, 'Trebuchet MS', Arial, sans-serif;font-size:12px;"><br /></span></span></span></div><div><span class="Apple-style-span" style="font-family:Verdana, Arial, Helvetica, sans-serif;font-size:100%;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;font-size:11px;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; color: rgb(51, 51, 51); line-height: 18px; font-family:Trebuchet, 'Trebuchet MS', Arial, sans-serif;font-size:12px;"><br /></span></span></span></div><span class="Apple-style-span" style="font-family:arial;"><div style="text-align: justify;"><span class="Apple-style-span" style="font-size: medium; ">Fredrika Stahl está longe de ser apenas mais um rosto bonito no meio musical, a jovem cantora tem talento de sobra e vem sendo reconhecida mundialmente por seu trabalho.</span></div><span class="Apple-style-span" style="font-size: medium;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: -webkit-xxx-large; "><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">Nascida em Estocolmo na Suécia, a jovem de apenas 25 anos já coleciona em sua carreira dois álbuns, o primeiro </span></span><em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">“A Fraction of You”(2007)</span></span></em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;"> e </span></span><em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">“Tributaries” (2008)</span></span></em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">, ambos receberam elogios da crítica especializada, afinal não é pra menos, a qualidade é evidente. Fredrika além de cantora, é compositora e também toca piano e violão. Na Europa é conhecida como uma cantora pop, porém a influência do jazz em suas músicas é clara. O primeiro álbum é a prova disso, tem uma pegada jazzistica bem tradicional. Já no álbum </span></span><em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">“Tributaries”</span></span></em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;"> a cantora está musicalmente mais madura e percorre com elegância e sofisticação através do pop , porém sempre aliado ao jazz. Outro ponto que deve ser destacado é o uso da guitarra, que nesse álbum está bem percepetivel em relação ao seu primeiro trabalho. A cantora conta com um time de músicos de primeira, entre violinos, trompete, trombone, acordeão e outros instrumentos, destaque para o guitarrista sueco Andres Oberg e o pianista japonês Hiro Morozumi, ambos tiveram uma participação decisiva no álbum.</span></span></span></div></span></span><span class="Apple-style-span" style="font-family:arial;"><div style="text-align: justify;"><span class="Apple-style-span" style="font-size: medium;"><br /></span></div><span class="Apple-style-span" style="font-size: medium;"><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: -webkit-xxx-large; "><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">Em relação as músicas, todas são de extremo bom gosto, ao ouvi-las não parece que uma jovem de apenas 25 anos seja capaz de tamanha ousadia. </span></span><em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">“Monumental Mismatch”</span></span></em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;"> é a faixa de abertura e soa diferente de todas as outras, principalmente por ser um tipo de jazz orquestrado. </span></span><em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">“So High”</span></span></em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">traz um som mais despojado e voltado para o pop, Fredrika toca piano e encanta com sua voz impecável. É uma música grudenta. </span></span><em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">“Pourquoi Pas Moi?”</span></span></em><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;"> é sofisticada e soa a perfeição, começa com uma introdução feita por Pascal Pallisco no acordeão e que é acompanhado pelo violino, a música é cantada em francês. “Irreplaceable” mostra justamente o que eu disse anteriormente, o uso da guitarra e claro, a pegada pop. “I'Ll Win Your Heart” é uma das melhores faixas do álbum, uma balada pop que impressiona pela qualidade, claro, a voz de Fredrika dita o rítimo. Bom isso foi apenas um aperitivo, claro que todo o álbum merece uma atenção especial, afinal é bom do início ao fim. E pelas últimas notícias que eu vi, Fredrika já está trabalhando firme em seu novo álbum, é aguardar pra ver. Boa Audição !</span></span></span></div></span></span><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;"><br />Track List<br /><br />01. Monumental Mismatch<br />02. So High<br />03. Pourquoi Pas Moi ?<br />04. Irreplaceable<br />05. Stuck On A Stranger<br />06. Oh Sunny Sunny Day<br />07. One Man Show<br />08. I'Ll Win Your Heart<br />09. Dina Ogon Bla<br />10. The Damage Is Done<br />11. One Man Show</span></span></span></span></span><div><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; color: rgb(51, 51, 51); line-height: 18px; "><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style=" line-height: 18px;"><a href="http://rapidshare.com/files/172156338/Fredrika_Stahl.rar"><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;">http://rapidshare.com/files/172156338/Fredrika_Stahl.rar</span></span></a></span></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4735300294261924055?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-87405075779328669342009-07-17T11:54:00.000-07:002009-07-17T11:56:40.941-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SmDJIvZSjQI/AAAAAAAAAgg/gbM5BEtB2CE/s1600-h/quireboys_well_oiled_g.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SmDJIvZSjQI/AAAAAAAAAgg/gbM5BEtB2CE/s200/quireboys_well_oiled_g.jpg" alt="" id="BLOGGER_PHOTO_ID_5359504708569566466" border="0" /></a><a href="http://rapidshare.com/files/183255266/Well_Oiled.rar">Download</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8740507577932866934?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com14tag:blogger.com,1999:blog-30596709.post-92045345910065443652009-06-10T06:43:00.000-07:002009-06-10T07:20:06.337-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/Si-4gnfMtII/AAAAAAAAAfE/et-WxfrZuxQ/s1600-h/quire.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/Si-4gnfMtII/AAAAAAAAAfE/et-WxfrZuxQ/s200/quire.jpg" alt="" id="BLOGGER_PHOTO_ID_5345694153207231618" border="0" /></a><a href="http://sharebee.com/b69a9084">Download The Album</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-9204534591006544365?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-61088372793185429482009-06-10T05:47:00.000-07:002009-06-10T06:23:23.694-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/Si-r0f42CEI/AAAAAAAAAe8/LNqmvvNsTmk/s1600-h/2009.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/Si-r0f42CEI/AAAAAAAAAe8/LNqmvvNsTmk/s200/2009.jpg" alt="" id="BLOGGER_PHOTO_ID_5345680201113536578" border="0" /></a><a href="http://sharebee.com/d4cd850e">Download - 2009</a><br /><br /></div><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/Si-rxkTA_SI/AAAAAAAAAe0/BqZGd9AA8RE/s1600-h/2006.JPG"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/Si-rxkTA_SI/AAAAAAAAAe0/BqZGd9AA8RE/s200/2006.JPG" alt="" id="BLOGGER_PHOTO_ID_5345680150757440802" border="0" /></a><a href="http://sharebee.com/7acff66f">Download - 2006</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6108837279318542948?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-22432534398622718102009-05-12T12:20:00.000-07:002009-06-10T05:59:43.366-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SgnMg8hW4zI/AAAAAAAAAek/tTIOdd01g9M/s1600-h/cover2009.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SgnMg8hW4zI/AAAAAAAAAek/tTIOdd01g9M/s200/cover2009.jpg" alt="" id="BLOGGER_PHOTO_ID_5335020099970982706" border="0" /></a><a href="http://sharebee.com/2d0a64fb">Download The Album</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2243253439862271810?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com3tag:blogger.com,1999:blog-30596709.post-13041213734802644802009-05-04T09:18:00.000-07:002009-05-04T09:32:06.157-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/Sf8WOby7-wI/AAAAAAAAAec/mtix_pvvJ1I/s1600-h/Joe_Walsh_-_But_Seriously_Folks_-_Front.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 191px;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/Sf8WOby7-wI/AAAAAAAAAec/mtix_pvvJ1I/s200/Joe_Walsh_-_But_Seriously_Folks_-_Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5332004921065339650" border="0" /></a><a href="http://sharebee.com/aaf3d3b4">Download The Album</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1304121373480264480?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-27209541746112490412009-04-30T10:02:00.000-07:002009-04-30T10:57:48.776-07:00<div style="text-align: center;"><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SfnZ2mWh7fI/AAAAAAAAAeM/WU6VAF2GRUY/s1600-h/moxy+i+front.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 198px;" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SfnZ2mWh7fI/AAAAAAAAAeM/WU6VAF2GRUY/s200/moxy+i+front.jpg" alt="" id="BLOGGER_PHOTO_ID_5330531166000901618" border="0" /></a></div><a href="http://tinyurl.com/dz6sgm">Download The Album</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2720954174611249041?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-9575564599480710192009-04-30T05:50:00.000-07:002009-04-30T07:08:45.192-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SfmewVtaWqI/AAAAAAAAAeE/-yijcLXzNxk/s1600-h/Energy.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SfmewVtaWqI/AAAAAAAAAeE/-yijcLXzNxk/s200/Energy.jpg" alt="" id="BLOGGER_PHOTO_ID_5330466187268217506" border="0" /></a><a href="http://tinyurl.com/1972Energy">Download The Album</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-957556459948071019?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-13481380374395200542009-04-27T07:22:00.000-07:002009-04-27T07:58:28.915-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SfW__KdA0ZI/AAAAAAAAAd0/PGq8lsFwd0U/s1600-h/cprcpr.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 198px; height: 200px;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SfW__KdA0ZI/AAAAAAAAAd0/PGq8lsFwd0U/s200/cprcpr.jpg" alt="" id="BLOGGER_PHOTO_ID_5329376825921556882" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SfXAErFH_SI/AAAAAAAAAd8/WksbfP82MEs/s1600-h/cpr%28band%29.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SfXAErFH_SI/AAAAAAAAAd8/WksbfP82MEs/s200/cpr%28band%29.jpg" alt="" id="BLOGGER_PHOTO_ID_5329376920579079458" border="0" /></a><a href="http://sharebee.com/436cdcbb">Download The Album</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1348138037439520054?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-33892855990117571502009-04-17T06:47:00.000-07:002009-04-17T10:04:25.162-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SeiI714kdzI/AAAAAAAAAdU/-BM8I-OslSw/s1600-h/cover.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 195px;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SeiI714kdzI/AAAAAAAAAdU/-BM8I-OslSw/s200/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5325657121023620914" border="0" /></a><a href="http://sharebee.com/c2e756f7">Download The Album</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-3389285599011757150?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-57112836663262021312009-03-03T05:14:00.000-08:002009-03-04T09:57:03.814-08:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/Sa0tawxrTsI/AAAAAAAAAXs/UiVFvOaGCI4/s1600-h/DLR+Band.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/Sa0tawxrTsI/AAAAAAAAAXs/UiVFvOaGCI4/s320/DLR+Band.jpg" alt="" id="BLOGGER_PHOTO_ID_5308949473532792514" border="0" /></a>A Soberba Banda de David Lee Roth, um trabalho de guitarras impressionantes, típico do Van Halen no início da carreira. Sensacional!!!<br /><a href="http://www.filesend.net/download.php?%20f=ab26df17805b860b1f0538cb3d5f4247">Download The Album</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-5711283666326202131?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-55280348830110848042009-02-27T05:14:00.000-08:002009-02-27T05:15:12.890-08:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SaflUNYUGiI/AAAAAAAAAWY/rW0a-PsYy9A/s1600-h/jason-isbell-and-the-400-unit.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SaflUNYUGiI/AAAAAAAAAWY/rW0a-PsYy9A/s200/jason-isbell-and-the-400-unit.jpg" alt="" id="BLOGGER_PHOTO_ID_5307462821231204898" border="0" /></a><a href="http://sharebee.com/5cf05087">Download The Album</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-5528034883011084804?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-37592140450085227692008-11-10T10:27:00.000-08:002008-11-10T11:48:54.650-08:00<img id="BLOGGER_PHOTO_ID_5267097634685010882" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 318px; CURSOR: hand; HEIGHT: 295px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SRh9ZHizQ8I/AAAAAAAAAMM/XswqmCeY2c8/s320/front.jpg" border="0" /><a href="http://1.bp.blogspot.com/_VEi12qGtnPE/SRiP42c3cFI/AAAAAAAAAMc/X58Ow7VtLhU/s1600-h/back.jpg"><img id="BLOGGER_PHOTO_ID_5267117971061829714" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SRiP42c3cFI/AAAAAAAAAMc/X58Ow7VtLhU/s320/back.jpg" border="0" /></a>O que você estava fazendo em 13 de Outubro de 1982? O Clash fazia shows de abertura para o Who. Que tempos eram esses - Clash e Who, criatura e criador, numa só noite? <div><div align="justify">O palco era o Shea Stadium, em Nova York. A banda de Mick Jones, Joe Strummer, Topper Headon e Paul Simonon lançava <em>Combat Rock</em>, emplacando <em>"Rock The Casbah" </em>ao redor do mundo e experimentava o auge da carreira.</div><div align="justify">A abertura, com a apresentação de Kosmo Vinyl emendando numa bombástica <em>"London Calling", </em>já é antológica.</div><div align="justify">A seqüência matadora traz <em>"Police On My Back", "Guns of Brixton", "Tommy Gun", "Magnificent Seven",</em> além das protocolares (e perfeitas) <em>"Rock The Casbah", "Should I Stay or Should I Go" </em>e uma suingada versão para <em>"Train In Vain".</em></div><div align="justify">Mais que um documento, este disco ao vivo (o primeiro a conter uma apresentação inteira da banda) é uma aula de Rock. </div><div align="justify"><strong>Carlos Eduardo Lima. Rolling Stone Brasil - Nov. 2008</strong></div><div align="justify"><strong></strong></div><div align="center"><strong><a href="http://www.badongo.com/file/12042537">Download</a></strong></div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-3759214045008522769?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com4tag:blogger.com,1999:blog-30596709.post-49768265881316597482008-10-29T15:46:00.000-07:002008-11-10T11:01:19.962-08:00<div align="justify"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/SQjomPjO-JI/AAAAAAAABUQ/y40CJATNCq4/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5262711908289411218" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/SQjomPjO-JI/AAAAAAAABUQ/y40CJATNCq4/s200/front+cover.jpg" border="0" /></a></div><div align="left"><strong>TRACKS CD 01</strong><br />1 What's Going On (Benson, Cleveland, Gaye) 3:53<br />2 What's Happening Brother (Gaye, Nyx) 2:43<br />3 Flyin' High (In the Friendly Sky) (Gaye, Gaye, Stover) 3:49<br />4 Save the Children (Benson, Cleveland, Gaye) 4:03<br />5 God Is Love (Gaye, Gaye, Nyx, Stover) 1:41<br />6 Mercy Mercy Me (The Ecology) (Gaye) 3:16<br />7 Right On (DeRouen, Gaye) 7:32<br />8 Wholy Holy (Benson, Cleveland, Gaye) 3:07<br />9 Inner City Blues (Make Me Wanna Holler) (Gaye, Nyx) 5:38<br />10 What's Going On [Original Detroit Mix] (Benson, Cleveland, Gaye) 4:07<br />11 What's Happening Brother [Original Detroit Mix] (Gaye, Nyx) 2:43<br />12 Flyin' High (In the Friendly Sky) [Original Detroit Mix] (Gaye, Gaye, Stover) 3:48 13 Save the Children [Original Detroit Mix] (Benson, Cleveland, Gaye) 4:01<br />14 God Is Love [Original Detroit Mix] (Gaye, Gaye, Nyx, Stover) 1:46<br />15 Mercy Mercy Me (The Ecology) [Original Detroit Mix] (Gaye) 3:07<br />16 Right On [Original Detroit Mix] (DeRouen, Gaye) 7:31<br />17 Wholy Holy [Original Detroit Mix] (Benson, Cleveland, Gaye) 3:07<br />18 Inner City Blues (Make Me Wanna Holler) [Original Detroit Mix] (Gaye, Nyx) 5:45<br />19 What's Going On [Rhythm and Strings Mix] (Benson, Cleveland, Gaye) 3:50<br /></div><div align="justify"><strong></strong> </div><div align="justify"><strong>TRACKS CD 02</strong></div><div align="justify">20 Sixties Medley: That's the Way Love Is/You/I Heard It Through the Grape [live/medley] Bowen, Dozier, Goga, Holland, Holland, Hunter, Strong, Whitfield 13:23<br />21 Right On [live] (DeRouen, Gaye) 7:33<br />22 Wholy Holy [live] (Benson, Cleveland, Gaye) 3:32<br />23 Inner City Blues (Make Me Wanna Holler) [live] (Gaye, Nyx) 9:05<br />24 What's Going On [live] (Benson, Cleveland, Gaye) 5:42<br />25 What's Happening Brother [live] (Gaye, Nyx) 2:54<br />26 Flyin' High (In the Friendly Sky) [live] (Gaye, Gaye, Stover) 3:51<br />27 Save the Children [live] (Benson, Cleveland, Gaye) 4:22<br />28 God Is Love [live] (Gaye, Gaye, Nyx, Stover) 1:43<br />29 Stage Dialogue [live] 2:34<br />30 Inner City Blues (Make Me Wanna Holler) (Reprise) [live] (Gaye, Nyx) 5:12<br />31 What's Going On (Reprise) [live] (Benson, Cleveland, Gaye) 4:07<br />32 What's Going On [version] (Benson, Cleveland, Gaye) 3:56<br />33 God Is Love [version] (Gaye, Gaye, Nyx, Stover) 2:53<br />34 Sad Tomorrows [version] (Gaye, Gordy, Wilkinson) 2:27<br />35 Head Title [Aka Distant Lover] (Gaye, Greene) 4:07</div><div align="justify"></div><div align="center"><a href="http://rapidshare.com/files/158764135/marvingaye-CD_1.rar">download cd 1</a></div><div align="center"><a href="http://rapidshare.com/files/158788064/marvingaye-CD_2.rar">download cd 2 </a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4976826588131659748?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com5tag:blogger.com,1999:blog-30596709.post-49166611944689961222008-10-27T14:00:00.000-07:002008-11-10T11:03:49.116-08:00<div align="center"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SQYsysb31fI/AAAAAAAABUI/sgcX47Mct-Y/s1600-h/Cover.jpg"><img id="BLOGGER_PHOTO_ID_5261942464062150130" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SQYsysb31fI/AAAAAAAABUI/sgcX47Mct-Y/s200/Cover.jpg" border="0" /></a></div><div align="center"><strong>TRACKS<br /></strong>1 Chan Chan </div><div align="center">2 De Camino a la Vereda </div><div align="center">3 El Cuarto de Tula</div><div align="center">4 La Engañadora</div><div align="center">5 Buena Vista Social Club</div><div align="center">6 Dos Gardenias</div><div align="center">7 Quizás, Quizás</div><div align="center">8 Veinte Años</div><div align="center">9 Orgullecida</div><div align="center">10 ¿Y Tú Qué Has Hecho?</div><div align="center">11 Siboney</div><div align="center">12 Mandinga</div><div align="center">13 Almendra</div><div align="center">14 El Carretero</div><div align="center">15 Candela</div><div align="center">16 Silencio</div><div align="center"><a href="http://rapidshare.com/files/158135198/Buena_Vista_Social_Club_at_Carnegie_Hall.rar">download</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4916661194468996122?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-45379893994700856112008-10-09T09:10:00.000-07:002008-10-09T10:35:53.825-07:00<div style="text-align: center;"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/SO4tuiI2F6I/AAAAAAAABUA/Vc62oTbSt6g/s1600-h/THE+CULT+FRONT+COVER.jpg"><img id="BLOGGER_PHOTO_ID_5255188092649084834" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/SO4tuiI2F6I/AAAAAAAABUA/Vc62oTbSt6g/s200/THE+CULT+FRONT+COVER.jpg" border="0" /></a><span style="font-weight: bold;">TRACKS</span><br />1 Born into This (Astbury, Duffy) 4:04<br />2 Citizens (Astbury, Duffy) 4:32<br />3 Diamonds (Astbury, Duffy) 4:06<br />4 Dirty Little Rockstar (Astbury, Duffy) 3:40<br />5 Holy Mountain (Astbury, Duffy) 3:42<br />6 I Assassin (Astbury, Duffy) 4:13<br />7 Illuminated (Astbury, Duffy) 4:07<br />8 Tiger in the Sun (Astbury, Duffy) 5:07<br />9 Savages (Astbury, Duffy) 3:54<br />10 Sound of Destruction (Astbury, Duffy) 3:30<br />11 Stand Alone [*] (Astbury, Duffy) 5:13<br />12 War Pony Destroyer [*] (Astbury, Duffy) 4:20<br />13 I Assassin [*/demo version] (Astbury, Duffy) 4:36<br />14 Sound of Destruction [*/demo version] (Astbury, Duffy) 4:25<br />15 Savages [*] (Astbury, Duffy) 4:31<br />[*] bonus tracks<br />------------------------------<br />CREDITS<br />Ian Astbury - Vocals<br />Billy Duffy - Guitar<br />David Nock - Drums<br />John Tempesta - Drums<br />Chris Wyse - Bass<br /></div><div style="text-align: center;">------------------------------<br /></div><div style="text-align: center;"><a href="http://rapidshare.com/files/152337538/The_Cult_-_Born_Into_This__Savage_Edition___2007_.zip">Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4537989399470085611?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-8467599056545291782008-10-09T07:10:00.000-07:002008-10-09T08:06:07.430-07:00Sabe aquele dia em que você já se deu por vencido, prepara suas coisas pra ir embora e resolve se despedir de alguém pelo msn após um dia cansativo de trabalho?<br />Um dia em que o The Cult estava em SP com sua turnê <span style="font-style: italic;">Born Into This</span>, onde já tinha desistido de ir ao show, pois não tinha conseguido ingressos, o frio era cortante e o que me restava era enfrentar o trânsito e voltar pra casa.<br />Mas como coisas inesperadas acontecem, fui me despedir de uma amiga via comunicador instantâneo e fui questionado por que eu não iria ao show do The Cult. Grana? Falta de vontade? A resposta foi a primeira, mas como um passe de mágica, ela me diz: - eu tenho um ingresso pra você!<br />Como assim? De onde? Será que o céu ouviu as minhas preces e sabiam da minha vontade de ver essa banda que eu tanto gosto?<br />Sim, sim e sim!<br />Meio aturdido com a notícia, cheguei ao Credicard Hall e o ingresso estava à minha espera. Encontrei meus amigos e entramos para o show.<br />O Cult subiu ao palco e já começou com <span style="font-style: italic;">Nirvana</span>, engatou <span style="font-style: italic;">Rain</span> (ambas do álbum Love, de 1985), inseriu uma nova para a galera ir se habituando ao álbum mais recente <span style="font-style: italic;">Born Into This</span>, mas depois, veio um desfile de hits: <span style="font-style: italic;">The Witch, Fire Woman, Edie (Ciao) Baby, Spiritwalker, Rise, The Phoenix, Dirty Little Rockstar (nova), Wildflower e Sweet Soul Sister</span>.<br />Com uma frieza incalculável, Ian Astbury interagiu pouco com o público e sua voz falhou em muitas músicas.<br />Voltaram para o bis e mandaram ver com <span style="font-style: italic;">She Sells Sanctuary</span> e<span style="font-style: italic;"> Love Removal Machine</span>.<br />Por incrível que pareça, no retorno ao palco, voltaram no maior gás (será que foi alguma substância que eles consumiram? ...).<br />Foi muito bom ver o Cult ao vivo, pois curto muito o som dos caras, mas a pegada já não é mais a mesma, faltou<span style="font-style: italic;"> punch</span>.<br />Billy Duffy comandou bem as guitarras, assim como John Tempesta comandou bem as baquetas, com batidas precisas e fortes.<br />Mas no final, a média geral foi 8,5.<br />Abraços e até o próximo show.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-846759905654529178?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-8867901497516442772008-10-09T05:34:00.000-07:002008-10-09T08:06:07.431-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SO36icCTyaI/AAAAAAAAAJg/UOCDTJAQLOQ/s1600-h/Love+Cover.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SO36icCTyaI/AAAAAAAAAJg/UOCDTJAQLOQ/s200/Love+Cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5255131809759611298" border="0" /></a><a href="http://www.badongo.com/pt/file/11666630">Download - Love (1985)</a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SO36od2N0HI/AAAAAAAAAJo/j10g3qLYndc/s1600-h/Electric+Cover.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SO36od2N0HI/AAAAAAAAAJo/j10g3qLYndc/s200/Electric+Cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5255131913324974194" border="0" /></a><a href="http://www.badongo.com/pt/file/11666751">Download - Electric (1987)</a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SO36xayEqeI/AAAAAAAAAJw/O4Tk00cYRHg/s1600-h/Sonic+Temple+Cover.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SO36xayEqeI/AAAAAAAAAJw/O4Tk00cYRHg/s200/Sonic+Temple+Cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5255132067121113570" border="0" /></a><a href="http://www.badongo.com/pt/file/11666971">Download - Sonic Temple (1989)</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-886790149751644277?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-83024668781876508902008-10-08T20:34:00.000-07:002008-10-09T05:10:57.345-07:00<div align="justify">Acabo de chegar em casa depois de um show da turnê <em>Born Into This</em> do The Cult, um ícone do rock dos anos 80 e uma das minhas bandas favoritas. Vou deixar minhas impressões sobre o show depois, bem como dos shows de Ben Harper &amp; The Innocent Criminals e da Dave Matthews Band no <em>Festival About Us</em>, ocorridos no último dia 28/09. Aguardem.</div><div align="justify">Abraços.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8302466878187650890?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-69585503602723021772008-10-08T12:34:00.001-07:002008-10-08T14:07:34.248-07:00<div style="text-align: center;"><div style="text-align: justify;">No início da década de 90 houve um crescente número de bandas do chamado “retro hard rock”. Assim como o Black Crowes e o The Quireboys, o The Four Horsemen também estava tentando conquistar seu espaço. A banda foi formada no final dos anos 80 em Hollywood, Califórnia, contando com o vocalista Frank C. Starr, Dave Lizmi e Haggis nas guitarras, Ben Pape no baixo e Ken 'Dimwit' Montgomery na bateria.<br /><br />Seu primeiro registro, um EP auto-intitulado lançado em 89, trazia uma sonoridade bem anos 70, calcada no rock sulista de seu país e também no AC/DC. Na sequência, em 1991, o Four Horsemen coloca no mercado seu primeiro álbum, o nome “Nobody Said It Was Easy”. O disco foi muito bem aceito pela mídia e até mesmo a MTV tomou gosto pela coisa.<br /><br />Mas Starr era problemático com suas constantes violações a lei, e acaba sendo preso em 1992. Pra piorar, o baterista Dimwit sofreu uma overdose letal de heroína em setembro de 1994. Desanimados, Haggis e Pape abandonam o grupo.<br /><br />Porém, o Four Horsemen é reestruturado com a entrada do baixista Pharoah e o baterista Chuck Biscuits, que é logo substituído por Randy Cooke, e começam a gravar seu próximo álbum, “Gettin' Pretty Good...At Barely Gettin' By...”.<br /><br />Em 1995, o tal disco já estava pronto, mas Starr desta vez sofre um acidente com sua moto, ficando em um coma do qual nunca se recuperaria, vindo a falecer somente quatro anos depois. Neste meio tempo o Four Horsemen tocou com o vocalista Ron Young, porém não lançaram mais nenhum disco e a banda acaba em 1998, deixando como herança somente um EP e dois belos registros, além da óbvia reputação de autênticos “bad boys”.<br /><br /><span style="font-style: italic;">*resumido de texto original feito por Ben Ami Scopinho</span><br /></div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SO0NO44CccI/AAAAAAAAAJY/ewjp8cwcONc/s1600-h/four.bmp"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 227px; height: 227px;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SO0NO44CccI/AAAAAAAAAJY/ewjp8cwcONc/s320/four.bmp" alt="" id="BLOGGER_PHOTO_ID_5254870889647993282" border="0" /></a><a href="http://www.badongo.com/pt/file/11653607">Download - The Four Horsemen EP (1989)</a><br /></div><br /><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SO0LlZR_KII/AAAAAAAAAJQ/3R_C_cd7pzA/s1600-h/4horsemen_nobody.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 233px; height: 227px;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SO0LlZR_KII/AAAAAAAAAJQ/3R_C_cd7pzA/s320/4horsemen_nobody.jpg" alt="" id="BLOGGER_PHOTO_ID_5254869077280630914" border="0" /></a><a href="http://www.badongo.com/pt/file/11653552">Download - Nobody Said It Was Easy (1991)</a><br /></div><br /><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SO0LVp0ZFhI/AAAAAAAAAJI/SYoInccnfxw/s1600-h/4horsemen_gettin.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SO0LVp0ZFhI/AAAAAAAAAJI/SYoInccnfxw/s320/4horsemen_gettin.jpg" alt="" id="BLOGGER_PHOTO_ID_5254868806841996818" border="0" /></a><a href="http://www.badongo.com/pt/file/11653293">Download - Gettin' Pretty Good...At Barely Gettin' (1996)</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6958550360272302177?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-61971442119541724732008-10-06T06:01:00.000-07:002008-10-06T07:11:25.268-07:00<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SOoMGnGNBHI/AAAAAAAAAIw/yFMewXAK5Ug/s1600-h/rs_eat.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SOoMGnGNBHI/AAAAAAAAAIw/yFMewXAK5Ug/s320/rs_eat.jpg" alt="" id="BLOGGER_PHOTO_ID_5254025222994855026" border="0" /></a>O Raging Slab é uma banda formada nos EUA em 1985, tendo como líderes e fundadores o casal Greg Strzempka (guitarra e vocais) e Elyse Steinman (guitarra-base e alguns vocais). O grupo faz uma mistura de southern rock com blues e heavy metal, já tendo sido definido como um cruzamento de Lynyrd Skynyrd com Metallica.<br />O álbum "Pronounced Eat-Shit", cujo título e capa são uma referência ao Lynyrd Skynyrd mostra o Raging Slab em grande forma, com uma pegada mais <em>bluesy</em> do que de costume e é citados por muitos como o melhor disco do grupo.<br /></div><br /><div style="text-align: center;"><span style="font-weight: bold;">Tracks</span><br />1. Little Red Lights<br />2. Boogalooser<br />3. Ruby<br />4. Miss Delicious<br />5. Dry Your Eyes<br />6. Hell Yawns Before Me<br />7. Black Bell<br />8. Chrome won't get you Home<br />9. Shake what you can<br />10. Never never know<br />11. When the cock crows<br />12. Bury me deep<br />13. For what you're worth<br />14. We're An American Band (Bonus Track)<br /><a href="http://www.badongo.com/pt/file/11630918"><span style="font-weight: bold;">Download</span></a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6197144211954172473?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-76583484247475279702008-10-01T14:38:00.000-07:002008-10-03T10:30:43.762-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SOPt7995jsI/AAAAAAAAAIo/03m1XpjvaDM/s1600-h/benharper_2019_643804.gif"><img id="BLOGGER_PHOTO_ID_5252303204946382530" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SOPt7995jsI/AAAAAAAAAIo/03m1XpjvaDM/s320/benharper_2019_643804.gif" border="0" /></a><span style="font-weight: bold;">Tracks</span><br /></div><div style="text-align: center;">1. In The Colors<br /></div><div style="text-align: center;">2. Fool For A Lonesome Train<br />3. Needed You Tonight<br />4. Say You Will<br />5. Having Wings<br />6. Steal My Kisses<br /><a href="http://www.badongo.com/pt/file/11594787"><span style="font-weight: bold;">Download</span></a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7658348424747527970?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-72629258766625900292008-10-01T14:32:00.001-07:002008-10-03T06:12:07.781-07:00<div style="text-align: center;"><div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SOPscdq3u5I/AAAAAAAAAIg/_fz0rRoTkGk/s1600-h/tom_freund.jpg"><img id="BLOGGER_PHOTO_ID_5252301564189064082" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SOPscdq3u5I/AAAAAAAAAIg/_fz0rRoTkGk/s320/tom_freund.jpg" border="0" /></a><span style="font-family: trebuchet ms;font-family:Arial, Helvetica, sans-serif;font-size:85%;" >I have been moved by Tom's music since the first note we played together in my family's music store after closing time -- just he and I with two guitars until the morning hours.</span><span style="font-size:85%;"><br /></span><span style="font-family: trebuchet ms;font-family:Arial, Helvetica, sans-serif;font-size:85%;" >He was the first person I had ever heard that was my age, writing songs of his own, and they were amazing.</span><span style="font-size:85%;"><br /></span><span style="font-family: trebuchet ms;font-family:Arial, Helvetica, sans-serif;font-size:85%;" >Tom is an extraordinarily soulful multi-instrumentalist, Ben Harper &amp; Tom Freund - Pleasure and Pain and also a one take phenom when it comes to recording, making my role as producer that much easier, enabling us to complete recording for "Collapsible Plans" in under ten days.</span><span style="font-size:85%;"><br /></span><span style="font-family: trebuchet ms;font-family:Arial, Helvetica, sans-serif;font-size:85%;" >A few of the songs on this record have been previously released, but I felt the record would be best served with not just new material, but also some of Tom's strongest material from the past… These are songs that deserve the entire world as an audience, and I didn't want to let the potential of that chance get away with "Collapsible Plans."</span><span style="font-size:85%;"><br /></span><span style="font-family: trebuchet ms;font-family:Arial, Helvetica, sans-serif;font-size:85%;" >Ben Harper</span></div><span style="font-weight: bold;"><br />Tracks</span><br />1. Collapsible Plans (Sugar)<br />2. Comfortable in Your Arms<br />3. Copper Moon<br />4. Unwind<br />5. Can't Cry Hard Enough<br />6. Why Wyoming<br />7. Without Her I'd Be Lost<br />8. Queen of the Desert<br />9. Concessions<br />10. Begin Again<br /><a href="http://rapidshare.com/files/150162690/tomfreund-collapsibleplans.zip">Download </a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7262925876662590029?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-11175462613006915622008-10-01T14:17:00.000-07:002008-10-01T22:34:27.626-07:00<div style="TEXT-ALIGN: center"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SOPpdBpJFCI/AAAAAAAAAIY/1ycGMT6qRFE/s1600-h/bela.jpg"><img id="BLOGGER_PHOTO_ID_5252298275310605346" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: pointer; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SOPpdBpJFCI/AAAAAAAAAIY/1ycGMT6qRFE/s320/bela.jpg" border="0" /></a><span style="FONT-WEIGHT: bold">Tracks</span><br /></div><div style="TEXT-ALIGN: center">1. The Sinister Minister (LP Version)<br />2. Stomping Grounds (Live Version)<br />3. Flight Of The Cosmic Hippo (LP Version)<br />4. Shocktime (LP Version)<br />5. Sex In A Pan (LP Version)<br />6. The Yee-Haw Factor (LP Version)<br />7. Road House Blues (LP Version)<br />8. Vix 9 (LP Version)<br />9. Communication (LP Version)<br />10. Big Country (LP Version)<br />11. Sunset Road (LP Version)<br /><a href="http://rapidshare.com/files/150155296/belafleck-greatesthits.zip">Download </a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1117546261300691562?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-8518808692692502672008-09-30T10:08:00.000-07:002008-09-30T13:17:37.504-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SOJeOP_14bI/AAAAAAAAAIQ/igzflZvJScM/s1600-h/madison.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SOJeOP_14bI/AAAAAAAAAIQ/igzflZvJScM/s320/madison.jpg" alt="" id="BLOGGER_PHOTO_ID_5251863714372903346" border="0" /></a>Última apresentação da Dave Matthews Band antes da banda vir ao Brasil. Gravado no Madison Square Garden, no evento beneficente Stand Up for a Cure, o show traz várias raridades e surpresas: desde a introdução pela própria Julia Roberts, passando pela rara Spoon (com participação de Ingrid Michaelson), a linda Stay or Leave, ou as clássicas #41, Two Step e Ants Marching, a banda não decepciona, tocando versões incríveis e honrando o legado de Leroi Moore, menos de um mês depois do inesperado falecimento do saxofonista da DMB.<br /><br /><div style="text-align: center;"><span style="font-weight: bold;">CD 1</span><br />01. Intro By Julia Roberts<br />02. Don't Drink the Water<br />03. Proudest Monkey-><br />04. Satellite<br />05. So Damn Lucky<br />06. Cornbread<br />07. Burning Down the House<br />08. Spoon &amp;<br />09. Stay or Leave<br />10. Eh Hee-><br />11. Water/Wine Jam<br /><a href="http://www.badongo.com/pt/file/11555835"><span style="font-weight: bold;">Download</span></a><br /><br /><span style="font-weight: bold;">CD2</span><br />01. #41<br />02. Louisiana Bayou<br />03. Sledgehammer<br />04. Crash Into Me<br />05. Two Step<br /><a href="http://www.badongo.com/pt/file/11556054"><span style="font-weight: bold;">Download</span></a><br /><br /><span style="font-weight: bold;">CD3</span><br />01. Anyone Seen the Bridge-><br />02. Too Much (fake)-><br />03. Ants Marching<br />04. Encore Break<br />05. Too Much<br />06. All Along the Watchtower (Stefan bass intro)<br /><a href="http://www.badongo.com/pt/file/11556290"><span style="font-weight: bold;">Download</span></a><br /><br />Boyd Tinsley: violinos e vocais<br />Carter Beauford: bateria e vocais<br />Dave Matthews: violões e voz<br />Stefan Lessard: baixos<br /><br /><span style="font-style: italic; font-weight: bold;">Músicos convidados:</span><br />Rashawn Ross: trompetes e vocais<br />Tim Reynolds: guitarra<br />Jeff Coffin: saxofones e flauta<br />&amp; Ingrid Michaelson guest on vocals<br /></div><div style="text-align: center;"><a href="http://www.dmbrasil.net/"><span style="color: rgb(255, 0, 0);">Retirado do Site DMBrasil.Net - O Site Oficial Brasileiro</span></a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-851880869269250267?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com4tag:blogger.com,1999:blog-30596709.post-43454319375308018072008-09-29T10:34:00.000-07:002008-09-29T11:21:34.708-07:00<p style="text-align: justify;"><b>O que dizer sobre a Dave Matthews Band? Alguns dos melhores músicos do planeta, que conta com uma formação um tanto diferente para uma banda de rock (um vocalista/violonista/guitarrista, um baterista, um saxofonista, um violinista e um baixista), com alguns dos melhores CDs já lançados na história da música, chegando a recordes de 30 milhões de cópias vendidas só nos EUA. Após ver a competente banda ontem no festival About Us, nada mais justo que colocar essa "raridade" aqui no TocoSongs.<br /></b></p> <div class="hr"><hr /></div> <div style="text-align: center;" class="imagensLateral"><img src="http://jphca.powweb.com/imagens-e/especial/davematthews/especialdmb.jpg" class="img" alt="Imagem" /> </div><div style="text-align: justify;">Quem conhece e gosta da banda sabe exatamente o que estou falando e muito mais, porque existem pouquíssimas bandas no mundo que conseguem ter fãs tão leais e que se emocionem tanto com suas músicas.</div><p style="text-align: justify;">O disco “Before These Crowded Streets” foi um marco na história da DMB, e marcou sua máxima evolução instrumental, fazendo a banda chegar a seus extremos, muito mais denso que os anteriores (escutem “The Stone” e “Don’t Drink The Water”), muito mais pesado que os anteriores (“The Last Stop” e “Halloween”), muito mais feliz que “Crash” e “Under The Table” (ouça “Stay” ou “Rapunzel” ) e até mesmo mais apaixonante que nunca, com pérolas como “Crush” e “Pig” .</p><p style="text-align: justify;">Após uma turnê desgastante Dave Matthews e cia se voltaram para gravação de mais um disco na sua cidade natal Charlottesville. O produtor escolhido mais uma vez foi Steve Lillywhite, que produziu seus outros álbuns lançados pela RCA. </p><p style="text-align: justify;">A ansiedade para ouvir alguma coisa nova vinda da DMB era enorme, e todos se perguntavam se eles realmente conseguiriam evoluir depois de “Before These Crowded Streets”. Depois de algum tempo na gravação do que seria o novo disco de estúdio, sempre adiando o lançamento do tão esperado CD, uma turnê foi marcada no meio das gravações, a DMB foi para a estrada e, para satisfação dos fãs, começou a tocar várias músicas do futuro lançamento. Estávamos ouvindo pela primeira vez maravilhas como “Grey Street”, “Raven”, “JTR” e “Bartender” (na sua versão final). </p><p style="text-align: justify;">Nesta época Dave Matthews declara que estava passando por uma fase complicada de depressão e que as novas composições estavam refletindo seu estado, e não era sua intenção lançá-las. Correm boatos que a própria gravadora estava pressionando a banda, pois queria uma nova “Tripping Billies”. Com isso, Dave vai ao encontro do produtor Glenn Ballard (que já trabalhou com grandes nomes do pop mundial, como Alanis e Michael Jackson) para tentar escrever alguma música que se encaixasse melhor no disco e que não tivesse o clima pesado apresentado nas outras composições. </p><p style="text-align: justify;">A parceria deu tão certo que o vocalista achou melhor dispensar o produtor Steve Lillywhite e “engavetar” as 12 músicas que estavam sendo gravadas em Charlottesville. Em um período de 2 semanas todas as 12 novas composições que iriam representar o disco “Everyday” estavam prontas. </p><p style="text-align: justify;">O resto todo mundo sabe: a DMB passou rapidamente pelo Brasil em janeiro de 2001 para se apresentar no Rock in Rio 3 e logo após isso lançaram o esperado novo disco. “Everyday” chegou nas lojas do mundo todo e na sua primeira semana subiu ao topo da billboard vendendo quase 1 milhão de cópias em apenas 7 dias. “I Did It” (primeiro single) infestava as rádios e teve o maior índice de “downloads” que o Napster já viu. </p><p style="text-align: justify;">Porém nem tudo estava perfeito. Os fãs fiéis perguntavam: onde está a verdadeira DMB? “Everyday” se mostrou muito pop, chegando a soar muito comercial em diversas músicas (coisa que a Dave Matthews Band, mesmo fazendo muito sucesso, nunca seguiu nenhuma tendência ou fez músicas puramente comerciais, muito pelo contrário), não representando uma banda que tem músicos como Carter Beauford, considerado um dos melhores bateristas de todos os tempos. Onde estavam os solos de violino? Onde estavam as jams intermináveis? Onde estavam as texturas criadas por Leroi Moore com seu sax? Ninguém sabia exatamente o que, mas com certeza faltava alguma coisa na DMB.</p><p style="text-align: center;"><img src="http://jphca.powweb.com/imagens-e/especial/davematthews/lillywhite.jpg" class="img" alt="Imagem" /> </p><div style="text-align: justify;">Com isso os fãs começaram a se perguntar onde estariam as músicas gravadas com o ex-produtor Steve Lillywhite. Onde estavam aquelas músicas (“Grey Street”, “Raven”, etc...) que muitos fãs já haviam se apegado e esperavam ouvi-las. Por algum acaso ou sorte, alguém (até hoje não se sabe), liberou as versões das 12 composições gravadas pela banda com o ex-produtor Steve Lillywhite na internet com o nome de Lillywhite Sessions. </div><p style="text-align: justify;">As 12 músicas se mostravam inegavelmente depressivas, mas com qualidades surpreendentes, mostrando o verdadeiro espírito da DMB. As já famosas Lillywhite Sessions começam com a arrastada “Busted Stuff”, com uma letra simples em comparação ao habitual de Dave Matthews, mas com ritmo e melodias muito boas. Mas é com “Grey Street” que o CD realmente começa a impressionar. Pesada, no típico estilo que fez a Dave Matthews Band ser o que é hoje, com melodias marcantes, um esculacho instrumental, e Dave fazendo o que faz melhor, se emocionando, gritando e expondo todas suas emoções, com uma letra maravilhosa (<i>“if you don’t see your heaven, don’t convince yourself you’re done, just ‘cause the things around you seem heavy, doesn’t mean you can give up this ground”</i>) e com um refrão perfeito. </p><div style="text-align: center;" class="imagensLateral"><img src="http://jphca.powweb.com/imagens-e/especial/davematthews/especialdmb2.jpg" class="img" alt="Imagem" /> </div><div style="text-align: justify;">“Diggin a Ditch”, a terceira e uma das mais depressivas do disco (<i>“cause i’m digging a ditch where madness gives, digging a ditch where silence lives”</i>) mostrando a fase pela qual Dave Matthews passava , é marcada principalmente pela bateria de Carter Beauford, que consegue dar personalidade a uma música que inicialmente seria bem simples. “Sweet Up and Down” levanta de novo o astral, com seu ritmo contagiante que com certeza será um ponto alto nos shows da banda com solos de violino e muita energia.</div><p style="text-align: justify;">“JTR” é outro ponto alto, chegando ao ápice no seu fim, onde a banda entra em uma jam de 2 minutos, abrindo espaço para “Big Eyed Fish”, com uma das melhores linhas vocais feitas pela DMB e uma letra triste, porém muito bem sacada e até engraçada do seu próprio jeito.</p><p style="text-align: justify;">“Grace is Gone” é a faixa mais lenta das Lillywhite Sessions, uma balada de cowboy (Dave sempre fala dela sendo uma cowboy’s song), também mostrando a fase ruim pela qual Matthews passava (<i>“scuse me please, one more drink, could you make it strong ‘cause I don’t need to think, she broke my heart, my grace is gone”</i>). “Captain” é uma composição antiga da banda, e era tocada geralmente em shows acústicos, mas que aparece aqui em uma versão nova, melhorada e muito bonita.</p><p style="text-align: justify;">A nona música, o épico “Bartender” também é outra composição antiga da banda, trabalhada exaustivamente durante anos (já teve até outros nomes como “Reconcille Your Differences”) e durante vários shows, para chegar a essa nova versão. Impossível não se empolgar com seu refrão, com sua letra forte e com as vocalizações de Dave Matthews, que dá uma aula de interpretação.</p><p style="text-align: justify;">“Monkey Man” e “Kit Kat Jam” eram as duas músicas mais obscuras dessas Lillywhite Sessions. Eram as duas que pouco se havia falado, não tinham sido tocadas em lugar algum e nem seus nomes tinham sido muito divulgados. Mas elas não decepcionam de jeito nenhum. Com um ritmo meio “funkeado” , um instrumental muito bem balanceado e passagens muito bem sacadas elas preparam o terreno para “Raven”, que fecha o CD. Linda, não tenho outro adjetivo para falar dela. Todo feeling de Matthews está nessa faixa que finaliza o que seria mais um grande disco da Dave Matthews Band.</p><p style="text-align: justify;">Logicamente todas músicas não se apresentam como elas seriam se o CD fosse realmente lançado oficialmente. E ainda faltam, para algumas, detalhes na gravação/produção. As duas faixas que estão totalmente finalizadas são “Diggin a Ditch” e “Bartender”, mas todas as outras se encontram próximo do ideal.</p><p style="text-align: justify;">Muitos sites de fãs na internet tem as Lillywhite Sessions para download e depois da grande repercussão que elas causaram (por semana nos EUA são contados 70 mil downloads do CD), os próprios membros da Dave Matthews Band deram diversas entrevistas falando bem das músicas e que elas só não foram lançadas por que ainda não era sua hora. Existem planos de regrava-las e de lançar um DVD ao vivo com algumas das músicas presentes da Lillywhite Sessions. Assim esperamos.</p><p style="text-align: center;"><a href="http://www.badongo.com/file/11545368">Download</a> </p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4345431937530801807?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-35008847149655947452008-09-10T05:36:00.000-07:002008-09-10T05:55:31.549-07:00<div style="text-align: center;"><div style="text-align: justify;"><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SMe_VagW0II/AAAAAAAAAH4/16ZU1hyViok/s1600-h/shirley_complete.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SMe_VagW0II/AAAAAAAAAH4/16ZU1hyViok/s320/shirley_complete.jpg" alt="" id="BLOGGER_PHOTO_ID_5244370665709424770" border="0" /></a>SHIRLEY ELLIS by <span style="font-style: italic;">Harry Young</span><br /></div><br />By the time of "The Name Game," Shirley Ellis had been an accomplished songwriter for more than a decade. She was a veteran of the 1950's Doo-Wop &amp; Calypso explosions,<br />a seasoned performer and a consummate artist<br />of incredible versatility.<br /><br />Shirley Ellis (Shirley Marie Elliston) was raised in the Bronx, NY. Early on, Shirley won an Amateur Night competition at the Apollo Theater and performed with the Metronomes.<br /><br />Her first song writing copyrights were registered in June 1954. The Chords (aka The Sh-Booms) cut Shirley's "Pretty Wild" (Cat 117) &amp; "Lu-Lu" (unreleased) in February 1955. The group did a second version of "Lu-Lu" in August 1957 (Vik 0295, also on the various artists CD Rock 'N' Roll Party, Volume 2, RCA 9758-2-R, 1989). The Heartbreakers, managed by Alphonso Elliston, cut Shirley's "One, Two I Love You" in January 1957 (Vik 0261).<br /><br />In 1959, Shirley met Lincoln R. Chase (b. June 29, 1926-<br />d. October 6, 1980). Lincoln became Shirley's manager, producer and song writing partner.<br /><br />Contrary to many published accounts, Shirley was never married to Lincoln Chase! (Alphonso Elliston, 1994: "I am Shirley Ellis' husband. Lincoln Chase is not her husband and has never been her husband.")<br /><br />In December 1951, while enrolled at NYC's American Academy of Music, Lincoln Chase signed with Decca ("Loved One," 1952 &amp; "I'll Never Stop Loving You," 1953).<br /><br />Although Chase recorded for RCA ("The Vulture Song," February 1953), Dawn (4 singles, 1956-57), Vik (no releases, March 1957), Liberty (1957: "Johnny Klingeringding" &amp; The Explosive Lincoln Chase LP), Columbia (1955 &amp; 1960-61), Swan ("Sweet Torture," September 1962) &amp; Paramount (the Lincoln Chase 'N' You LP, November 1973), he was best known as a prolific songwriter: "Such A Night" by Clyde McPhatter &amp; the Drifters (November 1953), Johnnie Ray (February 1954) &amp; Elvis Presley (recorded April 1960, released July 1964); "Jim Dandy" by LaVern Baker (December 1956) &amp; Black Oak Arkansas (December 1973); "Jim Dandy Got Married" by LaVern Baker (May 1957); "Batman To The Rescue" by LaVern Baker (July 1966); "That's All I Need" by LaVern Baker (December 1956); "Rain Down Rain" by Big Maybelle (November 1952); "Salty Tears" by Chuck Willis (November 1952); "Mend Your Ways" by Ruth Brown (May 1953); "Please Don't Freeze" by Ruth Brown (July 1954); "She Makes Me Mad" by George Benson (June 1954) &amp; "Rock, Moan And Cry" by the Playboys (August 1954). Billboard - February 21, 2004.<span style="font-weight: bold;"></span><br /><span style="font-weight: bold;"></span></div><span style="font-weight: bold;"><br />Tracks</span><br />1. The Nitty Gritty<br />2. Give Me A List<br />3. That's What The Nitty Gritty Is<br />4. Get Out<br />5. Shy One<br />6. Takin' Care Of Business<br />7. Such A Night<br />8. Bring It On Home To Me<br />9. The Name Game<br />10. Whisper To Me Wind<br />11. The Clapping Song<br />12. This Is Beautiful<br />13. The Puzzle Song<br />14. I See It, I Like It, I Want It<br />15. I Never Will Forget<br />16. I Told You So<br />17. One Sour Note<br />18. You Better Be Good, World<br />19. Stardust<br />20. Ever See A Diver Kiss His Wife While The Bubbles Bounce About Above The Water<br />21. Don't Let Go<br />22. Kansas City<br />23. C.C. Rider<br />24. Stagger Lee<br /></div><div style="text-align: center;"><a href="#"><br /></a><a href="http://www.badongo.com/file/11289607">Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-3500884714965594745?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com19tag:blogger.com,1999:blog-30596709.post-19009050757082319982008-09-04T13:51:00.000-07:002008-09-10T06:05:48.408-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SMBKpTXtgAI/AAAAAAAAAHg/dezD6_iFa1Y/s1600-h/war.jpg"><img id="BLOGGER_PHOTO_ID_5242272039694073858" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SMBKpTXtgAI/AAAAAAAAAHg/dezD6_iFa1Y/s320/war.jpg" border="0" /></a>1. Endless Deep (Remastered)<o:p></o:p><br />2. Angels Too Tied To The Ground<o:p></o:p><br />3. New Year's Day (Single Edit - Remastered)<o:p></o:p><br />4. New Year's Day (<st1:place st="on"><st1:country-region st="on">USA</st1:country-region></st1:place> Remix/Kevorkian Remix - Remastered)<o:p></o:p><br />5. New Year's Day (Vocal Extended Mix - Ferry Corsten Remix)<o:p></o:p><br />6. New Year's Day (Ferry Costen - Vocal Radio mix)<o:p></o:p><br />7. Two Hearts Beat As One (Long Mix By Kevorkian - Remastered)<o:p></o:p><br />8. Two Hearts Beat As One (<st1:place st="on"><st1:country-region st="on">USA</st1:country-region></st1:place> Remix by Kevorkian - Remastered)<o:p></o:p><br />9. Two Hearts Beat As One (Club Version - Steve Lillywhite Re-mix - Remastered)<o:p></o:p><br />10. Treasure (Whatever Happened To Pete The Chop) (Remastered)<o:p></o:p><br />11. I Threw A Brick Through A Window/A Day Without Me (Live from Werchter, Belgium July 1982 - Remastered)<o:p></o:p><span lang="EN-US"><br />12. Fire (Live from Werchter, Belgium, July 1982 - Remastered)<br /><a href="http://www.blogger.com/post-edit.g?blogID=30596709&amp;postID=1900905075708231998#"><br /></a><a href="http://rapidshare.com/files/142712129/U2_-_War__Bonus_Tracks_.zip">Download</a><o:p></o:p></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1900905075708231998?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-84932744150091308532008-09-04T12:52:00.000-07:002008-09-05T10:58:54.372-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SMA9oYNBdcI/AAAAAAAAAHY/N34nGs18kZQ/s1600-h/joshua.jpg"><img id="BLOGGER_PHOTO_ID_5242257730160391618" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SMA9oYNBdcI/AAAAAAAAAHY/N34nGs18kZQ/s320/joshua.jpg" border="0" /></a>1. Luminous Times (Hold On To Love) <o:p></o:p><br /></div><div style="text-align: center;">2. Walk To The Water <o:p></o:p><br />3. Spanish Eyes <o:p></o:p><br />4. Deep In The Heart <o:p></o:p><br />5. Silver And Gold <o:p></o:p><br />6. Sweetest Thing <o:p></o:p><br />7. Race Against Time <o:p></o:p><br />8. Where The Streets Have No Name (Single Edit) <o:p></o:p><br />9. Silver And Gold (<st1:place st="on">Sun City</st1:place>) <o:p></o:p><br />10. Beautiful Ghost/Introduction To Songs Of Experience <o:p></o:p><span lang="EN-US"><br />11. Wave Of Sorrow (Birdland) <o:p></o:p></span><st1:place st="on"><st1:placename st="on"><span lang="EN-US"><br />12.</span></st1:placename><span lang="EN-US"> <st1:placetype st="on">Desert</st1:placetype></span></st1:place> Of Our Love<br />13. Rise Up <o:p></o:p><span lang="EN-US"><br />14. Drunk Chicken/America<br /><br /><a href="http://rapidshare.com/files/142707500/U2_-_The_Joshua_Tree__Twentieth_Anniversary_Edition_.zip.html">Download</a><o:p></o:p></span> </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8493274415009130853?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com3tag:blogger.com,1999:blog-30596709.post-77248673887372411082008-09-04T08:00:00.000-07:002008-10-09T08:06:44.079-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SL_4rJ2qA2I/AAAAAAAAAHI/yA-nJhQCx8s/s1600-h/U23D.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SL_4rJ2qA2I/AAAAAAAAAHI/yA-nJhQCx8s/s400/U23D.jpg" alt="" id="BLOGGER_PHOTO_ID_5242181911545774946" border="0" /></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7724867388737241108?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-14932870235652544142008-09-04T06:12:00.000-07:002008-10-09T08:06:54.183-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SMfIV8kAnLI/AAAAAAAAAII/a4g64_kSXCQ/s1600-h/ovtober.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SMfIV8kAnLI/AAAAAAAAAII/a4g64_kSXCQ/s320/ovtober.jpg" alt="" id="BLOGGER_PHOTO_ID_5244380570456202418" border="0" /></a><a href="http://rapidshare.com/files/142702730/U2_-_October__Bonus_Tracks_.zip">Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1493287023565254414?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-13107582359150255372008-09-04T06:06:00.000-07:002008-10-09T08:06:54.183-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SMfGkEUIM4I/AAAAAAAAAIA/yVlk2P_OaWg/s1600-h/boy.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SMfGkEUIM4I/AAAAAAAAAIA/yVlk2P_OaWg/s320/boy.jpg" alt="" id="BLOGGER_PHOTO_ID_5244378614031987586" border="0" /></a><span style="font-weight: bold;">Tracks</span><br />1. I Will Follow (Previously Unreleased Mix)<br />2. 11 O'Clock Tick Tock<br />3. Touch<br />4. Speed Of Life (Previously Unreleased Track)<br />5. Saturday Night (Previously Unreleased Track)<br />6. Things To Make And Do<br />7. Out Of Control<br />8. Boy-Girl<br />9. Stories For Boys<br />10. Another Day<br />11. Twilight<br />12. Boy-Girl (Live at The Marquee, London)<br />13. 11 O'Clock Tick Tock (Live at The Marquee, London - Previously Unreleased Version)<br />14. Cartoon World (Live at The National Stadium, Dublin - Previously Unreleased Track)<br /><br /><a href="http://rapidshare.com/files/142698078/U2_-_Boy__Exclusive_Bonus_Tracks_.zip">Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1310758235915025537?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-26137863057736493722008-08-25T05:55:00.000-07:002008-08-25T06:16:59.266-07:00<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SLKsNPqvv5I/AAAAAAAAAHA/FZ9TiMdsoBY/s1600-h/dumpstaphunk.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SLKsNPqvv5I/AAAAAAAAAHA/FZ9TiMdsoBY/s320/dumpstaphunk.jpg" alt="" id="BLOGGER_PHOTO_ID_5238438660129406866" border="0" /></a>Dumpstaphunk é formado pelos irmãos Neville, Ivan Neville nos teclados e vocais, Ian Neville na guitarra, Tony Hall (Dave Matthews and friends) na guitarra, baixo e vocais, Raymond Weber na batera e Nick Daniels III também no baixo. De quebra ainda rola uma metaleira forte.<br />A banda segue bem aquele funky que só New Orleans sabe fazer com uma levada bem mais pesada. Para os fãs de Meters, Soulive, New Mastersounds e cia....<br /></div><br /><div style="text-align: center;"><span style="font-weight: bold;">Tracks</span><br />1. Livin In a World Gone Mad<br />2. Turn This Thing Around<br />3. Stinky<br />4. Meanwhile...<br />5. Shake It Off<br /><a href="http://www.badongo.com/file/11043518">Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2613786305773649372?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-87598067384197581342008-08-21T06:54:00.000-07:002008-08-21T12:06:43.623-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/SK10PkVdXjI/AAAAAAAABIM/jGB8eHwlOI8/s1600-h/bona.jpg"><img id="BLOGGER_PHOTO_ID_5236969752502296114" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: pointer; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/SK10PkVdXjI/AAAAAAAABIM/jGB8eHwlOI8/s200/bona.jpg" border="0" /></a><br /><div style="TEXT-ALIGN: center"><span style="FONT-WEIGHT: bold">Disc 01</span><br />1. Bridge to Better Days<br />2. Walk In My Shadows<br />3. So Many Roads<br />4. India / Mountain Time<br />5. Another Kind of Love<br />6. Sloe Gin<br />7. One of These Days<br /><a href="http://rapidshare.com/files/139058195/Joe_Bonamassa_-_CD_1.zip">Download CD 01</a><br /><br /><span style="FONT-WEIGHT: bold">Disc 02</span><br />1. Ball Peen Hammer<br />2. If Heartaches Were Nickels<br />3. Woke Up Dreaming<br />4. Django / Just Got Paid<br />5. High Water Everywhere<br />6. Asking Around For You<br />7. A New Day Yesterday / Starship Trooper / Wurm<br /><a href="http://rapidshare.com/files/139065516/Joe_Bonamassa_-_CD_2.zip">Download CD 02</a> </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8759806738419758134?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com8tag:blogger.com,1999:blog-30596709.post-73762341474662705422008-08-01T10:52:00.000-07:002008-08-02T00:59:04.323-07:00<div style="TEXT-ALIGN: center"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/SJNN5Ke7-GI/AAAAAAAABEE/d4z8wI46xB4/s1600-h/melle.jpg"><img id="BLOGGER_PHOTO_ID_5229609236769273954" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: pointer; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/SJNN5Ke7-GI/AAAAAAAABEE/d4z8wI46xB4/s320/melle.jpg" border="0" /></a><span style="FONT-WEIGHT: bold">Tracks</span><br /></div><div style="TEXT-ALIGN: center">1. Longest Days<br />2. My Sweet Love<br />3. If I Die Sudden<br />4. Troubled Land<br />5. Young Without Lovers<br />6. John Cockers<br />7. Don't Need This Body<br />8. A Ride Back Home<br />9. Without A Shot<br />10. Jena<br />11. Mean<br />12. County Fair<br />13. For The Children<br />14. A Brand New Song<br /><br /><a href="http://rapidshare.com/files/134242186/John_Mellencamp.rar.html">Download</a> </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7376234147466270542?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-9620162805563610462008-07-03T11:14:00.000-07:002008-07-03T12:34:00.975-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SG0dbPdUS_I/AAAAAAAAAGg/oFJ5CdD9eAE/s1600-h/kiss.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SG0dbPdUS_I/AAAAAAAAAGg/oFJ5CdD9eAE/s320/kiss.png" alt="" id="BLOGGER_PHOTO_ID_5218859897035443186" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SG0dgeiijCI/AAAAAAAAAGo/jH9YHamx8s4/s1600-h/Untitled-1.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SG0dgeiijCI/AAAAAAAAAGo/jH9YHamx8s4/s320/Untitled-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5218859986983226402" border="0" /></a><br /><div style="text-align: justify;">A <span class="blsp-spelling-error" id="SPELLING_ERROR_0">Kiss</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_1">Fm</span>, a rádio rock do Brasil, promoveu um festival de bandas para comemorar seu aniversário de sete anos, contando com apresentação do <span class="blsp-spelling-error" id="SPELLING_ERROR_2">Nasi</span> ex-integrante da banda Ira!, os ingleses <span class="blsp-spelling-error" id="SPELLING_ERROR_3">Echo</span> &amp; <span class="blsp-spelling-error" id="SPELLING_ERROR_4">The</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_5">Bunnymen</span>, responsáveis pelos “hinos” “<span class="blsp-spelling-error" id="SPELLING_ERROR_6">Killing</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_7">Moon</span>” e “<span class="blsp-spelling-error" id="SPELLING_ERROR_8">Lips</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_9">Like</span> Sugar”, a banda californiana <span class="blsp-spelling-error" id="SPELLING_ERROR_10">TSOL</span> (<span class="blsp-spelling-error" id="SPELLING_ERROR_11">True</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_12">Sounds</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_13">of</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_14">Liberty</span>) do <span class="blsp-spelling-error" id="SPELLING_ERROR_15">hit</span> “<span class="blsp-spelling-error" id="SPELLING_ERROR_16">Flowers</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_17">by</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_18">the</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_19">door</span>” e ainda os londrinos Gene <span class="blsp-spelling-error" id="SPELLING_ERROR_20">Loves</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_21">Jezebel</span>, famosos pelo sucesso “<span class="blsp-spelling-error" id="SPELLING_ERROR_22">Desire</span>”.<br /></div><div style="text-align: justify;"><br />A noite começou com o <span class="blsp-spelling-error" id="SPELLING_ERROR_23">Nasi</span>. Acompanhado de uma banda competente, não empolgou muito a <span class="blsp-spelling-error" id="SPELLING_ERROR_24">platéia</span>, mesmo porque deixou de lado as canções do Ira! e dedicou-se a um repertório voltado a <span class="blsp-spelling-error" id="SPELLING_ERROR_25">covers</span> e algumas fracas composições da carreira solo. Isso sem contar o som, que estava embolado, sem clareza.<br /><br />Na <span class="blsp-spelling-corrected" id="SPELLING_ERROR_26">sequência</span>, os californianos do <span class="blsp-spelling-error" id="SPELLING_ERROR_27">TSOL</span> entraram detonando, com um som <span class="blsp-spelling-error" id="SPELLING_ERROR_28">direto</span> e potente. A <span class="blsp-spelling-error" id="SPELLING_ERROR_29">platéia</span> curtiu o <span class="blsp-spelling-error" id="SPELLING_ERROR_30">show</span>, mas poucos conheciam a maioria das músicas. Todos esperavam impacientemente pelo desfecho com "<span class="blsp-spelling-error" id="SPELLING_ERROR_31">Flowers</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_32">By</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_33">The</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_34">Door</span>”. Quando o grande <span class="blsp-spelling-error" id="SPELLING_ERROR_35">hit</span> foi tocado, a galera foi ao delírio.<br /><br />Quando o Gene <span class="blsp-spelling-error" id="SPELLING_ERROR_36">Loves</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_37">Jezebel</span> subiu ao palco, o vocalista mais parecia uma versão mais renovada do <span class="blsp-spelling-error" id="SPELLING_ERROR_38">Mick</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_39">Jagger</span>, mas aos poucos foi se mostrando um verdadeiro <span class="blsp-spelling-error" id="SPELLING_ERROR_40">showman</span>, entretendo a <span class="blsp-spelling-error" id="SPELLING_ERROR_41">platéia</span>, com o <span class="blsp-spelling-error" id="SPELLING_ERROR_42">respaldo</span> de uma banda <span class="blsp-spelling-error" id="SPELLING_ERROR_43">ótima</span> e precisa. Deixaram para o final a trinca de <span class="blsp-spelling-error" id="SPELLING_ERROR_44">hits</span> "<span class="blsp-spelling-error" id="SPELLING_ERROR_45">Break</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_46">The</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_47">Chain</span>", "<span class="blsp-spelling-error" id="SPELLING_ERROR_48">The</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_49">Motion</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_50">of</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_51">Love</span>" e "<span class="blsp-spelling-error" id="SPELLING_ERROR_52">Desire</span>".<br /><br />A cabeça já estava atordoada e os ouvidos contemplados com uma <span class="blsp-spelling-error" id="SPELLING_ERROR_53">ótima</span> performance do Gene <span class="blsp-spelling-error" id="SPELLING_ERROR_54">Loves</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_55">Jezebel</span> e a impaciência tomava conta com a espera do <span class="blsp-spelling-error" id="SPELLING_ERROR_56">show</span> do <span class="blsp-spelling-error" id="SPELLING_ERROR_57">Echo</span>.<br /><br />Os seis "rapazes" de Liverpool <span class="blsp-spelling-error" id="SPELLING_ERROR_58">embaçaram</span> um pouco e deixaram a pontualidade britânica de lado, mas quando ENTRARAM no palco... Foi sensacional!<br />Detonaram com "<span class="blsp-spelling-error" id="SPELLING_ERROR_59">Going</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_60">Up</span>", "<span class="blsp-spelling-error" id="SPELLING_ERROR_61">Rescue</span>" logo de cara e assim foram destilando seus <span class="blsp-spelling-error" id="SPELLING_ERROR_62">hits</span>. Saíram e voltaram do palco duas vezes, mas tocaram "<span class="blsp-spelling-error" id="SPELLING_ERROR_63">Killing</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_64">Moon</span>" com muito gás e vigor, assim como "<span class="blsp-spelling-error" id="SPELLING_ERROR_65">Lips</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_66">Like</span> Sugar".<br /><br />No geral, o festival foi bem organizado e com poucos contratempos. Tive o prazer de assistir a essa bateria de <span class="blsp-spelling-error" id="SPELLING_ERROR_67">shows</span> com meus dois grandes (os melhores) amigos - <span class="blsp-spelling-error" id="SPELLING_ERROR_68">Eric</span> e <span class="blsp-spelling-error" id="SPELLING_ERROR_69">Bob</span> e nos divertimos muito com as figuras pitorescas presentes nos <span class="blsp-spelling-error" id="SPELLING_ERROR_70">shows</span>... Melhor nem comentar, só quem estava lá pôde conferir...<br /><br />Até o próximo <span class="blsp-spelling-error" id="SPELLING_ERROR_71">show</span>.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-962016280556361046?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com3tag:blogger.com,1999:blog-30596709.post-68189852043144794142008-06-30T05:20:00.001-07:002008-06-30T06:09:56.932-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/SGjPqpbY0QI/AAAAAAAAAGY/KezHqQJnioU/s1600-h/tailspin.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_VEi12qGtnPE/SGjPqpbY0QI/AAAAAAAAAGY/KezHqQJnioU/s320/tailspin.jpg" alt="" id="BLOGGER_PHOTO_ID_5217648499890901250" border="0" /></a><meta equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 11"><meta name="Originator" content="Microsoft Word 11"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CWAGNER%7E1%5CCONFIG%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:hyphenationzone>21</w:HyphenationZone> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:LatentStyles> </xml><![endif]--><style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline; text-underline:single;} @page Section1 {size:595.3pt 841.9pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:35.4pt; mso-footer-margin:35.4pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p style="text-align: center;" class="MsoNormal"><span style="font-weight: bold;">Tracks</span> <br /></p><div style="text-align: center;"> </div><p style="text-align: center;" class="MsoNormal">1 <span style="text-decoration: none;">Cleopatra</span><span style=""></span></p><p style="text-align: center;" class="MsoNormal">2 <span style="text-decoration: none;">Crimino</span></p><div style="text-align: center;"> </div><p style="text-align: center;" class="MsoNormal">3 <span style="text-decoration: none;">The Thrill Is Gone</span></p><div style="text-align: center;"> </div><p style="text-align: center;" class="MsoNormal">4 <span style="text-decoration: none;">Drivin' South</span></p><div style="text-align: center;"> </div><p style="text-align: center;" class="MsoNormal">5 <span style="text-decoration: none;">Catch the Next Line</span></p><div style="text-align: center;"> </div><p style="text-align: center;" class="MsoNormal">6 <span style="text-decoration: none;">Tailspin Headwhack</span></p><div style="text-align: center;"> </div><p style="text-align: center;" class="MsoNormal">7 <span style="text-decoration: none;">People Say</span><span style=""></span><o:p></o:p></p><div style="text-align: center;"> </div><p style="text-align: center;" class="MsoNormal">8 <span style="text-decoration: none;">Crazy</span></p><div style="text-align: center;"> </div><div style="text-align: center;"> </div><p style="text-align: center;" class="MsoNormal">9 <span style="text-decoration: none;">.32 Blues</span></p><p style="text-align: center;" class="MsoNormal"><span style="text-decoration: none;"></span>10 <span style="text-decoration: none;">Walls</span></p><p style="text-align: center;" class="MsoNormal"><a href="http://www.badongo.com/file/10144296"><span style="text-decoration: none;">Download</span></a> <br /></p> <br /><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6818985204314479414?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-75278000916940559172008-06-26T10:21:00.001-07:002008-06-26T11:03:20.712-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SGPQLKHkdcI/AAAAAAAAAGQ/hB-ZUiwRUkg/s1600-h/41mzyKmgzlL._SS500_.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 250px; height: 250px;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SGPQLKHkdcI/AAAAAAAAAGQ/hB-ZUiwRUkg/s320/41mzyKmgzlL._SS500_.jpg" alt="" id="BLOGGER_PHOTO_ID_5216241683538408898" border="0" /></a><span style="font-weight: bold;" class="section">Biography </span><div style="text-align: justify;"> </div><div class="column-left"><div style="text-align: justify;"> </div><div id="rs60-module-artist-bio" class="artist-minibio"><div style="text-align: justify;"> </div><div style="text-align: justify;">By the time he released his debut solo album, Alejandro Escovedo had already spent more than a decade playing punk (with the Nuns); cow punk (Rank &amp; File); and full-tilt, triple-guitar rock &amp; roll (True Believers). But the San Antonio-born artist really came into his own with <i>Gravity</i> and its equally stunning followup, <i>Thirteen Years</i>. Both albums -- smartly produced by guitarist Stephen Bruton -- were born out of tragedy, as Escovedo struggled to come to grips with the suicide of his first wife. From the chilling opening couplet of "Paradise" ("Did you get your invitation/There's gonna be a public hanging") to the sadder-than-Tom-Waits-at-closing-time "Broken Bottle" and the ghostly "She Doesn't Live Here Anymore," Gravity plays out like one long, cathartic sigh of grief, even when it rocks out with Faces-worthy abandon ("One More Time"). The air of melancholy lingers through most of the more richly orchestrated <i>Thirteen Years</i>, but the Tex-Mex-flavored swell of violins, cello, and harp in "Ballad of the Sun and the Moon" hints at a break in the clouds. Across both albums, Escovedo's triple-threat strength as a writer, singer, and arranger is in full display, his songs alternately evoking shades of the moody romanticism of Nick Drake, the ex-perimentalism of the Velvet Underground, and the unruly, street-poet glam of Mott the Hoople's Ian Hunter. (Both <i>Gravity</i> and <i>Thirteen Years</i> have been reissued with bonus discs featuring instrumental and live tracks; his cover of Hunter’s "I Wish I Was Your Mother" is a highlight on both.)<br /><br />Escovedo's output for the rest of the '90s fell short of that staggering opening salvo of bitter-sweet pathos, though the uneven <i>With These Hands</i> and <i>The Pawnshop Years</i> (featuring his endearingly sloppy garage band Buick MacKane) are not without their charms, particularly the former's Willie Nelson duet, "Nickel and a Spoon." The live <i>More Miles Than Money</i> makes for a fine introductory set, complemented with wicked viola-and cello-driven covers of the Rolling Stones' "Sway" and the Stooges' "I Wanna Be Your Dog." Smart covers (Hunter's "Irene Wilde," Lou Reed's "Pale Blue Eyes") also carry the weight on <i>Bourbonitis Blues</i>, a half-live/half-studio affair. But with <i>A Man Under the Influence</i>, Escovedo delivered his most satisfying and fully realized batch of originals since his debut. Among the highlights: "Castanets," his best -- and rowdiest -- rocker to date; "Velvet Guitar," which channeled <i>Ziggy Stardust</i>-era David Bowie; and the darkly atmospheric "Wave," which towers above everything else in his canon. A more restrained version of "Wave" is reprised on <i>By the Hand of the Father</i>, a soundtrack to a play about the plight of Mexican immigrants inspired in part by Escovedo's music. It's a moving but imperfect concept album -- all the spoken narrative discourages repeated listening. Escovedo's songs get their message across just fine without such extrapolations. (RICHARD SKANSE)<br /><br />From 2004's <i>The New Rolling Stone Album Guide</i></div><p class="fullbiotext"> </p> </div> </div><span style="font-weight: bold;">Tracks</span><br /></div><div style="text-align: center;">1. Always A Friend<br />2. Chelsea Hotel ‘78<br />3. Sister Lost Soul<br />4. Smoke<br />5. Sensitive Boys<br />6. People (We’re Only Gonna Live So Long)<br />7. Golden Bear<br />8. Nuns Song<br />9. Real As An Animal<br />10. Hollywood Hills<br />11. Swallows Of San Juan<br />12. Chip N’ Tony<br />13. Slow Down<br /><a href="http://www.badongo.com/file/10081347">Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7527800091694055917?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-26888049311581563442008-06-17T08:39:00.000-07:002008-06-17T08:44:37.326-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SFfa-Tab4gI/AAAAAAAAAGI/xxr1lVs2ntA/s1600-h/cover_nathan.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SFfa-Tab4gI/AAAAAAAAAGI/xxr1lVs2ntA/s320/cover_nathan.jpg" alt="" id="BLOGGER_PHOTO_ID_5212875857602535938" border="0" /></a>Nathan Cavaleri nasceu na Austrália em 1982. Seu pai era guitarrista amador e tentou incentivar a musicalidade do filho bem cedo: aos três anos de idade Nathan ganhou um ukulelê. Logo veio um violão e em seguida uma guitarra elétrica com o braço lixado pra que pudesse alcançar todas as cordas. Aos seis já tocava todo sábado em frente ao café da mãe, descolando uma graninha dos passantes. Veio então um diagnóstico de leucemia, uma longa batalha contra a doença e muito tempo pra estudar sua guitarra. Aos nove estava curado e pronto pra uma bela carreira musical. <p style="text-align: justify;">O primeiro disco, "Jammin' with the Cats" veio em 1993. Superexposição na mídia australiana; aparições em shows de todas as feras do blues que tocaram na Austrália; convites para shows na América; um contrato com MMJ, o selo do Michael Jackson, que sempre apoiou as criancinhas; um contrato com a Disney; um segundo disco, "Nathan", que saiu até no Brasil em 94; uma faixa deste disco, "Lou's Blues" na trilha do "Free Willy 2", turnê com B. B. King, aparições em seriados e filmes australianos até 1997 e... Nathan Cavaleri some do mundo. Atualmente ele está praticando karatê, é faixa-preta no terceiro dan. E parece que tem uma banda chamada Dirty Skanks. </p><div style="text-align: justify;">O disco "Nathan" foi gravado com músicos de estúdio acompanhando a guitarra do garoto, então com 11 anos de idade. Dentre estes músicos, o baixista Jeff Berlin, os cantores Sweet Pea Atkinson (Was (Not Was)) e Andrew Strong (Commitments). Tem algumas composições do Nathan em parceria com seu pai e algumas versões, sendo a melhor "Summertime Blues", do Eddie Cochran. E tem ótimos momentos nas instrumentais "Lou's Blues" e "Bluzchanan".<br /><br /><div style="text-align: center;"><a href="http://www.badongo.com/pt/file/9932100">Download</a><br /></div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2688804931158156344?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com8tag:blogger.com,1999:blog-30596709.post-66978996093034845992008-05-23T06:43:00.000-07:002008-05-23T02:43:22.838-07:00<div style="text-align: center;">A biografia desse mestre do Texas Blues está bem expressa <a href="http://www.rickyfurlani.com/mostranews_port.php?cat=2&amp;cod=50">aqui</a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/SDQXtovjUuI/AAAAAAAABDU/iBX5oPwjXBQ/s1600-h/bootleg1.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/SDQXtovjUuI/AAAAAAAABDU/iBX5oPwjXBQ/s320/bootleg1.jpg" alt="" id="BLOGGER_PHOTO_ID_5202809542318183138" border="0" /></a><span style="font-weight: bold;">Live Bootleg Series Volume 1</span><br /></div><div style="text-align: center;">1. Introduction<br />2. Johnny B. Goode<br />3. Messin' With the Kid<br />4. Help Me<br />5. Hideaway<br />6. Come On In My Kitchen<br />7. Rollin' And Tumblin'<br />8. Stranger<br />9. Jumpin' Jack Flash<br />10. Bony Moronie<br />11. Closing<br />12. It's All Over Now<br /></div><div style="text-align: center;"><br /><a href="http://www.shareonall.com/187-johwin-livbooservol1_ihcb_rar.htm">Download</a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SDQXzIvjUvI/AAAAAAAABDc/hx36w7BGW5c/s1600-h/bootleg2.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SDQXzIvjUvI/AAAAAAAABDc/hx36w7BGW5c/s320/bootleg2.jpg" alt="" id="BLOGGER_PHOTO_ID_5202809636807463666" border="0" /></a><span style="font-weight: bold;">Live Bootleg Series Volume 2<br /></span>1. Black Cat Bone<br />2. Parchman Farm<br />3. Rock Me Baby<br />4. Mississippi Blues<br />5. Crossroads<br />6. Red House<br /><br /><a href="http://www.shareonall.com/188-johwin-livbooservol2_enix_rar.htm">Download</a><br /><span style="font-weight: bold;"></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6697899609303484599?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-6828617363472381902008-05-21T08:10:00.000-07:002008-05-21T11:51:57.395-07:00<div align="justify"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SDQ8OtbLBHI/AAAAAAAAAGA/2hN0yATLbMY/s1600-h/larger.jpg"><img id="BLOGGER_PHOTO_ID_5202849692929164402" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: pointer; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SDQ8OtbLBHI/AAAAAAAAAGA/2hN0yATLbMY/s320/larger.jpg" border="0" /></a><b>Freddie King</b> (3 de setembro de 1934 – 28 de dezembro de 1976) foi um músico, cantor e guitarrista de blues, mais conhecido por suas músicas "Hide Away", "Have You Ever Loved a Woman" e "Going Down" <div style="TEXT-ALIGN: justify"></div><p style="TEXT-ALIGN: justify" align="justify">King nasceu como <b>Frederick Christian</b> em Gilmer, Texas. Sua mãe foi Ella May King, seu pai J.T. Christian. Sua mãe e seu tio, começaram a ensinar Freddie a tocar guitarra aos seis anos. Ele gostou e imitou a música de <span class="new">Lightnin' Hopkins</span> e do saxofonista <span class="new">Louis Jordan</span>.</p><div style="TEXT-ALIGN: justify" align="justify"></div><p style="TEXT-ALIGN: justify" align="justify">Em 1950, Freddie se moveu com sua família para o sul de Chicago. Lá, aos 16 anos, costumava frequentar bares locais, e ouvia músicos como Muddy Waters, <span class="mw-redirect">Howlin' Wolf</span>, T-Bone Walker, <span class="new">Elmore James</span>, e Sonny Boy Williamson.</p><div style="TEXT-ALIGN: justify" align="justify"></div><p style="TEXT-ALIGN: justify" align="justify">King tocava com uma palheta plástica de polegar e uma palheta de metal para o indicador. Ele atribuiu a <span class="new">Eddie Taylor</span> os ensinamentos sobre o uso das palhetas. A maneira de King usar a alça da guitarra no ombro direito, sendo dextro, era única para sua época. Freddie King era um dos artistas principais da cena do chamado Chicago blues dos anos 50 e 60, que era o local e época pricipal no desenvolvimento do blues elétrico.</p><div style="TEXT-ALIGN: center"><span style="FONT-WEIGHT: bold">Tracks</span><br /></div><div style="TEXT-ALIGN: center">1. It's Better to Have (And Don't Need)<br />2. You Can Run But You Can't Hide<br />3. Woke Up This Morning<br />4. It's Your Move<br />5. Boogie Bump<br />6. Meet Me in the Morning<br />7. Things I Used to Do<br />8. Ain't That I Don't Love You<br />9. Have You Ever Loved a Woman<br /><br /><a href="http://www.badongo.com/file/9500815">Download</a> </div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-682861736347238190?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-63755051324361225502008-05-20T12:01:00.000-07:002008-05-21T05:28:35.916-07:00<div style="text-align: center;"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SDMgRYvjUrI/AAAAAAAABC8/Jpt770oKdfY/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5202537477614817970" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SDMgRYvjUrI/AAAAAAAABC8/Jpt770oKdfY/s200/front+cover.jpg" border="0" /></a><span style="font-weight: bold;">TRACKS</span><br /></div><div style="text-align: center;">1 Road Dogs (Mayall) 6:03<br />2 Short Wave Radio (Mayall) 5:06<br />3 So Glad (Mayall) 4:05<br />4 Forty Days (Mayall) 4:07<br />5 To Heal the Pain (Mayall) 5:17<br />6 Burned Bridges (Mayall) 4:34<br />7 Snake Eye (Mayall) 4:02<br />8 Kona Village (Mayall) 4:53<br />9 Beyond Control Mayall 6:35<br />10 Chaos in the Neighbourhood (Mayall) 5:10<br />11 You'll Survive (Mayall) 4:41<br />12 Awestruck and Spellbound (Whittington, Yuele) 3:58<br />13 With You (Mayall) 4:38<br />14 Brumwell's Beat (VanSickle, Whittington, Yuele) 3:58<br />15 Scrambling (Mayall) 3:40<br /><br /><span style="font-weight: bold;">John Mayall &amp; The Bluesbreakers: </span><br />John Mayall (vocals, guitar, harmonica, piano, electric piano, synthesizer);<br />Buddy Whittington (guitar);<br />Eric Steckel (guitar);<br />Dale Morris Jr. (violin);<br />Tom Canning (piano, organ);<br />Hank Van Sickle (bass guitar);<br />Joe Yuele (drums).<br /><br /></div><div style="text-align: center;"><a href="http://www.shareonall.com/186-johmayblu-roadog_facv_rar.htm">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6375505132436122550?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-89507549922324059832008-05-20T11:44:00.001-07:002008-05-21T05:27:41.091-07:00<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SDMc4tbLBEI/AAAAAAAAAFo/4mIW-rxmtrE/s1600-h/John+Mayall+72dpi.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SDMc4tbLBEI/AAAAAAAAAFo/4mIW-rxmtrE/s320/John+Mayall+72dpi.jpg" alt="" id="BLOGGER_PHOTO_ID_5202533755134870594" border="0" /></a>O aniversário de 70 anos do pai do blues britânico não podia de ser uma festa memorável, com a participação de vários convidados...<br /></div><br /><div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SDMdYdbLBFI/AAAAAAAAAFw/rImWUHsagvs/s1600-h/JohnMayall%26TheBluebreakers-70thBirthdayConcert-Back.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SDMdYdbLBFI/AAAAAAAAAFw/rImWUHsagvs/s320/JohnMayall%26TheBluebreakers-70thBirthdayConcert-Back.jpg" alt="" id="BLOGGER_PHOTO_ID_5202534300595717202" border="0" /></a><a href="http://www.badongo.com/file/9488403">Download</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8950754992232405983?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-60965143580195422232008-05-19T08:28:00.000-07:002008-05-19T08:32:16.208-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SDGdYNbLBAI/AAAAAAAAAFI/3QTcvt2RG-w/s1600-h/587706.john_mayall_musica_242_239.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SDGdYNbLBAI/AAAAAAAAAFI/3QTcvt2RG-w/s320/587706.john_mayall_musica_242_239.jpg" alt="" id="BLOGGER_PHOTO_ID_5202112083835683842" border="0" /></a><p class="MsoNormal"><o:p> </o:p></p>John Mayall, aos 74 anos de idade, é considerado o pai do blues britânico e sempre esteve bem acompanhado de bons músicos, como Eric Clapton, Mick Taylor, John McVie, Jack Bruce entre outros. <p class="MsoNormal" style="text-align: justify;">Em sua passagem pelo Brasil neste final de semana no Via Funchal, a platéia esperava com uma certa frieza o blueseiro britânico.</p> <p class="MsoNormal" style="text-align: justify;">Às 22 horas, os Bluesbreakers (formado por Buddy Whittington nas guitarras, Joe Yuele na bateria e Hank Van Sickle no baixo) subiram ao palco sem John Mayall, mas com a participação especial do guitarrista brasileiro Big Joe Manfra. Tocaram duas músicas e o simpático Buddy chamou ao palco a atração da noite.</p> <p class="MsoNormal" style="text-align: justify;">Mayall entrou correndo, mostrando grande vigor físico e apresentou, por duas horas, um show espetacular, onde cantou, tocou piano, gaita e guitarra.</p> <p class="MsoNormal" style="text-align: justify;">Impressionante como John Mayall sempre teve apreço por guitarristas carismáticos e sempre procurou os melhores para os Bluesbreakers, formado em 1966.</p> <p class="MsoNormal" style="text-align: justify;">Quando os Bluesbreakers voltaram, Mayall reformulou a banda e convidou Buddy Whittington para o posto; até então, um guitarrista desconhecido e com a árdua tarefa de substituir Coco Montoya.</p> <p class="MsoNormal" style="text-align: justify;">Mas Buddy é um exímio guitarrista, um gordinho bonachão, com um fraseado limpo e impecável. </p> <p class="MsoNormal" style="text-align: justify;">Quando Mayall anunciou <i style="">“Hideaway”,</i> composição de Freddy King presente no álbum de estréia dos Bluesbreakers (com Eric Clapton), Buddy foi à farra... Tocou vários riffs do Led Zeppelin, levando a platéia ao delírio. Não contente com a sua performance, engatou <i style="">“Garota de Ipanema”</i> com sua guitarra poderosa e limpa em homenagem ao Brasil.</p> <p class="MsoNormal" style="text-align: justify;">O show foi uma verdadeira performance de músicos competentes, onde o maestro grisalho honrou o título de <i style="">“Father of the British Blues”</i>, reconhecendo o talento de cada integrante da banda.</p> <p class="MsoNormal" style="text-align: justify;">No bis, chamou Big Joe Manfra, apresentou-o à platéia e deixou-o tocar livremente sua Fender Strato, duelando com Buddy e tornando o show ainda mais atraente.</p> <p class="MsoNormal" style="text-align: justify;">Sejam bem-vindos, John Mayall’s Bluesbreakers, a força do blues sempre estará viva com sua existência.</p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6096514358019542223?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com8tag:blogger.com,1999:blog-30596709.post-8236821023555265782008-05-16T07:57:00.000-07:002008-05-16T10:05:38.568-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SC2hSdbLA9I/AAAAAAAAAEw/dk7doxCdZtY/s1600-h/gimmeso.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SC2hSdbLA9I/AAAAAAAAAEw/dk7doxCdZtY/s320/gimmeso.jpg" alt="" id="BLOGGER_PHOTO_ID_5200990483191104466" border="0" /></a><span style="font-weight: bold;">Tracks:</span><br />1. Worry No More<br />2. Breakin' My Heart<br />3. Delia<br />4. Buried Alive<br />5. Come To Realise<br />6. Infekshun<br />7. Seven Days<br />8. We All Get Old<br />9. F.U.C. Her<br />10. Lost And Lonely<br />11. Don't Worry<br /></div> <div style="text-align: center;"><span style="font-weight: bold;">Musicians:</span><br /><span id="contributor"><span id="ctl00_columnMid_lblContributors"><div class="paper1InnerRow2"><div class="paper1InnerRight"><span class="contributorType">Vocals:</span> Keith Richards, Mick Jagger, Ron Wood</div></div> <div class="paper1InnerRow2"><div class="paper1InnerRight"><span class="contributorType">Guitars:</span> Keith Richards, Ron Wood</div></div> <div class="paper1InnerRow2"><div class="paper1InnerRight"><span class="contributorType">Bass: </span>Pops Powell</div></div> <div class="paper1InnerRow2"><div class="paper1InnerRight"><span class="contributorType">Drums: </span>Charlie Watts</div></div> <div class="paper1InnerRow2"><div class="paper1InnerRight"><span class="contributorType">Organ:</span> Jerry Williams<br /><a href="http://www.badongo.com/file/9399081">Download</a><br /></div></div></span></span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-823682102355526578?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-43779393986529234782008-05-16T07:56:00.000-07:002008-05-16T08:03:07.808-07:00<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/SC2hkNbLA-I/AAAAAAAAAE4/8gL4lNJtSms/s1600-h/RonWood.jpg"><img style="cursor: pointer;" src="http://3.bp.blogspot.com/_VEi12qGtnPE/SC2hkNbLA-I/AAAAAAAAAE4/8gL4lNJtSms/s320/RonWood.jpg" alt="" id="BLOGGER_PHOTO_ID_5200990788133782498" border="0" /></a><br /></div><b>Ronald David "Ronnie" Wood</b> (nascido em <span class="mw-redirect">1 de junho</span> de 1947 em Londres) é um guitarrista britânico de rock and roll e é mais conhecido como ex-integrante dos The Faces e integrante, atualmente, dos <span class="mw-redirect">Rolling Stones</span>.<div> </div><p style="text-align: justify;">Wood começou sua carreira em 1964 com os The Birds. No final dos <span class="mw-redirect">anos 60</span> ele passou a ser integrante da banda The Creation e depois entrou para o <span class="mw-redirect">Jeff Beck Group</span> com o vocalista Rod Stewart. O grupo disbandou depois de <i><b>Beck-Ola</b></i> em 1969.</p><div style="text-align: justify;"> </div><p style="text-align: justify;">Com Rod Stewart, Ron entrou para os The Small Faces, e logo depois o grupo foi renomeado para The Faces. Embora tenham ficado conhecidos nos EUA como a banda de apoio de Stewart, os Faces eram bem famosos no Reino Unido, rivalizando com os <span class="mw-redirect">Rolling Stones</span> em popularidade.</p><div style="text-align: justify;"> </div><p style="text-align: justify;">Durante os <span class="mw-redirect">anos 70</span> Wood lançou alguns discos solo, incluindo um em parceria com Ronnie Lane, também ex-integrante dos The Faces, chamado <i><b>Mahoney's Last Stand</b></i> (1976).</p><div style="text-align: justify;"> </div><p style="text-align: justify;">Depois que Mick Taylor deixou os Rolling Stones em 1974, Wood o substituiu na guitarra em tempo de completar a gravação de <i><b>Black and Blue</b></i>, lançado em 1976. Durante os <span class="mw-redirect">anos 80</span> Wood continuou com os Rolling Stones, enquanto pintava e seguia sua carreira solo, tocando com artistas como David Bowie, Eric Clapton e Aretha Franklin.</p><div style="text-align: justify;"> </div><p style="text-align: justify;">Durante os anos 90, Wood contribuiu para evitar o fim dos Stones, aproximando cada vez mais Mick Jagger e Keith Richards que mantinham uma desgastada relação desde meados dos anos 80, o que contribuiu para manter viva a chama da banda, culminando na ascensão do grupo e tornando-o o mais e organizado e bem sucedido de todos os tempos, o que pode ser constatado até os dias de hoje com suas megas turnês por todos os continentes do planeta, além do sucesso financeiro oriundo deste profissionalismo.</p><div style="text-align: justify;"> </div><p style="text-align: justify;">Em 1993 ele e Rod Stewart gravaram um acústico pela MTV, que resultou em um álbum de enorme sucesso. Depois de uma intensa turnê promovida por Stewart nos EUA em 2004, eles estão em estúdio gravando um álbum provisoriamente chamado <i><b>I'll Strut, You'll Sing</b></i>.</p><p style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_VEi12qGtnPE/SC2hydbLA_I/AAAAAAAAAFA/FJgOUkgMqyE/s1600-h/br10qwood_1105.jpg"><img style="cursor: pointer;" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SC2hydbLA_I/AAAAAAAAAFA/FJgOUkgMqyE/s320/br10qwood_1105.jpg" alt="" id="BLOGGER_PHOTO_ID_5200991032946918386" border="0" /></a></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4377939398652923478?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-25203702380326304202008-04-25T05:47:00.000-07:002008-04-25T14:05:02.365-07:00<div align="justify"><strong></strong><a href="http://4.bp.blogspot.com/_VEi12qGtnPE/SBJE92-05uI/AAAAAAAAAEQ/Dq6I403nMFw/s1600-h/doyle66.jpg"><img id="BLOGGER_PHOTO_ID_5193289149833340642" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_VEi12qGtnPE/SBJE92-05uI/AAAAAAAAAEQ/Dq6I403nMFw/s320/doyle66.jpg" border="0" /></a>Doyle Bramhall ll é um compositor, guitarrista e vocalista. Seu pai um bluesman Texano, que co-escreveu, cantou e tocou bateria com o lendário Stevie Ray Vaughan e o irmão dele Jimmie Vaughan. Doyle passou sua infãncia cercado pela família Vaughan o que foi fator determinante para uma de sua maiores influencias. Aos 16 anos Doyle Bramhall II excursionou como segundo guitarrista na Banda de Jimmie Vaughan: "The Fabulous Thunderbirds" com 18 anos de idade.<br /><br /><div align="center"><img id="BLOGGER_PHOTO_ID_5193286244711521298" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/SBJCUwjz3BI/AAAAAAAABC0/BiHp5Mb318s/s200/front+cover.jpg" border="0" /></div><div align="center"><strong></strong></div><div align="center"><strong>Tracks</strong></div><div align="center">1 Lost in the Congo (Adcock, Bramhall) 4:31<br />2 Is It News (Bramhall) 4:07<br />3 Chateau Strut (Bramhall, Etheridge, Vaughan) 3:55<br />4 Tortured Soul (Bramhall) 4:30<br />5 Cryin' (Adcock, Bramhall) 3:10<br />6 I'll Take You Away (Adcock, Bramhall) 4:31<br />7 Big (Adcock, Bramhall) 4:35<br />8 Ooh Wee Baby (Bramhall) 4:12<br />9 You Left Me This Mornin' (Adcock, Bramhall) 1:12<br />10 Top Rank Boxing (Adcock, Bramhall, Logan) 4:15<br />11 That Day (Bramhall) 2:43<br />12 Little Star (The Moon Is Shining) (Bramhall) 4:06<br /></div><br /><div align="center"><strong>Musicians:</strong><br /><em>Doyle Bramhall II</em> - Arranger, Vocals (bckgr), Producer, Slide Guitar<br /><em>Doyle Bramhall</em> - Guitar (Acoustic), Percussion, Drums, Organ (Hammond), Vocals, Whistle (Human), Producer<br /><em>Georgia Bramhall</em> - Vocals<br /><em>Tarka Cordell</em> - Guitar (Acoustic)<br /><em>Billy Etheridge</em> - Organ, Keyboards<br /><em>Denny Freeman</em> - Guitar, Piano, Guitar (Rhythm), Organ (Hammond), Slide Guitar, Guitar (Leslie)<br /><em>Derek Huston</em> - Sax (Baritone), Sax (Tenor)<br /><em>Mike Keller</em> - Guitar<br /><em>Jimmy Mac</em> - Accordion<br /><em>Mato Nanji</em> - Guitar<br /><em>Scott Nelson</em> - Bass<br /><em>Matt Perrine</em> - Sousaphone<br /><em>Justin Stanley</em> - Percussion<br /><em>Strutts</em> - Vocals, Performer<br /><em>Jimmie Vaughan</em> - Guitar, Maracas</div></div><div align="center"><br /><a href="http://rapidshare.com/files/110320789/184-DoyBram-IsItNew.rar">DOWNLOAD<br /></a><br /></div><img id="BLOGGER_PHOTO_ID_5193285974128581634" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/SBJCFAjz3AI/AAAAAAAABCs/twpAlfwvPtc/s200/front+cover.jpg" border="0" /> <p align="center"><strong>Tracks</strong><br />1 I Wanna Be (Bramhall, Sexton) 3:50<br />2 Day Come Down (Bramhall, Bruce, Melvoin) 3:57<br />3 Marry You (Bramahll, Melvoin, Ross) 4:21<br />4 Snakecharmer (Bramhall, Melvoin) 4:28<br />5 Who I Am (Bramhall, Bruce) 3:47<br />6 Away We Go Away (Bramhall, Coleman, Melvoin) 4:18<br />7 Close to Heaven (Bramhall, Bruce) 4:23<br />8 I'm the One (Bramhall, Coleman, Melvoin, Melvoin) 3:31<br />9 Baby's Gone (Bramahall, Bruce) 4:02<br />10 I'm Leavin' (Bramhall, Bruce, Melvoin) 4:54<br />11 Chasin' the Sun (Bramhall, Ross) 4:15<br />12 I Will Remember (Bramhall, Melvoin, Sexton) 4:24<br />13 Chariot (Bramhall, Melvoin) 3:24<br /><p align="center"><strong>Musicians:</strong><br /><em>Tchad Blake</em> - Percussion<br /><em>Doyle Bramhall II</em> - Guitar, Percussion, Drums, Vocals<br /><em>Doyle Bramhall</em> - Guitar<br /><em>C. Bruce</em> - Bass, Guitar, Keyboards, Vocals<br /><em>L. Coleman</em> - Organ, Piano, Keyboards, Wurlitzer<br /><em>Lisa Coleman</em> - Percussion<br /><em>Doyle</em> - Percussion<br /><em>Charlie Drayton</em> - Percussion, Drums<br /><em>Mitchell Froom</em> - Keyboards, Clavinet<br /><em>Susannah Melvoin</em> - Percussion<br /><em>Wendy Melvoin</em> - Bass, Guitar, Percussion<br /><em>Jamie Muhoberac</em> - Keyboards<br /><em>C. Ross</em> - Guitar, Organ (Pump)<br /><em>Charlie Sexton</em> - Bass, Guitar, Tack Piano</p><p align="center"><a href="http://rapidshare.com/files/110388800/185-DoyBramII-Jel.rar">DOWNLOAD</a></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2520370238032630420?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-3439887597431765092008-04-22T14:02:00.000-07:002008-04-23T05:39:15.837-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/SA5UIW-05sI/AAAAAAAAAEA/u1J5PCmLgl8/s1600-h/remedy.jpg"><img id="BLOGGER_PHOTO_ID_5192179922989541058" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: pointer; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_VEi12qGtnPE/SA5UIW-05sI/AAAAAAAAAEA/u1J5PCmLgl8/s320/remedy.jpg" border="0" /></a><b>Pain of Salvation</b> é uma banda de metal progressivo originária da Suécia. Mentor e principal compositor da banda, Daniel Gildenlöw é considerado por muitos um gênio musical, tendo sido convidado a tocar com Transatlantic e recentemente se juntado aos The Flower Kings.<br /><div style="TEXT-ALIGN: justify"><span style="FONT-STYLE: italic">Remedy Lane</span> é o 4º álbum da banda, gravado no outono de 2001 nos estúdios Roasting House (Suécia) e lançado em 2002. Produzido e masterizado por Daniel Gildenlöw, Anders "Theo" Theander e Pain of Salvation.<br /></div><br /><div style="TEXT-ALIGN: center"><span style="FONT-WEIGHT: bold; COLOR: rgb(255,0,0)">Resultado:</span><br />01. Of Two Beginnings<br /><b>Chapter I:</b><br />02. Ending Theme<br />03. Fandango<br />04. Trace of Blood<br />05. This Heart of Mine (I Pledge) </div><p style="TEXT-ALIGN: center"><b>Chapter II:</b><br />06. Undertow<br />07. Rope Ends<br />08. Chain Sling<br />09. Dryad of the Woods</p><div style="TEXT-ALIGN: center"></div><p style="TEXT-ALIGN: center"><b>Chapter III:</b><br />10. Remedy Lane<br />11. Waking every God<br />12. Second Love<br />13. Beyond the Pale</p><div style="TEXT-ALIGN: center"><span style="FONT-WEIGHT: bold; COLOR: rgb(255,0,0)">Os Culpados:</span><br />Daniel Gildenlöw - Vocal, guitarra<br />Johan Hallgren - Guitarra, vocal<br />Kristoffer Gildenlöw - Baixo, vocal<br />Frederik Hermannson - <span class="mw-redirect">Teclado</span><br />Johan Langell - Bateria, vocal<br /><br /><a href="http://www.badongo.com/file/9001981">Download</a> </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-343988759743176509?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-60260374776325426812008-04-16T11:55:00.000-07:002008-04-16T12:45:36.467-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SAZMgWRsoaI/AAAAAAAABB8/d4HC879RAlE/s1600-h/the_snakes_-_once_bitten_-_front.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SAZMgWRsoaI/AAAAAAAABB8/d4HC879RAlE/s200/the_snakes_-_once_bitten_-_front.jpg" alt="" id="BLOGGER_PHOTO_ID_5189919739210408354" border="0" /></a>Power banda formada pelos ex-Whitesnake Bernie Marsden e Mick Moody nas guitarras, Jorn Lande nos vocais (impressionante a semelhança do timbre de voz com o David Coverdale), Sid Ringsby no baixo e Willy Bendickson na bateria.<p style="text-align: center;" class="MsoNormal"><span style="font-weight: bold;">Resultado</span><br /><span style="" lang="EN-US">1. Labour Of Love <o:p></o:p><br />2. Can't Go Back <o:p></o:p><br />3. What Love Can Do <o:p></o:p><br />4. Real Faith<br />5. The Dancer (The Liar) <o:p></o:p><br />6. Gonna Find The Sun <o:p></o:p><br />7. Little Miss Happiness <o:p></o:p><br />8. Bring Yo' Good Self Home <o:p></o:p><br />9. Showdown <o:p></o:p><br />10. Sacrificial Feelings <o:p></o:p><br />11. Tough Love <o:p></o:p><br />12. All Dressed Up (Bonus Track) <o:p></o:p><br />13. September Tears (Bonus Track)</span><a href="http://www.badongo.com/file/8872376"><br />Download</a><span style="" lang="EN-US"><o:p></o:p></span></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6026037477632542681?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com4tag:blogger.com,1999:blog-30596709.post-65542649067336792152008-04-16T10:50:00.000-07:002008-04-17T11:13:44.208-07:00<div style="TEXT-ALIGN: center"><div style="TEXT-ALIGN: justify">Paul Rodgers, em minha opinião, é o melhor vocalista de todos os tempos ao lado de David Coverdale.<br />Desde criança, quando minha mãe me punha para dormir embalado pelo álbum <span style="FONT-STYLE: italic">Run With The Pack</span>, sempre gostei da voz desse cara.<br />Como não podia deixar de ter aqui no TocoSongs, lá vai o último album ao vivo de Paul "The Voice" Rodgers. Enjoy it!<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SAY8cWRsoZI/AAAAAAAABB0/j8xKRLLD_GI/s1600-h/COVER.jpg"><img id="BLOGGER_PHOTO_ID_5189902078304887186" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: pointer; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/SAY8cWRsoZI/AAAAAAAABB0/j8xKRLLD_GI/s200/COVER.jpg" border="0" /></a></div><span style="FONT-WEIGHT: bold">Paul Rodgers - Live In Glasgow</span><br /><span style="FONT-WEIGHT: bold"></span>01. I'll Be Creepin'<br />02. The Stealer<br />03. Ride On A Pony<br />04. Radioactive<br />05. Be My Friend<br />06. Warboys<br />07. Feel Like Makin' Love<br />08. Bad Company<br />09. (I Just Wanna) See You Smile<br />10. Louisiana Blues<br />11. Fire And Water<br />12. Wishing Well<br />13. All Right Now<br />14. I'm A Mover<br />15. The Hunter<br />16. Can't Get Enough Of Your Love<br />17. Seagull<br /><br /><span style="FONT-WEIGHT: bold">Musicians: </span><br />Paul Rodgers (guitar, "the voice")<br />Kurtis Dengler, Howard Leese (guitar)<br />Lynn Sorensen (bass guitar)<br />Ryan Hoyle (drums)<br /><br /><a href="http://www.paulrodgers.com/">http://www.paulrodgers.com/</a><br /><a href="http://www.badongo.com/file/8871346">Download</a> </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6554264906733679215?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-88958560302857300162008-04-15T07:44:00.000-07:002008-04-16T11:33:31.852-07:00<div align="center"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/SATA8GRsoYI/AAAAAAAABBs/tgeleZuQJUU/s1600-h/UFO+-+The+Monkey+Puzzle.jpg"><img id="BLOGGER_PHOTO_ID_5189484809347178882" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/SATA8GRsoYI/AAAAAAAABBs/tgeleZuQJUU/s200/UFO+-+The+Monkey+Puzzle.jpg" border="0" /></a><span style="color: rgb(255, 0, 0);">Por Gustavo Silva</span><br /><div align="justify">Chega a ser inquietante e perturbador pensar nos motivos que não levam uma banda com mais de 30 anos de carreira não ter seu reconhecimento merecido até os dias de hoje. Os britânicos do UFO se encaixam nesse hall de nomes que, sabe-se lá porque, não estão na ponta da língua do público e crítica, mesmo com qualidade e trabalhos prestados à música indiscutíveis.Em seu trabalho mais recente, Phil Mogg, Pete Way, Andy Parker, Paul Raymond e Vinnie Moore mostram que têm qualidade de sobra para atingir diversos tipos de ouvintes e cair nos braços dos apreciadores de um bom rock, apostando num álbum bem diversificado, em que simplicidade e bom gosto andam de mãos dadas. <em>“Some Other Guy”</em>, com sua aura Aerosmith de ser, e <em>“Hard Being Me”</em> são alguns dos vários temas cafajestes, no melhor sentido que a palavra pode conferir à música, encontrados em <strong>“The Monkey Puzzle”</strong>. <em>“Rolling Man”</em> e <em>“Down by The River”</em> se encaixam na denominação, mostrando porque Moore é um senhor guitarrista - virtuoso, mas de percepção melódica e pegada irrepreensíveis. Enquanto isso, <em>“Heavenly Body”</em> não é um título que dá conta do peso e cadência dos ‘riffs’ que nela se encontram. Até porque o aspecto celestial passa mais próximo da semi-acústica <em>“Who’s Fooling Who”</em> e da balada <em>“Drink Too Much”</em>. O blues fantástico <em>“World Cruise”</em> só fica de fora da lista porque o estilo carrega consigo uma aura profana única – o mito de Robert Johnson e seu pacto com o diabo que o diga. <strong>“The Monkey Puzzle”</strong> não é um álbum de vanguarda, cheio de inovações e/ou idéias que nunca foram pensadas por nenhum artista antes, mas também não é simplesmente um apanhado de clichês. Além do mais, é bem feito, tem ‘feeling’, diversidade e também cativa. Isso já é o suficiente para dar uma conferida, não?</div><div align="center"><span style="font-weight: bold;">Resultado</span><br />01. Hard Being Me<br />02. Black And Blue<br />03. Heavenly Body<br />04. Some Other Guy<br />05. Who's Fooling Who<br />06. Drink Too Much<br />07. Down By The River<br />08. Rolling Man<br />09. World Cruise<br />10. Kingston Town<br />11. Good Buy You<br /><a href="http://www.badongo.com/file/8850524">Download</a></div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8895856030285730016?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-82221879510154196372008-04-08T07:13:00.000-07:002008-04-08T10:33:19.020-07:00<div align="center"><div style="text-align: justify;">1983. Era dia 27 de outubro, meu aniversário de 06 anos...<br />Vi meu pai chegando em casa, após um longo dia de trabalho no banco, com um embrulho gigantesco... ele me disse que era uma placa, para entregar a um amigo.Como meu pai também é artista plástico, aceitei a justificativa e ficou por isso mesmo.<br />Quando meu pai entrou para tomar banho, fui procurar a tal placa e encontrei-a debaixo da cama, num papel de presente. Estranho, muito estranho...<br />Como de costume, meu pai chegava do trabalho, botava um LP no velho <i style="">Technics</i> e ia tomar banho. Nesse dia, ele colocou um som legal, um LP com um cara de terno e mãos de fios elétricos, <i style="">Powerage – AC/DC</i>.<br />Após tomar banho, meu pai pôs-se a brincar comigo e com o meu irmão, enquanto minha mãe tomava seu merecido banho.<br />Meu pai comprara uma camisa nova e eu, todo Zé Graça, botei o saco da camisa na cabeça, dizendo ser um <i style="">mestre-cuca</i>...<br />Fui puxando o saco cabeça abaixo e os dois (meu pai e irmão), se matando de rir, não se ligaram que eu estava me sufocando...<br />Minha mãe saiu do banheiro e não acreditando no que viu, arrancou de uma vez o saco da minha cabeça para me salvar a vida.<br />O clima pesou. Os dois foram acusados de irresponsáveis, enquanto meu pai tirava o plástico interno do álbum que ouvia<span style=""> </span>- <i style="">Powerage – </i>e recolocava à minha cabeça dizendo: esse você pode colocar na cabeça filho, pois é mais folgado.<br />Minha festa de aniversário começou com os convidados amigos da família, em sua maioria adultos, e recebi como presente a tal <i style="">placa</i> que estava embaixo da cama.<br />Era um quadro de motocross (minha grande paixão de infância – queria ser piloto) que ficou na sala da minha casa por longos anos, dividindo a minha paixão com os discos de rock da estante.</div> <p style="text-align: justify;" class="MsoNormal"><o:p></o:p><i style=""><span style="color: red;">Wagner Gomes, 30 anos, é publicitário porque levou um ralo de moto e ficou com medo de pilotar nas pistas. Atualmente, pilota o fogão e a moto da mãe quando vai para o interior, livre de trânsito e das loucuras de São Paulo.</span></i><br /></p><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R_t-JWokKaI/AAAAAAAABBk/edBL--XHUss/s1600-h/front.jpg"><img id="BLOGGER_PHOTO_ID_5186878095006902690" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R_t-JWokKaI/AAAAAAAABBk/edBL--XHUss/s200/front.jpg" border="0" /></a> Phil Rudd - Drums<br />Bon Scott - Vocals<br />Cliff Williams - Bass<br />Angus Young - Guitar<br />Malcolm Young - Guitar </div><div align="center"><br />1 <span style="color: rgb(255, 0, 0);">Rock 'n' Roll Damnation</span> (Scott, Young, Young) 3:37<br />2 Down Payment Blues (Scott, Young, Young) 6:03<br />3 Gimme a Bullet (Scott, Young, Young) 3:21<br />4 Riff Raff (Scott, Young, Young) 5:12<br />5 Sin City (Scott, Young, Young) 4:45<br />6 What's Next to the Moon (Scott, Young, Young) 3:31<br />7 Gone Shootin' (Scott, Young, Young) 5:05<br />8 Up to My Neck in You (Scott, Young, Young) 4:13<br />9 Kicked in the Teeth (Scott, Young, Young) 3:53 </div><div align="center"><a href="http://rapidshare.com/files/105774707/183-ACDC-Pow.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8222187951015419637?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-19322498740036466382008-04-07T00:35:00.000-07:002008-04-06T20:35:44.982-07:00<div align="center"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R_mV6mokKZI/AAAAAAAABBc/sNfD-rfPtKU/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5186341279929477522" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R_mV6mokKZI/AAAAAAAABBc/sNfD-rfPtKU/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">REVIEW</span><br />by Steve Huey<br />The second Liquid Tension Experiment album doesn't contain anything quite as self-indulgent as its predecessor's chops-heavy half-hour jam session "Three Minute Warning"; the epic piece here, the 17-minute "When the Water Breaks," is much more composed and therefore focused (even if it's not what you'd call a tight listen). Elsewhere, the music blends Dream Theater-esque progressive metal (logically) and spontaneous interaction with mellower, more lushly textured pieces; the high level of musicianship is, of course, beyond question.<br /><br /><span style="color:#3366ff;">CREDITS</span><br />Tony Levin - Bass<br />John Petrucci - Guitar<br />Mike Portnoy - Drums<br />Jordan Rudess - Keyboards<br /><br /><span style="color:#3366ff;">TRACKS </span><br />1 Acid Rain 6:35<br />2 Biaxident 7:40<br />3 914 4:01<br />4 Another Dimension 9:50<br />5 When the Water Breaks 16:58<br />6 Chewbacca 13:35<br />7 Liquid Dreams 10:48<br />8 Hourglass 4:26<br />all music by LTE</div><div align="center"><a href="http://rapidshare.com/files/105470043/182_-_Liquid_Tension_Experiment__2__1999_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-1932249874003646638?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-76516338272954265612008-04-07T00:30:00.000-07:002008-04-06T20:31:05.491-07:00<div align="center"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R_mUv2okKYI/AAAAAAAABBU/_fKAmjHQVkY/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5186339995734256002" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R_mUv2okKYI/AAAAAAAABBU/_fKAmjHQVkY/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">LIQUID TENSION EXPERIMENT é um projeto paralelo, iniciado em 1998, dos integrantes da banda Dream Theater com Mike Portnoy na bateria, John Petrucci na guitarra, Jordan Rudess (que na época da formação ainda não fazia parte do Dream Theater) no teclado e com a participação de Tony Levin no baixo (membro do King Crimson e músico de estúdio de Peter Gabriel e John Lennon, entre outros). Precursor do projeto, Mike Portnoy resolveu convidar músicos com grandes habilidades para compor o grupo. Escolheu Tony Levin por conhecer seus inúmeros trabalhos e Jordan Rudess por ser, como Portnoy mesmo disse, "um dos maiores talentos que conheci". Faltava um guitarrista... a esposa de Mike sugeriu que chamasse John Petrucci, uma vez que era um grande amigo e já tocavam juntos há anos. Com músicos de altíssima qualidade, estava montado Liquid Tension Experiment. Foram lançados dois álbuns nesse projeto, o Liquid Tension Experiment 1 e o Liquid Tension Experiment 2.<br />Fizeram alguns concertos ao vivo em Nova Iorque, Filadélfia e Los Angeles.<br />Mike Portnoy em diversas entrevistas divulgou que não pretendem lançar um novo álbum, pois não faria sentido continuar com um projeto quando a maior parte dos integrantes são integrantes do Dream Theater. Entretanto, em comemoração aos dez anos do grupo em 2008, a banda se reunirá para alguns concertos.<br /></span><br /><span style="color:#3366ff;">REVIEW</span><br />by Ross Boissoneau<br />This is the second of Magna Carta's one-time-only groupings and the second to feature bassist Tony Levin. Fortunately for all concerned, it's light years beyond Black Light Syndrome, which paired Levin with guitarist Steve Stevens and drummer Terry Bozzio in an ill-conceived and poorly executed set of improvisations. There is one such impromptu excursion here, the concluding 28-minute "Three Minute Warning," but even it holds up favorably by comparison. But it's the rest of the tunes here that showcase the versatility of Dream Theater members John Petrucci and Mike Portnoy and Dregs keyboardist Jordan Rudess. They fit the fusion/prog rock tag, with plenty of chopsmanship on display, but also with some allegiance to melody and restraint. Not likely to get any radio play, but then that wasn't the point of the session. </div><div align="center"><br /><span style="color:#3366ff;">CREDITS </span><br />Tony Levin - Bass, Chant, Electric Upright Bass, Upright Bass<br />John Petrucci - Guitar<br />Mike Portnoy - Drums<br />Jordan Rudess - Keyboards </div><div align="center"><br /><span style="color:#3366ff;">TRACKS</span><br />1 Paradigm Shift 8:55<br />2 Osmosis 3:26<br />3 Kindred Spirits 6:29<br />4 The Stretch 2:00<br />5 Freedom of Speech 9:19<br />6 Chris and Kevin's Excellent Adventure 2:21<br />7 State of Grace 5:02<br />8 Universal Mind 7:53<br />9 Three Minute Warning 28:36<br />all music by LTE</div><div align="center"><a href="http://rapidshare.com/files/105459296/181_-_Liquid_Tension_Experiment__1998_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7651633827295426561?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-79471217786034878492008-04-03T08:12:00.000-07:002008-04-03T04:12:16.741-07:00<div align="center"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R_S7HmokKXI/AAAAAAAABBM/li-xhr7qOCc/s1600-h/cover.jpg"><img id="BLOGGER_PHOTO_ID_5184974810314451314" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R_S7HmokKXI/AAAAAAAABBM/li-xhr7qOCc/s200/cover.jpg" border="0" /></a><span style="color:#3366ff;">REVIEW</span><br />by Dave Sleger<br />Situation Dangerous is the follow-up to 1997's Black Light Syndrome from this powerful trio of seasoned rock musicians. The incendiary title track leads off the album with guitarist Steve Stevens demonstrating that he's capable of much more than testosterone-laden Billy Idol riffs of which he was most commonly associated prior to the formation of this band. Here he conjures up comparisons to manic sound frequently delivered by Robert Fripp particularly on King Crimson albums like Red and their reformed, early-'80s period. But in subsequent tracks, Stevens plays jazz, fusion, classic rock, blues-rock, and flamenco passages with accomplished ease. "Crash" sounds like an outtake from or a salute to the lone classic recording by an earlier supergroup, Armageddon. In other instances he combines the fusion and flamenco leanings of guitarists like Al DiMeola and John McLaughlin. This is an instrumental album, so it is imperative that the tracks display a diversity of tempo and style to distinguish themselves from one another. Historically, instrumental rock trios haven't been overly successful in that regard. These three, however, pull it off admirably. Tony Levin has been one of the most creative and "in-demand" bassists for the past 25 years and his entire repertoire of influences and skills seems to be encapsulated on this recording. He also tackles the variety of compositions in his inimitable smooth yet complex manner. Drummer Terry Bozzio offers his most explosive and perhaps his most defining work since Danger Money from 1979, but it's Stevens' versatility that dictates the course of this album and its ultimate success.<br /><br /><span style="color:#3366ff;">CREDITS </span><br />Terry Bozzio - Drums<br />Tony Levin - Bass<br />Steve Stevens - Guitar<br /><br /><span style="color:#3366ff;">TRACKS</span><br />1 Dangerous (Bozzio, Levin, Stevens) 6:40<br />2 Endless (Bozzio, Levin, Stevens) 10:10<br />3 Crash (Bozzio, Levin, Stevens) 5:08<br />4 Spiral (Bozzio, Levin, Stevens) 4:37<br />5 Melt (Bozzio, Levin, Stevens) 3:48<br />6 Tragic (Bozzio, Levin, Stevens) 6:59<br />7 Tziganne (Bozzio, Levin, Stevens) 4:27<br />8 Lost (Bozzio, Levin, Stevens) 6:24 </div><div align="center"><a href="http://rapidshare.com/files/104509744/180-BozLevSte-SitDan.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7947121778603487849?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-49024858822861004792008-04-02T08:49:00.000-07:002008-04-02T04:52:13.710-07:00<div align="center"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R_NyN2okKVI/AAAAAAAABA8/Az8qlJGXRJg/s1600-h/front.jpg"><img id="BLOGGER_PHOTO_ID_5184613178363095378" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R_NyN2okKVI/AAAAAAAABA8/Az8qlJGXRJg/s200/front.jpg" border="0" /></a><span style="color:#3366ff;">BIOGRAPHY</span><br /><a href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=11:j9fixqrhldse~T1">http://www.allmusic.com/cg/amg.dll?p=amg&amp;sql=11:j9fixqrhldse~T1</a><br /><span style="color:#3366ff;">REVIEW</span><br />by John W. Patterson<br />This power trio has famous roots, and they've brought it all together masterfully. First cut "The Sun Road" starts off like a tune off of David Gilmour's first solo album and then vanishes into a driving, power-chorded surge of soulful rock. Next, "Dark Corners" is a massive rocker that pulls you under its powerful whirlpool of guitar/bass/drum frenzy. Stevens tortures the guitar into absolute submission without any predictable riffs. Levin looms everywhere, and Bozzio flows in a polyrhythmic jungle. Fine interactive tension and execution everywhere. This goes way beyond King Crimson's Red days.<br />"Duende" opens with flamenco guitar firebursts, and slowly builds into a decent Spanish-flavored piece. Not my favorite, but well done. The title cut, "Black Light Syndrome," is obviously a play on "Bozzio Levin Stevens." It is a slower-paced dirge and filled to the brim with a variety of well-executed riffs, basslines, and drum tech.<br />"Falling in Circles" is an early Floydscape dotted with Ronnie Montrose leads, a ballad of driving determination and resolve. Floods of Satriani, Wishbone Ash, Alvin Lee, Fripp, Buck Dharma, and even that Duane Allman tone.<br />"Book of Hours" took me right back to Wheels of Fire's "Pressed Rat and Warthog," rainy-day dreamy afternoons with a fresh pot of designer coffee. Levin, Bozzio, and Stevens play off of one another precisely as one mind.<br />On the last cut, "Chaos/Control," you hear that "E7 breakdown" from Hendrix's "Midnight" on War Heroes, and then a jazzy boogie in classic Frank Marino style is laid down. Stevens is a guitarist with a wide range of dynamics.<br /><br /><span style="color:#3366ff;">CREDITS</span><br />Terry Bozzio - Drums<br />Tony Levin - Bass, Stick<br />Steve Stevens - Guitar<br /><br /><span style="color:#3366ff;">TRACKS</span><br />1 The Sun Road (Bozzio, Levin, Stevens) 14:37<br />2 Dark Corners (Bozzio, Levin, Stevens) 8:31<br />3 Duende (Bozzio, Levin, Stevens) 7:25<br />4 Black Light Syndrome (Bozzio, Levin, Stevens) 8:45<br />5 Falling in Circles (Bozzio, Levin, Stevens) 9:07<br />6 Back of Hours (Bozzio, Levin, Stevens) 9:38<br />7 Chaos/Control (Bozzio, Levin, Stevens) 8:49 </div><div align="center"><a href="http://rapidshare.com/files/104258177/179-BozLevSte-BlaLigSyn.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4902485882286100479?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-28463163107545984462008-03-29T10:02:00.000-07:002008-04-01T11:46:19.259-07:00<div style="text-align: justify;">O ano era 1985, ano do maior festival de rock do Brasil - <span style="font-style: italic;">Rock In Rio</span> - que trouxe a maior gama de estilos musicais de uma só vez; Bandas locais, ainda embrionárias, foram postas à prova para dividir os palcos com os experientes Yes, Queen, Scorpions, entre outros.<br />Na ocasião, Janeiro de 1985, período de férias, eu era uma criança de apenas 7 anos e louco de pedra pelo Ozzy. Estava tomado por uma estomatite, que me impedia de comer coisas quentes.<br />Pedi ao meu pai um disco do Ozzy, <span style="font-style: italic;">"Bark At The Moon", </span>pois já conhecia de trás pra frente o <span style="font-style: italic;">début "Blizzard Of Ozz"</span>, emprestado de um amigo.<br />Meus pais foram à loja de discos da cidade e não voltaram com o <span style="font-style: italic;">"Bark At The Moon" -</span> segundo eles, o disco não era tão bom quanto o <span style="font-style: italic;">"Blizzard Of Ozz" - </span>mas com um álbum diferente, com uma capa de desenhos egípcios...<br />Torci o nariz, chorei, pois não havia sido atendido por meus pais mesmo diante de uma estomatite, que me doía todo até para engolir - inclusive as lágrimas.<br />Como poderiam deixar de me dar o disco do Ozzy - meu maior ídolo à época, o comedor de morcegos, o cara soturno que me deixara hipnotizado pela gaita de <span style="font-style: italic;">"The Wizard"</span> do primeiro álbum do Black Sabbath? Não era possível...<br />Me recolhi no canto da sala, botei os fones de ouvido e pus-me a ouvir <span style="font-style: italic;">"Blizzard Of Ozz"</span> a todo volume. <span style="font-style: italic;">Mr Crowley, I Don't Know, Crazy Train...</span><br />Meus pais me deixaram ali, com a minha dor, desfrutando a minha solidão e a minha trilha sonora.<br />À noite, sentei-me no chão (hábito comum até hoje) e comecei a ver o <span style="font-style: italic;">Rock In Rio</span>. Vi o show do Ozzy e não me empolguei tanto. Foi aí que caiu a ficha... Faltava algo, ou melhor, alguém... Faltava Randy Rhoads (morto num acidente), o verdadeiro mago de <span style="font-style: italic;">"Blizzard Of Ozz"</span>. Randy fazia toda a diferença.<br />Por isso, <span style="font-style: italic;">"Bark At The Moon"</span> não chegou às minhas mãos e aos meus ouvidos. Meus pais preferiram <span style="font-style: italic;">"Powerslave" </span>- o disco de capa egípcia - do Iron Maiden.<br />No dia seguinte, botei o LP no velho <span style="font-style: italic;">Technics </span>e entendi definitivamente porque escolheram esse album.<br />- <span style="font-style: italic;">Você não gosta de guitarras poderosas?</span><br />A resposta veio imediatamente com <span style="font-style: italic;">Aces High, </span>seguida de <span style="font-style: italic;">Two Minutes to Midnight</span>. Pra que mais?<br />Silenciosamente, entendi a intenção dos meus pais em me mostrar apenas o que há de melhor...<br />O Ozzy não perdeu seu fã, mas com certeza, o Iron ganhou mais um.<br /><br /><span style="color: rgb(255, 0, 0);">Wagner Gomes, 30 anos, é publicitário e descobriu o <span style="font-style: italic;">Heavy Metal </span>muito cedo, dentro da própria casa, bem antes da propaganda.<br />Se tivesse de escolher apenas dois discos de <span style="font-style: italic;">Heavy Metal </span>para levar a uma ilha deserta, sem hesitação seriam </span><span style="font-style: italic;"><span style="color: rgb(255, 0, 0);">"Blizzard Of Ozz" e "Powerslave", </span></span><span style="color: rgb(255, 0, 0);">pelos excelentes trabalhos de guitarra.<br /><br /></span><div style="text-align: center;"><span style="color: rgb(255, 0, 0);">**************************************<br /></span><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R_H_OmokKTI/AAAAAAAABAs/jm6AQHYJrU8/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5184205272434092338" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R_H_OmokKTI/AAAAAAAABAs/jm6AQHYJrU8/s200/front+cover.jpg" border="0" /></a><span style="color: rgb(51, 102, 255);"><span style="color: rgb(255, 0, 0);">RESULTADO</span></span><br />1 I Don't Know (Daisley, Osbourne, Rhoads) 5:14<br />2 Crazy Train (Daisley, Osbourne, Rhoads) 4:50<br />3 Goodbye to Romance (Daisley, Osbourne, Rhoads) 5:36<br />4 Dee [instrumental] (Rhoads) :50<br />5 Suicide Solution (Daisley, Osbourne, Rhoads) 4:16<br />6 Mr. Crowley (Daisley, Osbourne, Rhoads) 4:56<br />7 No Bone Movies (Daisley, Kerslake, Osbourne, Rhoads) 3:58<br />8 Revelation (Mother Earth) (Daisley, Osbourne, Rhoads) 6:09<br />9 Steal Away (The Night) (Daisley, Osbourne, Rhoads) 3:30<br /><br />PRODUÇÃO: Ozzy Osbourne / Max Norman<br />Gravado no Ridge Farm Studios em Surrey, Inglaterra em março de 1980<br /><br /><span style="color: rgb(255, 0, 0);">CULPADOS</span><br />Ozzy Osbourne (Vocais)<br />Bob Daisley (Baixo)<br />Randy Rhoads (Guitarra)<br />Lee Kerslake (Bateria)<br />Don Airey (Teclados) <div align="center"> </div><div align="center"><a href="http://rapidshare.com/files/103986322/177-OzzOsb-BliofOzz.rar">DOWNLOAD</a></div><br /><span style="color: rgb(255, 0, 0);">**************************************</span><span style="color: rgb(255, 0, 0);"><br /><br /></span></div><span style="color: rgb(255, 0, 0);"><div align="center"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R_IANGokKUI/AAAAAAAABA0/OI95JeARf4A/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5184206346175916354" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R_IANGokKUI/AAAAAAAABA0/OI95JeARf4A/s200/front+cover.jpg" border="0" /></a><span style="color: rgb(255, 0, 0);">RESULTADO</span><br /><span style="color: rgb(0, 0, 0);">1 Aces High (Harris) 4:29</span><br /><span style="color: rgb(0, 0, 0);">2 2 Minutes to Midnight (Dickinson, Smith) 6:00</span><br /><span style="color: rgb(0, 0, 0);">3 Losfer Words (Big 'Orra) (Harris) 4:13</span><br /><span style="color: rgb(0, 0, 0);">4 Flash of the Blade (Dickinson) 4:02</span><br /><span style="color: rgb(0, 0, 0);">5 The Duellists (Harris) 6:07</span><br /><span style="color: rgb(0, 0, 0);">6 Back in the Village (Dickinson, Smith) 5:20</span><br /><span style="color: rgb(0, 0, 0);">7 Powerslave (Dickinson) 6:48</span><br /><span style="color: rgb(0, 0, 0);">8 Rime of the Ancient Mariner (Harris) 13:36</span><br /><br /><span style="color: rgb(255, 0, 0);">CULPADOS</span><br /><span style="color: rgb(0, 0, 0);">Bruce Dickinson: voz</span><br /><span style="color: rgb(0, 0, 0);">Dave Murray: guitarra solo e rítmica</span><br /><span style="color: rgb(0, 0, 0);">Adrian Smith: guitarra solo e rítmica</span><br /><span style="color: rgb(0, 0, 0);">Steve Harris: baixo</span><br /><span style="color: rgb(0, 0, 0);">Nicko McBrain: bateria</span></div><div align="center"><a href="http://rapidshare.com/files/103995261/178-IroMai-Pow.rar">DOWNLOAD</a><br /></div></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2846316310754598446?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-74017986566767122092008-03-26T08:14:00.000-07:002009-10-02T14:22:32.225-07:00Desde criança, o som do rock and roll ecoa nos alto-falantes da minha vida. Lembro-me de ouvir um som e sair correndo perguntar para o meu pai o nome da banda... ficava me deliciando com a capa do lp nas mãos, aqueles vinis grossos de som poderoso...<br />Um belo dia, por volta dos meus 6 ou 7 anos, ouvi uma música que me chamou a atenção, chamada <span style="font-style: italic;">“Mother’s Little Helper”</span> de um <span style="font-style: italic;">LP</span> intitulado <span style="font-style: italic;">Aftermath</span>... aquela guitarrinha martelava minha cabeça e não conseguia parar de ouvi-la...<br />Minha infância foi marcada por várias descobertas musicais, oriundas dos discos do meu amado pai e do meu tio, mas os Stones foram um marco!<br />Como um efeito dominó, os Stones foram fazendo parte da minha cultura musical, até mesmo quando descobri minha paixão pelo Blues, no inicio dos anos 90 após assistir ao filme “A Encruzilhada”. Me apaixonei imediatamente pelo som de Robert Johnson e comecei a tocar violão apoiado pelo meu bottleneck improvisado com um vidro de remédios.<br />Foi então que ouvi <span style="font-style: italic;">Love in Vain</span>, regravada pelos Rolling Stones (que foi batizado graças à uma música de Muddy Waters – o pai do blues elétrico) e entendi porque o blues se tornara a minha nova paixão...<br />Na adolescência, minhas professoras de colégio me incentivaram a escrever sobre as minhas idéias e essas, foram se tornando aquilo que eu queria ser – um cronista musical. A caminho da faculdade, a torcida na cidadezinha do interior do Paraná era para me ver jornalista, mas acabei optando pela publicidade.<br />Devido a questões financeiras e intelectuais, não pude ver os shows dos Rolling Stones no Brasil (no primeiro, tinha o ingresso – presente de meu irmão – mas não tinha dinheiro para a viagem a SP; no segundo, tinha uma prova importante na faculdade), mas minha profissão de publicitário e as mãos de Deus, brilharam uma luz sobre mim...<br />Tive a oportunidade de planejar o lançamento do espetacular filme feito por <span style="font-style: italic;">Martin Scorsese</span> para os cinemas…<br />Ao ouvir do cliente o título em que trabalharia, meus olhos brilharam e agarrei-o como meu filho pródigo para fazer o melhor possível. Era uma questão de realização pessoal.<br />Lotamos as 3 salas de pré-estréia, fizemos eventos comemorativos e como a canção <span style="font-style: italic;">As Tears Go By</span>, as lágrimas continuam saindo involuntariamente de emoção pela realização desse sonho.<br />Queria muito que minha família e amigos de infância estivessem ali comigo na sala de cinema, vendo essa obra-prima que é <span style="font-style: italic;">Shine a Light</span>, mas como a distância é a pior coisa que nos separa, estive muito bem acompanhado pela mulher que amo e pelas mãos de Deus, me agraciando! <span style="font-style: italic;">“May the good Lord shine a light on you”</span>.<br /><br /><em><span style="color: rgb(255, 0, 0);">Wagner Gomes, 30 anos, é publicitário e louco por rock and roll e propaganda. Agradece a Deus pelo sonho realizado e aos amigos Julio Sant’Anna, Boizão, Ubaldo, Evandro, entre outros tantos, por acreditarem que um dia ele conseguiria fazer algo para conciliar profissão e realização.</span></em><br /><br />“Vamos trabalhar que a vida não é só festa. Ainda bem que o meu trabalho é uma festa !” waggom.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/R-u2rxC5l9I/AAAAAAAAADY/w13CCESy1mg/s1600-h/ne.JPG"><img id="BLOGGER_PHOTO_ID_5182436659236018130" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://2.bp.blogspot.com/_VEi12qGtnPE/R-u2rxC5l9I/AAAAAAAAADY/w13CCESy1mg/s320/ne.JPG" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/R-u2sxC5l-I/AAAAAAAAADg/CuiMd5B3jZg/s1600-h/abibe.JPG"><img id="BLOGGER_PHOTO_ID_5182436676415887330" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://2.bp.blogspot.com/_VEi12qGtnPE/R-u2sxC5l-I/AAAAAAAAADg/CuiMd5B3jZg/s320/abibe.JPG" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/R-u2thC5l_I/AAAAAAAAADo/BDbplPWIR0c/s1600-h/nasi.JPG"><img id="BLOGGER_PHOTO_ID_5182436689300789234" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://1.bp.blogspot.com/_VEi12qGtnPE/R-u2thC5l_I/AAAAAAAAADo/BDbplPWIR0c/s320/nasi.JPG" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_VEi12qGtnPE/R-u2uBC5mAI/AAAAAAAAADw/P3RjYTgvXco/s1600-h/yves.JPG"><img id="BLOGGER_PHOTO_ID_5182436697890723842" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://3.bp.blogspot.com/_VEi12qGtnPE/R-u2uBC5mAI/AAAAAAAAADw/P3RjYTgvXco/s320/yves.JPG" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/R-u2uhC5mBI/AAAAAAAAAD4/_BJuuPAVxAE/s1600-h/fe+lemos.JPG"><img id="BLOGGER_PHOTO_ID_5182436706480658450" style="margin: 0px auto 10px; display: block; cursor: pointer; text-align: center;" alt="" src="http://1.bp.blogspot.com/_VEi12qGtnPE/R-u2uhC5mBI/AAAAAAAAAD4/_BJuuPAVxAE/s320/fe+lemos.JPG" border="0" /></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7401798656676712209?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com26tag:blogger.com,1999:blog-30596709.post-45602164832431911412008-03-26T06:09:00.000-07:002008-03-26T02:09:31.541-07:00<div align="center"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R-oRg73yu2I/AAAAAAAABAU/IlzlgFNhzhQ/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5181973578768366434" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R-oRg73yu2I/AAAAAAAABAU/IlzlgFNhzhQ/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">BIOGRAPHY</span><br />by Steve Huey<br />A band with as turbulent an existence as Whiskeytown was bound to implode sooner or later, but by the time they did, they had one of the largest cult followings of any alt-country band. Most accounts traced the source of all the turmoil to bandleader Ryan Adams, a gifted young songwriter whose flashes of brilliance came hand in hand with a volatile temper and an appetite for alcohol. Adams became notorious for his outbursts and erratic performances, and countless disputes with bandmates (some of them on-stage) inevitably led to frequent personnel changes. Yet during their five-year lifespan, Whiskeytown made some undeniably compelling music that only increased the mystique around their enfant terrible leader.Whiskeytown was formed in 1994 in Raleigh, NC, by singer/guitarist/banjoist Adams, a 20-year-old ex-punk rocker who'd discovered the country-rock of Gram Parsons. The band's other charter members were fiddler/occasional lead singer Caitlin Cary, guitarist Phil Wandscher, bassist Steve Grothmann, and drummer Eric "Skillet" Gilmore. They cut a seven-song EP called Angels for the local indie Mood Food in 1995 and quickly followed it with their full-length debut, Faithless Street, in early 1996. Strongly indebted to Parsons, Uncle Tupelo, and the Replacements, the album earned rave reviews from the alt-country press (No Depression magazine in particular), and a performance at that year's South by Southwest music festival helped net them a deal with the Geffen roots affiliate Outpost. Mood Food issued Rural Free Delivery, a compilation of early recordings, in 1997, the same year Whiskeytown completed their major-label debut, Stranger's Almanac. There was already a new rhythm section, in the person of bassist Jeff Rice and drummer Steven Terry, and Wandscher left not long after the album was released that summer.The supporting tour for Stranger's Almanac was a stormy one, doing much to earn Adams his bad-boy reputation, and by the time the dust settled, Adams and Cary were the only members standing. They added multi-instrumentalist Mike Daly, who not only played keyboards, guitar, pedal and lap steel, mandolin, mandocello, and dulcimer, but also co-wrote a great deal of material with Adams for the band's next album. Supporting musicians came and went at a furious pace, including onetime fIREHOSE member Ed Crawford and original drummer Gilmore. Somehow, a semistable studio lineup coalesced long enough to complete Pneumonia, the third official Whiskeytown album, in 1999. However, a series of label mergers shelved the record indefinitely, during which time it was heavily bootlegged and acquired a strong underground reputation. With the album in limbo, Whiskeytown gave up the ghost. Adams released his solo debut, Heartbreaker, in 2000, and Cary issued her own solo EP, Waltzie, that year as well. Pneumonia was finally released in 2001 on the Universal roots subsidiary Lost Highway and earned some of the group's strongest reviews yet for its eclectic approach. Adams' second solo album, Gold, appeared in 2002, and Cary released the solo albums While You Weren't Looking and I'm Staying Out in 2002 and 2003, respectively.<br /><br /><span style="color:#3366ff;">REVIEW</span><br />by Mark Deming<br />Whiskeytown had ceased to be a band in the truest sense by the time they recorded their third (and final) full-length album, Pneumonia; the group began to collapse during the touring following Strangers' Almanac, with members coming and going at a remarkable pace, and for the Pneumonia sessions, the only musicians on hand who had appeared on Faithless Street three years earlier were lead vocalist and songwriter Ryan Adams and violinist and backing vocalist Caitlin Cary. Multi-instrumentalist Mike Daly and percussionist/producer Ethan Johns dominated the sessions' sprawling cast of players, with James Iha and Tommy Stinson popping up on some tracks. Ultimately, Pneumonia sounds more like a Ryan Adams solo project than anything else, and it walks a decidedly different path than the Whiskeytown albums that preceded it — there are no charging rockers in the manner of "Drank Like a River" or "Yesterday's News," and the country twang of "Too Drunk to Dream" or "Someone Remembers the Rose" has receded into the background (though Cary's violin and occasional mandolin or steel guitar lines from Daly do add a high-lonesome undertow to several songs, especially the plaintive "Sit and Listen to the Rain" and "My Hometown"). This is easily Whiskeytown's most ambitious and eclectic work, and the sparkling pop of "Don't Be Sad" and "Mirror Mirror," the lovely faux-tropicalia of "Paper Moon," the haunting tape-loop reverie of "What the Devil Wanted," and low-key power balladry of "Crazy About You" all prove that, despite his reckless public persona, Ryan Adams had gained a wealth of maturity and intelligence (at least as a songwriter and recording artist) since the last time he'd entered a recording studio. Pneumonia was recorded in 1999, but the closing of Outpost Records in the wake of that year's Polygram/ Universal merger put the album on the shelf for two years; in the meantime, Pneumonia developed an underground reputation as a lost classic, and while that description is going a bit far to make a point, it is an undeniably striking and beautifully crafted set of songs, and it's interesting to imagine where this music would have taken Whiskeytown if the album had met its original release date — assuming that Whiskeytown was still a band by the time the record was finished.<br /><br /><span style="color:#3366ff;">CREDITS</span><br />Ryan Adams - Guitar, Harmonica, Piano, Vocals, Art Direction<br />Caitlin Cary - Fiddle, Vocals (bckgr)<br />Richard Causon - Keyboards<br />Jennifer Condos - Bass<br />Mike Daly - Dulcimer, Guitar, Mandolin, Pedal Steel, Keyboards, Vocals (bckgr), Mandocello, Lap Steel Guitar<br />James Iha - Guitar, Vocals (bckgr)<br />Ethan Johns - Bass, Guitar, Mandolin, Percussion, Drums, Keyboards, Mandocello<br />Brad Rice - Guitar<br />Tommy Stinson - Dobro, Guitar<br /><br /><span style="color:#3366ff;">TRACKS</span><br />1 Ballad of Carol Lynn (Adams, Daly) 3:03<br />2 Don't Wanna Know Why (Adams, Cary, Daly) 3:56<br />3 Jacksonville Skyline (Adams) 3:00<br />4 Reasons to Lie (Adams, Daly) 3:27<br />5 Don't Be Sad (Adams, Daly, Iha) 3:21<br />6 Sit &amp; Listen to the Rain (Adams) 4:04<br />7 Under Your Breath (Adams, Daly) 3:26<br />8 Mirror, Mirror (Adams, Daly) 3:15<br />9 Paper Moon (Adams) 4:40<br />10 What the Devil Wanted (Adams, Daly) 3:38<br />11 Crazy About You (Adams) 2:44<br />12 My Hometown (Adams) 2:44<br />13 Easy Hearts (Adams, Cary) 5:06<br />14 Bar Lights (Adams) 7:27</div><div align="center"><a href="http://rapidshare.com/files/102444382/175-Whitow-Pneu.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4560216483243191141?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-70621604323362691502008-03-25T10:33:00.000-07:002008-03-29T11:59:25.081-07:00<div style="TEXT-ALIGN: justify"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_VEi12qGtnPE/R-j-ERC5l7I/AAAAAAAAADI/Lf4nEEaZBbM/s1600-h/logo_shine.jpg"><img id="BLOGGER_PHOTO_ID_5181670720538253234" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: pointer; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_VEi12qGtnPE/R-j-ERC5l7I/AAAAAAAAADI/Lf4nEEaZBbM/s320/logo_shine.jpg" border="0" /></a>Hoje é o grande dia...<br />A pré-estréia do Filme Shine a Light, que mira os refletores sobre os Rolling Stones, está agendada para hoje em São Paulo...<br />Estou apreensivo para ver o que o Scorcese nos preparou após The Last Waltz (The Band) e No Direction Home (Bob Dylan)...<br />Dá pra entender que o cara tem Know How sobre o rock and roll, né?<br />Agora visualizar os Stones sob esse ângulo será algo mágico, pois ninguém nunca retratou-os assim...<br />Amanhã eu volto pra deixar minhas impressões. (waggom)<br /></div><br />Mais infos aqui: <a href="http://www.shinealightmovie.com/">Shine a Light - The Movie</a><br />E aqui: <a href="http://www.stonesofilme.com.br/">Stones - O Filme</a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_VEi12qGtnPE/R-j-LhC5l8I/AAAAAAAAADQ/_4fJiX9cxKM/s1600-h/stones.jpg"><img id="BLOGGER_PHOTO_ID_5181670845092304834" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: pointer; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_VEi12qGtnPE/R-j-LhC5l8I/AAAAAAAAADQ/_4fJiX9cxKM/s320/stones.jpg" border="0" /></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7062160432336269150?l=tocosongs.blogspot.com' alt='' /></div>waggomhttp://www.blogger.com/profile/02658526164978701052noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-55100884076690853492008-03-25T07:28:00.000-07:002008-03-25T03:28:53.316-07:00<div align="center"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R-jTcb3yu1I/AAAAAAAABAM/oDW7AEX43hI/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5181623856761322322" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R-jTcb3yu1I/AAAAAAAABAM/oDW7AEX43hI/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">BIOGRAPHY</span><br />by Marisa Brown<br />Though he was born and spent the first 11 years of his life in California, it was in Australia, his father's native land, that John Butler picked up the instrument that would later be vital to his career. After having shown interest in the guitar, the young Butler was given his late grandfather's Dobro, and he quickly began learning to play different styles of music, including Indian, Celtic, bluegrass, and folk. His self-released cassette tape brought him interest in the city of Perth, where he was living, and soon after, in 1998, his first album, John Butler, with drummer Jason McGann and bassist Gavin Shoesmith, was released, followed in 2000 by the JBT EP and Three — the first of his albums to also eventually came out in the U.S. — in 2001 (Showsmith, at this point, had decided to leave the John Butler Trio, but he was replaced by Rory Quirk and then later by Andrew Fry, who joined the band for its 2002 American tour). By now a bona fide star in Australia, in 2003, shortly after the birth of his daughter Banjo, the guitarist issued the double-disc live set Living 2001-2002 and the EP Zebra, with Sunrise Over Sea (for the latter, the John Butler Trio had become Butler with bassist Shannon Birchall and drummer Michael Barker) in 2004. This album sold well in Australia, debuting at number one on the ARIA charts, and led Butler to an opening spot on Dave Matthews' tour that year. Still with Jarrah, the company that he and fellow Aussies the Waifs had founded in order to distribute their music overseas, and the same band, Butler released Grand National worldwide in March of 2007.<br /><br /><span style="color:#3366ff;">REVIEW</span><br />by Marisa Brown<br />It's been a few years now since John Butler and his trio first cracked the American market, but he's never had quite the same success in the U.S. as he has had in Australia, his father's homeland, and his own residence for the past 20-odd years. Butler, however, should feel confident that he can hold his own against any of the Dave Matthewses, Ben Harpers, or John Mayers (all three of whom he can be easily compared to) out there. He's playing pop music, with all the sentimental, occasionally trite lyrics and clean major chord phrasing that accompany that style, but it's pop music done well, with impressive musicianship from Butler (on banjo, lapsteel, and acoustic and electric guitar), percussionist Michael Barker, and bassist Shannon Birchall. Nearly every song on Grand National features at least one instrumental solo, the kind that rolls and sings and grooves and would make Robert Randolph proud, moving close to jam band territory without immersing itself fully in it (only one song, "Gov Did Nothin'," reaches far past the four- or five-minute mark, much in part thanks to a great New Orleans-styled brass band that plays the piece out to a close, and is worth every second). His willingness to explore other genres besides bluesy folk pop — reggae in "Groovin' Slowly," hip-hop in "Daniella," and modern rock in "Devil Running" — certainly adds a nice diversity to the album, but unfortunately this talent is double-edged, as it also becomes the album's greatest flaw. Butler often tries to encompass too much, to do too much, and because of this, comes off sounding a little corny (in the aforementioned "Daniella," for example, which is more embarrassing than anything else), truncating words in a weird Dave Matthews-meets-Adam Sandler kind of way that's too forced and unnatural to sit well. And though it's nice to hear, in "Funky Tonight," for example, that he doesn't take himself too seriously, his simple rhymes and delivery are a bit too silly when they're about love and dancing. When he uses them in his socially and politically oriented pieces, however ("And with God on both sides/If death is justified/Whatever the name/Then we're all to blame," he sings on "Fire in the Sky"), they ring more truly, or at least more originally. But what Butler does best — writing and performing well-crafted pop songs, and sounding like he's having fun all the while — is good, and though Grand National still may not be his entry up the Billboard charts, it's a welcome entry nonetheless.<br /><br /><span style="color:#3366ff;">CREDITS </span><br />Charlotte Armstrong - Violin<br />Eugene Ball - Trumpet<br />Michael Barker - Bongos, Conga, Drums, Glockenspiel, Marimba, Tambourine, Timbales, Vocals (bckgr), Kalimba, Claves, Producer, Tympani [Timpani], Vibraslap, Vibraphone, Shaker, Cowbell, Beat Box, Tubular Bells, Tongue Drum, Crotale, Cabasa<br />Aaron Barndon - Violin<br />Shannon Birchall - Violin, Guitar (Bass), Vocals (bckgr), Double Bass, String Arrangements<br />Nicky Bomba - Vocals, Chant, Clapping<br />Linda Bull - Vocals (bckgr)<br />Vika Bull - Vocals, Vocals (bckgr), Soloist<br />John Butler - Guitar (Acoustic), Banjo, Guitar, Harmonica, Guitar (Electric), Ukulele, Vocals, Yidaki, Lap Steel Guitar, Guitar (Nylon String), Guitar (Resonator), Weissenborn, Guitar (11 String)<br />Danielle Caruana - Vocals, Vocals (bckgr), Chant, Clapping<br />Michael Caruana - Piano, Organ (Hammond), Wurlitzer<br />Jessie Goninon - Vocals, Chant, Clapping<br />Stacia Goninon - Vocals, Chant, Clapping<br />Andrea Keeble - Violin<br />Janette Mason - Violin<br />Money Mark - Clavicembalo<br />Helen Mountford - Cello<br />Ray Pereira Talking - Drum<br />Jex Saarelaht - Piano, Organ (Hammond)<br />Sue Simpson - Violin<br />Bobby Singh - Tabla<br />Stephanie Thom - Violin<br />Erikki Veltheim - Viola<br /><br /><span style="color:#3366ff;">TRACKS<br /></span>1 Better Than 3:29<br />2 Daniella 4:17<br />3 Funky Tonight 5:28<br />4 Caroline 3:48<br />5 Good Excuse 3:26<br />6 Used to Get High 4:29<br />7 Gov Did Nothin' 8:05<br />8 Groovin' Slowly 4:33<br />9 Devil Running 4:51<br />10 Losing You 3:47<br />11 Nowhere Man 3:22<br />12 Fire in the Sky [Not Final Mix] 5:36<br />13 Gonna Take It 4:43<br />all music by Buttler </div><div align="center"><a href="http://rapidshare.com/files/102195235/174-JoBuTrio-GraNa.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-5510088407669085349?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com32tag:blogger.com,1999:blog-30596709.post-24141424903924833332008-03-20T13:41:00.000-07:002008-03-20T09:41:15.209-07:00<div align="center"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R-KTIr3yu0I/AAAAAAAABAE/VIQkiJNrPEA/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5179864298854464322" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R-KTIr3yu0I/AAAAAAAABAE/VIQkiJNrPEA/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">BIOGRAPHY<br /></span>by Greg Prato<br />One of the flashiest guitarists (both visually and instrumentally) to emerge from the '80s rock scene was Steve Stevens. Born in Brooklyn, New York, on May 5, 1959, Stevens first picked up the guitar when he was only seven years old, and later became an avid prog rock fan, especially the likes of Emerson, Lake &amp; Palmer and Yes. Honing his craft while playing in Manhattan, Stevens recorded an unreleased album with his band, Fine Maribus, and also played as a session guitarist on Peter Criss' best forgotten second post-Kiss solo outing, 1982's Let Me Rock You (although Stevens did earn a songwriting credit for the track "First Day in the Rain").<br />It was also during the early '80s that Stevens hooked up with ex-Generation X singer Billy Idol, who had relocated to New York in hopes of launching a solo career. Idol found the perfect foil in Stevens, and with ex-Kiss manager Bill Aucoin backing them, Idol's career skyrocketed. Combining Idol's punk and Stevens' hard rock backgrounds with dance music, Idol became one of MTV's early video stars, as such albums as 1982's Billy Idol and 1983's Rebel Yell became blockbuster hits — spurred on by Stevens' shredding guitar licks (and outrageous glam rock looks). It took an extended period for Idol and Stevens to offer a third album, 1986's Whiplash Smile, and although it was another big hit, Stevens longed to launch his own solo career, and exited Idol's band by the end of the decade.<br />Stevens also remained an in-demand hired gun, as he guested on recordings by Michael Jackson (Bad), Ric Ocasek (This Side of Paradise), Thompson Twins (Here's to Future Days), and Robert Palmer (Don't Explain), among others. Additionally, Stevens appeared on the mega-selling 1986 soundtrack to the Tom Cruise movie Top Gun, for which he collaborated with keyboardist Harold Faltermeyer on "Top Gun Anthem" (which earned Stevens a Grammy Award for Pop Instrumental Performance that year). In 1989 Stevens formed his own group, Steve Stevens' Atomic Playboys, but despite all the hype, the band only lasted for a single release, Atomic Playboys.<br />The early '90s saw Stevens keep up his busy schedule, as he attempted to form a new group with ex-Hanoi Rocks singer Michael Monroe, named Jerusalem Slim, which to the dismay of fans never got much further than the planning stages. In a strange twist of fate, Stevens then signed on to back ex-Mötley Crüe singer Vince Neil, the same man responsible for the dissolution of Monroe's previous band, Hanoi Rocks. Stevens hung in for an album, 1993's Exposed, and its supporting tour, before departing for greener pastures.<br />Stevens finally got his chance to show off his lifelong appreciation of prog rock when he united with bassist Tony Levin and drummer Terry Bozzio in the bombastic outfit Bozzio Levin Stevens, issuing a pair of releases thus far — 1997's Black Light Syndrome and 2000's Situation Dangerous. Around the same time, Stevens reunited with Idol, appearing alongside the singer on 2002's VH1 Storytellers, and also found time to issue another solo release, Flamenco A Go-Go. </div><div align="center"><br /><span style="color:#3366ff;">CREDITS</span><br />Michael Parnin - Drums<br />Steve Stevens - Guitar<br />Brian Tichy - Percussion, Drums </div><div align="center"><br /><span style="color:#3366ff;">TRACKS</span></div><div align="center">1 Heavy Horizon (Stevens) 2:04<br />2 Hellcats Take the Highway (Stevens) 5:32<br />3 Memory Crash (Stevens) 5:06<br />4 Water on Ares (Stevens) 5:51<br />5 Day of the Eagle (Trower) 5:46<br />6 Small Arms Fire (Stevens) 7:30<br />7 Cherry Vanilla (Stevens) 7:29<br />8 Joshua Light Show (Stevens) 1:52<br />9 Prime Mover (Stevens) 6:13<br />10 Josephine (Stevens) 6:22 </div><div align="center"><a href="http://rapidshare.com/files/100971906/173-SteSte-MemCra.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2414142490392483333?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-80074787747526340842008-03-19T17:10:00.000-07:002008-03-19T13:10:53.885-07:00<div align="center"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R-FyVL3yuzI/AAAAAAAAA_8/sSsi9OX-j7A/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5179546754742401842" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R-FyVL3yuzI/AAAAAAAAA_8/sSsi9OX-j7A/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">BIOGRAPHY</span><br />by Stephen Thomas Erlewine &amp; Steve Huey<br />After goth pioneers the Birthday Party called it quits in 1983, singer/songwriter Nick Cave assembled the Bad Seeds, a post-punk supergroup featuring former Birthday Party guitarist Mick Harvey on drums, ex-Magazine bassist Barry Adamson, and Einstürzende Neubauten guitarist Blixa Bargeld. With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk, although in a more subdued fashion than his work with the Birthday Party. Cave also allowed his literary aspirations to come to the forefront; the lyrics are narrative prose, heavy on literary allusions and myth-making, and take some inspiration from Leonard Cohen. Cave's gloomy lyrics, dark musical arrangements, and deep baritone voice recall the albums of Scott Walker, who also obsessed over death and love with a frightening passion. However, Cave brings a hefty amount of post-punk experimentalism to Walker's epic dark pop.<br /><br />Cave released his first album with the Bad Seeds, From Her to Eternity, in 1984, which contained a noteworthy cover of Elvis Presley's "In the Ghetto," foreshadowing much of Cave's style and subject matter on the follow-up The Firstborn Is Dead. Kicking Against the Pricks, an all-covers album, broke the band in England with the help of "The Singer," which hit number one on the U.K. independent charts. The album also strengthened Cave's reputation as an original interpreter and a vocal stylist of note.<br /><br />Following 1986's Your Funeral...My Trial, Cave took a two-year hiatus from recording, partially to appear in Wim Wenders' 1987 film Wings of Desire, and then returned with Tender Prey, which featured Cramps guitarist Kid Congo Powers and Cave's strongest vocal performance up to that point. Cave's productivity picked up immensely over the next two years after he kicked a heroin habit. He had two books (1988's King Ink, a collection of lyrics, plays, and prose, and 1989's And the Ass Saw the Angel, a novel) published; appeared in the 1989 Australian film Ghosts...of the Civil Dead as a prisoner; recorded a soundtrack to the film with Harvey and Bargeld; and released 1990's The Good Son, his most relaxed, quiet album. Cave received his due as one of the leading figures in alternative rock when he was invited to perform on the 1994 edition of the Lollapalooza tour to promote his Let Love In album. Early in 1996, he released Murder Ballads, a collection of songs about murder. Murder Ballads became Cave's most commercially successful album to date, and, with typical perversity, he followed it with the introspective and personal The Boatman's Call in early 1997. A spoken word release, Secret Life of the Love Song, followed in 1999. Two years later, a rejuvenated Cave teamed up with the Bad Seeds once again for the piano-laden No More Shall We Part. Nocturama was released in 2003, and the double-album Abbatoir Blues/The Lyre of Orpheus followed by the end of 2004.<br /><br /><span style="color:#3366ff;">REVIEW</span><br />Limited edition pressing of the 2008 album from Nick and his Bad Seeds. This version not scheduled for release in North America. Produced by Nick Cave &amp; The Bad Seeds and Nick Launay who worked with the band on their last album Abattoir Blues/The Lyre Of Orpheus, this album was recorded over the summer of 2007 at State of the Ark Studios in Richmond and mixed by Nick Launay. Dig Lazarus Dig transports the biblical character of the title to contemporary New York, as well as drawing inspiration from escapologist Harry Houdini. Featuring the majority of his usual personnel in The Bad Seeds (including violinist Warren Ellis and organist/pianist Conway Savage).<br /><br /><span style="color:#3366ff;">DIG, LAZARUS, DIG!!!</span><br />Por Fernando de Albuquerque<br /><br />Nick Cave é artista consagrado. Quase tudo já foi dito ao seu respeito e dentro dessa amálgama de declarações e metáforas já publicadas, suas composições, hoje, são muito mais um mantra a ser entoado pelos fãs do que música propriamente dita. É sobre essa pecha que Nick Cave and The Bad Seeds, banda que o acompanha há duas décadas, lança o 14º álbum intitulado Dig!!! Lazarus Dig!!!, através do selo Mute Records.<br /><br />O trabalho repete a parceria de Cave com o produtor Nick Launay, com quem eles trabalharam no álbum mais recente, Abattoir Blues/The Lyre of Orpheus, disco duplo lançado em 2004, e a arte do encarte (por que todas as minúcias do CD merecem ser detalhadas) está ao cargo dos artistas Tim Noble e Sue Webster.<br /><br />A narratividade do disco parte de um antigo fascínio do artista pela figura bíblica de Lázaro readaptando-o ao contexto Nova Iorquino de hoje e ao mesmo tempo refletindo sobre o próprio ceticismo da personagem. No disco ele volta à sua forma monotemática de contar histórias como se fosse um policial cínico e mafioso com o braço recostado à sua viatura, empostando um cigarro com a mão direita. E nessa mis-én-scene, o australiano Cave (que já morou em São Paulo na década de 1980) mais uma vez levanta a bandeira do sexo, da culpa e da religião como principais nortes de cada compilação. São vários personagens estranhos, escuros e muitas vezes surrealistas que são montados ao longo do disco.<br /><br />O Bad Seeds é uma banda pomposa, com sonoridade inclinada para o gospel e mesmo baladas pesadas, bem diferente de seu último projeto, o Grinderman. E Dig!!! Lazarus, Dig!!! lança mão dessa sofisticação em uma sonoridade (contraditoriamente!) baseada em guitarras sujas com sua tradicional culpa cristã. E aí cabe sua sempre presente influência pós-punk, marca deixada pela Birthday Party, banda que montou nos anos 1970, só que hoje muito mais lapidado, com muito menos heroína (afinal todo mundo envelhece) e pronto para sempre angariar fãs.<br /><br />Ele continua mal-humorado, culpado, mal agradecido e frustrado. Tudo representado por um rock pesado, burro e gestado em bares de quinta categoria que relembra os clássicos dos Stooges. São onze faixas, todas de longa duração, e na primeira, com nome homônimo ao CD, é um nítido regresso aos dias vividos entre From Her To Eternity (1984) e Henry’s Dream (1992). Numa espécie de escavação ao clássico The Velvet Underground &amp; Nico.<br /><br />De novo com bigode, Nick Cave continua enveredando por um rock pesado, burro e gestado em bares de quinta categoria<br /><br />E cavar parece ser mesmo necessário para compreender todos os meandros de Dig!!! Lazarus, Dig!!! que se mostra completamente diferente à cada audição. Tal como outros clássicos de sua carreira e outras notáveis obras como Let Love In (1994) e Murder Ballads (1996). Quanto à imagem, vídeos e clips, o sarcasmo parece ter aumentado em Nick Cave, que ressuscita o bigode. E é possível descobri-los sem muita arqueologia no YouTube ou numa loja da AkiDiscos.<br /><br />Uma dica: se você está prestes a se matar não ouça, por exemplo, “Jesus Of The Moon” ou “Midnight Man”. Além das guitarras extremamente soturnas e sem concessões , o ritmo mais lembra um filme de Tim Burton e a voz do cantor mais se assemelha à de um algoz prestes a decepar, recheado de muita culpa, a cabeça de outrem. É pro sujeito pular varanda abaixo.<br /><br /><span style="color:#3366ff;">TRACKS/CREDITS</span><br />01. <span style="color:#cc0000;">"Dig, Lazarus, Dig!!!"</span> – 4:12 (Cave)<br />Nick Cave - vocals, organ<br />Warren Ellis - viola, loops<br />Mick Harvey - electric guitar<br />Jim Sclavunos - drums, bongos, cowbell<br />Martyn Casey - bass<br />Thomas Wydler - brushed snare<br />02. <span style="color:#cc0000;">"Today's Lesson"</span> – 4:41 (Cave)<br />Nick Cave - vocals, organ<br />Warren Ellis - fender mandocaster<br />Mick Harvey - acoustic guitar<br />Jim Sclavunos - drums<br />Martyn Casey - bass<br />Thomas Wydler - shaker, tambourine<br />James Johnston - organ<br />03. <span style="color:#cc0000;">"Moonland"</span> – 3:54 (Cave/Ellis/Casey/Sclavunos)<br />Nick Cave - vocals, piano, tambourine, sleigh bells<br />Warren Ellis - fender mandocaster, tenor guitar, maracas<br />Jim Sclavunos - drums, cuica, conga<br />Martyn Casey - bass<br />04. <span style="color:#cc0000;">"Night of the Lotus Eaters"</span> – 4:53 (Cave/Ellis)<br />Nick Cave - vocals<br />Warren Ellis - loops, mandocaster<br />Mick Harvey - bass, electric guitar<br />Jim Sclavunos - congas, finger cymbals<br />Thomas Wydler - drums<br />05. <span style="color:#cc0000;">"Albert Goes West"</span> – 3:32 (Cave/Ellis)<br />Nick Cave - vocals, tambourine, toms, harmonica<br />Warren Ellis - 12 string lute, tenor guitar<br />Mick Harvey - bass, electric guitar, acoustic guitar<br />James Johnston - electric guitar, organ<br />Jim Sclavunos - drums, bongos, shaker<br />Thomas Wydler - tambourine<br />06. <span style="color:#cc0000;">"We Call Upon the Author"</span> – 5:12 (Cave/Ellis)<br />Nick Cave - vocals, organ<br />Warren Ellis - viola, loops, drum machine<br />Mick Harvey - electric guitar<br />Jim Sclavunos - drums<br />Martyn Casey - bass<br />07. <span style="color:#cc0000;">"Hold on to Yourself"</span> – 5:51 (Cave/Ellis/Casey/Sclavunos)<br />Nick Cave - vocals, organ<br />Warren Ellis - fender mandocaster, loops<br />Mick Harvey - acoustic guitar<br />Jim Sclavunos - drums, maracas<br />Martyn Casey - bass<br />Thomas Wydler - hand drums<br />08. <span style="color:#cc0000;">"Lie Down Here (&amp; Be My Girl)"</span> – 4:58 (Cave)<br />Nick Cave - vocals, piano<br />Warren Ellis - fender mandocaster, tenor guitar, piano<br />Mick Harvey - acoustic guitar<br />Jim Sclavunos - tambourine<br />Martyn Casey - bass<br />Thomas Wydler - drums<br />09. <span style="color:#cc0000;">"Jesus of the Moon"</span> – 3:22 (Cave)<br />Nick Cave - vocals, piano, electric guitar<br />Warren Ellis - flute, mandolin, fender mandocaster, viola<br />Mick Harvey - acoustic guitar<br />Jim Scalvunos - tambourine, sleigh bells<br />James Johnston - organ<br />Martyn Casey - bass<br />Thomas Wydler - drums<br />10. <span style="color:#cc0000;">"Midnight Man"</span> – 5:07 (Cave)<br />Nick Cave - vocals<br />Warren Ellis - loops, fender mandocaster, tenor guitar<br />Mick Harvey - organ, electric guitar<br />Jim Sclavunos - drums<br />Martyn Casey - bass<br />Thomas Wydler - shaker, tambourine<br />11. <span style="color:#cc0000;">"More News from Nowhere"</span> – 7:58 (Cave/Ellis/Casey/Sclavunos)<br />Nick Cave - vocals, tambourine, sleigh bells, vibra-slap<br />Warren Ellis - viola, loops<br />Mick Harvey - electric guitar<br />Jim Sclavunos - drums<br />Martyn Casey - bass </div><div align="center"><a href="http://rapidshare.com/files/100776455/172-NicCavThe_BadSee-DigLazDig.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8007478774752634084?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-62438212127841034362008-03-19T12:21:00.000-07:002008-03-19T08:21:31.107-07:00<div align="center"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R-Eu9u61AnI/AAAAAAAAA_0/XA0WTD_1Nxs/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5179472684554453618" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R-Eu9u61AnI/AAAAAAAAA_0/XA0WTD_1Nxs/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">BIOGRAPHY</span><br />by Greg Prato<br />The British band Gomez is a five-piece, consisting of Ben Ottewell (vocals, guitar), Tom Gray (vocals, guitar, keyboards), Paul Blackburn (bass, guitar), Olly Peacock (drums), and Ian Ball (vocals, guitar, harmonica). Whereas the majority of up-and-coming British bands are either retro-pop (à la Oasis), trip-hop (Portishead), or space rock (the Verve, Radiohead), Gomez is one of the few to contain bluesy elements in their rock. Their debut for Virgin Records, Bring It On, was praised in the rock press on both sides of the Atlantic. They also received the distinguished Mercury Music Prize for 1998 Album of the Year in England, where they edged out such stiff competition as Massive Attack's Mezzanine and the Verve's Urban Hymns. They completed their inaugural U.S. tour opening for Eagle-Eye Cherry in October 1998, while the press still offered praise — Spin magazine called Bring It On "a damn beautiful album," giving it an eight-out-of-ten rating. Liquid Skin followed in 1999 and the rarities and B-sides compilation Abandoned Shopping Trolley Hotline was issued a year later. A third studio album, In Our Gun, appeared in spring 2002. Another hiatus saw Ian Ball relocating to Los Angeles, while still working with the band at their new studio in Portslade, England. The dozens of tracks recorded during this time were whittled down and fashioned into Split the Difference, released in May of 2004. By that time, Hut, their original label, had gone under, leaving them signed to Virgin (Hut's distributor). Despite all the critical acclaim, sales were never up to what Virgin was expecting from Gomez, and the two sides parted ways later that year. In 2005, they signed with ATO Records and released Out West, Gomez's first live album, in June of that year. How We Operate arrived in May 2006, and the band rounded out the year by assembling a retrospective collection of singles, rarities, and unreleased tracks for Five Men in a Hut: Singles 1998-2004.<br /><br /><span style="color:#3366ff;">REVIEW</span><br />by Thom Jurek<br />How We Operate is Gomez's first studio offering on the ATO imprint, and it's a (mostly) quiet stunner. Produced by Gil Norton and recorded in London, the album is a deft collection of well-molded pop songs that sound of a piece. They're full of ingenious little hooks, fine singing, poetics and to-the-point lyrics, and cool guitars. After popping this disc into the deck and hitting "play," it may be tempting to do a double-take at the cover for a moment, given the music the band has released in the past. But that sound — with Tom Gray's evocative voice at the front — is unmistakable. This is the sound of a band sitting around facing one another and concentrating on writing and executing songs that stand the test of time, using multiple songwriters of equal gift and merit. In five or ten years, How We Operate will not sound any more dated than, say, Ronnie Lane's Anymore for Anymore; in other words, not at all. The world doesn't shatter with this set, the vision of rock's future salvation (a load of crap they were shouldered with by the manic, next-big-thing-of-the-week of Brit music tabloids with their debut Bring It On) from its current dregs — how else could a record by Wolfmother actually get released and promoted? — doesn't occur. But what does is that this quintet, who has so gradually come into its own via a stubborn insistence on sticking to its own principles, has grown immeasurably and become a unit of utter confidence and consistent vision that insists on excellence and will settle for nothing less. Gomez's adherence to the principles of good songwriting craft — melody, harmony, rhythm, and lyrical economy — serves them, and ultimately the listener, in spades. This is not some weepy, introspective sheaf of tunes that are full of overburdened metaphors stretched to the breaking point. The opener, "Notice," begins quietly and unhurriedly, with an acoustic guitar, a whispering bassline, and a brushed snare, as the vocalist tells an expressionistic story about opportunity, wasted, grasped, reckoned with in both life and love, with lies told, ignored in denial, and forgotten. The electric guitars kick in on the chorus, and the drums begin to pop. The verse is repeated and eventually comes to a ringing series of crescendos that are restrained yet powerful enough to hold the listener in its grip. "See the World" could have been written by R.E.M. before they started bullsh*tting and thinking they were more than they were. One can also hear an optimistic Jay Farrar in here. The bright, down-home acoustic guitars, the "sha-la-la" chorus, the exhortation to go out and get more from life, and the gorgeous meld of electric guitars and backing vocals are simply a joy to listen to. This doesn't mean there aren't rockers here. Far from it. Tracks such as "Hamoa Beach" that start out acoustically develop into sonically overdriven forays into margin-challenging guitar pyrotechnics. "Girlshapedlovedrug" has a hook to die for in its intro, and the volume level continues to rise from there without the harmonically taut, bright, sparkling Ottwell vocals and ramped-up six-strings. "Cry on Demand" has a knotty, angular lyric line, but rounds itself in the rollicking chorus and between verse fills. "Charley Patton Song," doesn't deal with the blues whatsoever, despite its title. Instead, there is an atmospheric, floating, dreamy quality to its sophisticated verse structure that never leaves out the end-of-line hook. There are strange sounds in its background that sound like a cembalom or hammered dulcimer chiming above the rest of the instruments, and a simple organ line that shimmers underneath it all. The bridge changes the nature of the entire track, Gomez pretends to let the tension out of the bag for a short bit and enters into dissonant interplay between drums and detuned guitars. The album almost whispers to a close on "Don't Make Me Laugh," where a gentle country groove unhurriedly glides in and offers the singer a breezy window to observe his unwillingness to compromise himself for another opportunity with a lost love. There are rock overtones that begin to bleed in the instrumental bridge, tension once more rises before being given the air to breathe and float away as the cut comes to a leisurely close amid almost jaunty strings and a slide playing in the high register. How We Operate is strong, focused, and a complete pleasure to engage; its maturity and confidence is beyond anything they've released thus far, and the experimentalism brought into play on their other albums is here, though the textures, tempos, and frameworks are significantly other. Above all, this is most certainly a Gomez record, one they couldn't possibly have created earlier; its maturity and confidence offer a new dimension to a sound that's already full of complexity, paradox, and a pronounced, now intractable, identity.<br /><br /><span style="color:#3366ff;">CREDITS </span><br />Ian Ball - Group Member<br />Paul Blackburn - Group Member<br />Katherine Bottenill - Vocals<br />Tom Gray - Guitar, Vocals, Group Member<br />Fil Krohnengold - Accordion, String Arrangements<br />Ben Ottewell - Guitar, Vocals, Group Member<br />Olly Peacock - Group Member<br /><br /><span style="color:#3366ff;">TRACKS</span><br />1 Notice (Gomez) 4:01<br />2 See the World (Gomez) 4:03<br />3 How We Operate (Gomez) 5:26<br />4 Hamoa Beach (Gomez) 3:34<br />5 Girlshapedlovedrug (Gomez) 4:00<br />6 Chasing Ghosts with Alcohol (Gomez) 3:42<br />7 Tear Your Love Apart (Gomez) 4:06<br />8 Charley Patton Songs (Gomez) 5:13<br />9 Woman! Man! (Gomez) 4:04<br />10 All Too Much (Gomez) 4:33<br />11 Cry on Demand (Gomez) 4:22<br />12 Don't Make Me Laugh (Gomez) 4:34 </div><div align="center"><a href="http://rapidshare.com/files/100682465/171_-_Gomez-How_We_Operate.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6243821212784103436?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com16tag:blogger.com,1999:blog-30596709.post-27466531798530295212008-03-18T07:53:00.000-07:002008-03-18T03:54:02.746-07:00<div align="center"><a href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R9-ewe61AmI/AAAAAAAAA_s/ooF9T4t20Lk/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5179032652270076514" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R9-ewe61AmI/AAAAAAAAA_s/ooF9T4t20Lk/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">BIOGRAPHY<br /></span>by Stephen Thomas Erlewine<br />As the leader of the Jam, Paul Weller fronted the most popular British band of the punk era, influencing legions of English rockers that ranged from his mod revival contemporaries to the Smiths in the '80s and Oasis in the '90s. During the final days of the Jam, he developed a fascination with Motown and soul, which led him to form the sophisti-pop group the Style Council in 1983. As the Style Council's career progressed, Weller's interest in soul developed into an infatuation with jazz-pop and house music, which eventually led to gradual erosion of his audience — by 1990, he couldn't get a record contract in the U.K., where he had previously been worshipped as a demigod. As a solo artist, Weller returned to soul music as an inspiration, cutting it with the progressive, hippie tendencies of Traffic. Weller's solo records were more organic and rootsier than the Style Council's, which helped him regain his popularity within Britain. By the mid-'90s, he had released three successful albums that were both critically acclaimed and massively popular in England, where contemporary bands like Ocean Colour Scene were citing him as an influence. Just as importantly, many observers, while occasionally criticizing the trad rock nature of his music, acknowledged that Weller was one of the few rock veterans who had managed to stay vital within the second decade of his career.<br /><br />Weller's climb back to the top of the charts was not easy. After Polydor rejected the Style Council's fifth, house-influenced album in 1989, Weller broke up the group and lost both his record contract and his publishing deal. Over the next two years, he was in seclusion as he revamped his music. In 1991, he formed the Paul Weller Movement and released "Into Tomorrow" on his own independent label, Freedom High Records. A soulful, gritty neo-psychedelic song that represented a clear break from the Style Council, "Into Tomorrow" reached the U.K. Top 40 that spring, and he supported the single with an international tour, where he worked out the material that comprised his eponymous 1992 solo debut. Recorded with producer Brendan Lynch, Paul Weller was a joyous, soulful return to form that was recorded with several members of the Young Disciples, former Blow Monkey Dr. Robert, and Weller's then-wife, Dee C. Lee. The album debuted at number eight on the U.K. charts, and was received with positive reviews.<br /><br />Wild Wood, Weller's second solo album, confirmed that the success of his solo debut was no fluke. Recorded with Ocean Colour Scene guitarist Steve Cradock, Wild Wood was a more eclectic and ambitious effort than its predecessor, and it was greeted with enthusiastic reviews, and entered the charts at number two upon its fall 1993 release. The album would win the Ivor Novello Award for Outstanding Contemporary Song Collection the following year. Weller supported the album with an extensive tour that featured Cradock as the group's leader; the guitarist's exposure on Wild Wood helped him successfully relaunch Ocean Colour Scene in 1995. At the end of the tour, Weller released the live album Live Wood late in 1994. Preceded by "The Changingman," which became his 17th Top Ten hit, 1995's Stanley Road was his most successful album since the Jam, entering the charts at number one and eventually selling nearly a million copies in the U.K.<br /><br />By this point, Weller decided to stop attempting to break the United States and canceled his North American tour. Of course, he was doing so well in the England he didn't need to set his sights outside of the U.K.. Stanley Road may have been greeted with mixed reviews, but Weller had been re-elevated to his status as an idol, with the press claiming that he was the father of the thriving Britpop movement, and artists like Noel Gallagher of Oasis singing his praises. In fact, while neither artist released a new album in 1996, Weller's and Gallagher's influence was felt throughout the British music scene, as roots-oriented, '60s bands like Ocean Colour Scene, Cast, and Kula Shaker became the most popular groups in the U.K.<br /><br />Weller returned in the summer of 1997 with Heavy Soul. Modern Classics: Greatest Hits followed a year later. Heliocentric — which at the time of its release he claimed was his final studio effort — appeared in the spring of 2000. The live record Days of Speed followed in 2001, and he released his sixth studio album, Illumination, in 2002. The covers record Studio 150 appeared in 2004. As Is Now arrived in October of 2005 on Yep Roc. The live album Catch-Flame! followed in 2006.<br /><br /><span style="color:#3366ff;">REVIEW</span><br />by Stephen Thomas Erlewine<br />For Studio 150, his seventh solo studio album, Paul Weller delivers his first official covers album. Not that he's been reluctant to cover other songwriters, of course. Throughout his career, he's made covers a staple of his records and concerts. In fact, he cut so many as B-sides in the '90s that his 2003 B-sides and rarities compilation Fly on the Wall had a whole disc devoted to material from other songwriters. Studio 150 feels like a sister album to that disc, and not just because it shares a similar sensibility and has songs by both Tim Hardin and Neil Young. Musically, Studio 150 sounds as if it could have been recorded in 1995 as the missing link between Stanley Road and Heavy Soul, containing the swinging mod vibe of the former with the tough, muscular punch of the latter. While it could be argued that Weller is treading water, or even retreating after the subtle shifts forward on Illumination, it's almost a moot point since the band sounds terrific and he's in fine voice. Plus, this is a covers album and innovation isn't exactly expected on covers albums. What is expected is that the artist puts his own signature on songs from another writer, and Weller does that. True, as a whole Studio 150 doesn't sound all that different from other records in his catalog, but he's managed to find new spins on perennials like "Close to You" and "All Along the Watchtower," interpretations that fit within his signature blend of '70s soul, mod pop, and singer/songwriter introspection. Not surprisingly, the bulk of the album consists of songs from the late '60s and '70s, with selections from singer/songwriters like Tim Hardin, Gil Scott-Heron, Gordon Lightfoot, and Neil Young sitting comfortably next to relatively obscure soul and disco singles (with a previously unrecorded song from Weller disciple Noel Gallagher blending into the surroundings nicely). Some of these songs are familiar, but these arrangements are distinctly Weller's own, and it makes for an effective listen — maybe not a major effort from the Modfather, but an enjoyable one all the same.<br /><br /><span style="color:#3366ff;">CREDITS</span><br />Carleen Anderson - Vocals (bckgr)<br />Louk Boudesteijn - Trombone, Horn<br />Sam Leigh Brown - Vocals (bckgr)<br />Ray Bruinsma - Flugelhorn, Horn<br />Eliza Carthy - Violin, Soloist<br />Frans Cornelissen - Tuba, Horn<br />Steve Cradock - Guitar (Acoustic), Guitar (Electric)<br />Martin de Ruiter - Strings, Violin<br />Joeri DeVente - Horn, French Horn<br />Claudia Fontaine - Vocals (bckgr)<br />Williem Friede - Strings, Horn, Horn Arrangements, String Arrangements<br />Benjamin Herman - Flute, Horn, Sax (Alto), Sax (Baritone), Sax (Tenor), Horn Arrangements<br />Mieke Honingh - Strings, Cello<br />Anne Knapstein - Strings, String Arrangements<br />Sarah Koch - Strings, Viola<br />David Kweksilber - Clarinet, Horn<br />Damon Minchella - Guitar (Bass)<br />Bill Nusinger - Mandolin<br />Dalbir Singh Rattan - Tabla<br />Petra Rosa - Harp<br />Stefan Schmid - Moog Synthesizer, Korg Synthesizer<br />The Stands - Vocals (bckgr)<br />Seya Teeuwen - Strings, Viola<br />Pauline Terlow - Strings, Viola<br />Danny Thompson - Double Bass<br />Lorre Trytten - Strings, Viola<br />Bastiaan Van Der Werf - Strings, String Arrangements<br />Jan Van Duikeren - Trumpet, Flugelhorn, Horn<br />Herman Van Haaren- Strings, Viola<br />Aimee Versloot - Strings, Cello , Producer, Cover Design<br />Steve "Supe" White - Percussion, Drums, Producer<br /><br /><span style="color:#3366ff;">TRACKS</span><br />1 If I Could Only Be Sure (Mekler, Porter) 3:41<br />2 Wishing on a Star (Calvin) 5:09<br />3 Don't Make Promises (Hardin) 3:20<br />4 The Bottle (Scott-Heron) 3:04<br />5 Black Is the Colour (Traditional) 3:30<br />6 Close to You (Bacharach, David) 3:07<br />7 Early Morning Rain (Lightfoot) 3:47<br />8 One Way Road (Gallagher) 3:20<br />9 Hercules (Toussaint) 3:29<br />10 Thinking of You (Edwards, Rodger) 3:51<br />11 All Along the Watchtower (Dylan) 5:57<br />12 Birds (Young) 3:29 </div><div align="center"><a href="http://rapidshare.com/files/100433155/170-PauWel-Stu150.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2746653179853029521?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-59631835664091830502008-03-17T01:26:00.000-07:002008-03-16T21:26:58.704-07:00<a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R93yfu61AlI/AAAAAAAAA_k/U_dIBl3F2no/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5178561773530579538" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R93yfu61AlI/AAAAAAAAA_k/U_dIBl3F2no/s200/front+cover.jpg" border="0" /></a> <div align="center"><span style="color:#3366ff;">TONKY BLUES BAND</span><br />El guitarrista de blues madrileño Tonky de la Peña no necesita una gran presentación, después de haberse dedicado durante dos décadas al grupo que lleva su nombre. Su currículum es bastante especial, habiendo tocado con gente de la talla de Albert Collins, Jerry Lee Lewis, Charlie Musselwhite o Mick Taylor (Rolling Stones, John Mayall).<br />En sus conciertos en directo presenta una potente banda que interpreta sus propios temas así como versiones de clásicos del Blues.<br /><br /><span style="color:#3366ff;">LA DENSIDAD DE UN GUITARRA DE BLUES</span><br />Tonky de La Peña crea la Tonky Blues Band en Madrid a principios de los años 80. Pronto se hizo famoso tocando en los clubs nocturnos de blues. También colaborando con los grandes vivos del blues como Carey Bell, Louisiana Red, Charlie Musselwhite, recibiendo más de una vez la invitación de Albert Collins para tocar con sus Icebreakers Durante la dira que realizó por el estado Español Jerry Lee Lewis en 1990 le incorporó a su banda y la Tonky Blues Band será la banda que acompañará en sus giras al mítico guitarrista Mick Taylor -antiguo componente de los Bluesbreaker de John Mayall primero y componente de los Rolling Stones depués-. Con él grabará el disco que lleva por título Piedra rodante.<br />Hoy en día la Tonky Blues Band figura entre las grandes bandas de blues europeas participando en importantes festivales, sin abandonar los clubs de donde surgió, circuito en el que desarrollan el nivel de improvisación propio del género.<br />Durante dos décadas ha supuesto una importante escuela de blues y continúa...<br />La última gira de la banda ha sido acompañando al veterano músico americano Buddy Miles, batería y cantante junto a gente como Jimi Hendrix o Santana.<br /><br /><span style="color:#3366ff;">TRACKS<br /></span>01. Killing floor<br />02. Blues runs down my leg<br />03. Tronco de Madrid<br />04. Sky is crying<br />05. Steady rolling man<br />06. I can't be satisfied<br />07. Jam de 4<br />08. Good morning little school girl<br />09. I'll play the blues for you<br />10. Look watcha done<br />11. Steepin out<br />12. Tributo a los viejos<br /><a href="http://rapidshare.com/files/100122005/169-TonBluBanconMicTay-PieRod.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-5963183566409183050?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-61839913300319730752008-03-17T01:22:00.000-07:002008-03-16T21:22:59.955-07:00<div align="center"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R93xSu61AkI/AAAAAAAAA_c/_6JLo-mIS8c/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5178560450680652354" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R93xSu61AkI/AAAAAAAAA_c/_6JLo-mIS8c/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">CREDITS</span><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R93xHu61AjI/AAAAAAAAA_U/Rp93Um2Gwqg/s1600-h/credits.jpg"><img id="BLOGGER_PHOTO_ID_5178560261702091314" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R93xHu61AjI/AAAAAAAAA_U/Rp93Um2Gwqg/s200/credits.jpg" border="0" /></a><span style="color:#3366ff;">REVIEW<br /></span>by Stephen Thomas Erlewine<br />There is no rock star greater than Mick Jagger. There are plenty other as great, but nobody eclipses Mick in terms of art and influence, as he virtually created the modern-day rock &amp; roll rebel. Given that, why is it that almost nobody takes his solo recordings seriously? Even his longtime partner Keith Richards is quoted on record calling Jagger's 2001 album Goddess in the Doorway "Dogsh*t in the doorway," a tacit signal that all the dismissive reviews of Jagger's solo stuff were not only justified, but appropriate — a judgment that may be a bit extreme, but in a way it's understandable, because Jagger's solo recordings showcased his least lovable aspects, particularly his relentless social climbing and obsession with style. In the Rolling Stones, this trend-chasing clashed with Richards' stubborn traditionalism, a creative tension that often resulted in tremendous music, but on his own Jagger was able to indulge his taste for fleeting fashion, which gave his solo albums a brittle, dated sound that also accentuated his cold, mercenary edge, which, in turn, made them feel a bit desperate. The Very Best of Mick Jagger, the first-ever compilation of his solo career, doesn't erase that impression, but it does illustrate some merit in it. By not relying strictly on hit singles and mixing in solo cuts from the '70s, when Jagger had yet to start his solo career in earnest, this 17-track set paints a better picture of what Jagger was attempting to achieve outside the Stones, capturing a rocker desperate to leave his status as the leader of the greatest rock &amp; roll band ever far behind. Only "Memo from Turner," his contribution to the 1970 film Performance, truly treads close to the Stones, a cover of Sonny Boy Williamson's "Checkin' Up on My Baby," an unreleased track from his 1993 session with the L.A. blues band the Red Devils, coming in a close second. Jagger's solo career was all about running away from the Stones, but it's nice to have that reminder of his strengths here, since so much of his solo career is so carefully competent, playing to the sounds of the time, whether it's the stiff Nile Rodgers dance-rock of "Just Another Night," the tasteful classicism of the Rick Rubin-produced Wandering Spirit, or the featureless studio sheen of Goddess in the Doorway. More than anything, it's the productions that hurt the Jagger solo albums, as they lack the heart and muscle of the Stones, substituting it for careful craft. At least that sense of craft could still be heard in many of the songs, and many of the best are here, including his first solo hits "Lucky in Love" and "Just Another Night," but also latter-day songs like the lively "Put Me the Trash" and the terrific country tune "Evening Gown." These are solid songs; they're only weighed down by the professional polish, so determined to fit into the mainstream that it winds up being too bland. And that's why all the odd detours that are sprinkled through the album stand out so much: not just "Memo from Turner" and "Checkin' Up on My Baby," but his duet with Peter Tosh on "(You Got to Walk And) Don't Look Back," his goofy duet with David Bowie on "Dancing in the Street," and especially, the John Lennon-produced disco of "Too Many Cooks (Spoil the Soup)," heavily bootlegged but unreleased until now and easily the highlight of this collection. These are times where the music is alive and unpredictable, a perfect contrast to Mick's meticulousness — which, of course, means they feel like the Stones, which is why Jagger never followed their path on his actual solo albums.<br /><br /><span style="color:#3366ff;">TRACKS</span><br />1 God Gave Me Everything (Jagger, Kravitz) 3:32<br />2 Put Me in the Trash (Jagger, Rip) 3:34<br />3 Just Another Night (Jagger) 5:15<br />4 Don't Tear Me Up (Jagger) 4:12<br />5 Charmed Life [#] (Jagger) 3:35<br />6 Sweet Thing (Jagger) 4:18<br />7 Old Habits Die Hard (Jagger, Stewart) 4:24<br />Performed by: (Jagger, Dave Stewart)<br />8 Dancing in the Street (Gaye, Hunter, Stevenson) 3:18<br />Performed by: Jagger, David Bowie<br />9 Too Many Cooks (Spoil the Soup) (Bond, Dunbar, Wayne) 4:04<br />10 Memo from Turner (Jagger, Richards) 4:03<br />11 Lucky in Love (Alomar, Jagger) 5:02<br />12 Let's Work (Jagger, Stewart) 4:44<br />13 Joy (Jagger) 4:40<br />14 Don't Call Me Up (Jagger) 5:13<br />15 Checkin' Up on My Baby (Williamson) 3:21<br />Performed by: Jagger, Red Devils<br />16 (You Got to Walk And) Don't Look Back (Robinson, White) 5:17<br />Performed by: Jagger, Peter Tosh<br />17 Evening Gown (Jagger) 3:32 </div><div align="center"><a href="http://rapidshare.com/files/100114399/168-MicJag-VerBe.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6183991330031973075?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-40423893656410161632008-03-17T01:16:00.000-07:002008-03-16T21:16:34.346-07:00<div align="center"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R93wSO61AiI/AAAAAAAAA_M/m6Y2Y0sZIIc/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5178559342579089954" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R93wSO61AiI/AAAAAAAAA_M/m6Y2Y0sZIIc/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">CREDITS</span><br />Jack Bashkow - Wind<br />Crispin Cioe - Wind<br />Sarah Dash - Vocals (bckgr)<br />Charley Drayton - Bass, Guitar, Piano, Organ (Hammond), Vocals (bckgr)<br />Babi Flody - Vocals (bckgr)<br />Bernard Fowler - Vocals (bckgr)<br />Arno Hecht - Wind<br />Steve Jordan - Organ, Percussion, Castanets, Conga, Drums, Vocals (bckgr)<br />Ivan Neville - Organ, Bass, Piano, Harpsichord, Clavinet, Vibraphone<br />Keith Richards - Bass, Guitar, Percussion, Keyboards, Vocals, Vocals (bckgr)<br />Richard Wachtel - Guitar, Piano, Celeste, Vocals (bckgr)<br /><br /><span style="color:#3366ff;">TRACKS </span><br />1 999 (Jordan, Richards, Wachtel) 5:50<br />2 Wicked as It Seems (Drayton, Jordan, Richards) 4:45<br />3 Eileen (Jordan, Richards) 4:26<br />4 Words of Wonder (Jordan, Richards, Wachtel) 6:35<br />5 Yap Yap (Jordan, Richards, Wachtel) 4:42<br />6 Bodytalks (Dash, Drayton, Jordan, Richards) 5:18<br />7 Hate It When You Leave (Jordan, Richards, Wachtel) 4:59<br />8 Runnin' Too Deep (Jordan, Richards) 3:25<br />9 Will But You Won't (Jordan, Richards) 5:04<br />10 Demon (Jordan, Richards) 4:43 </div><div align="center"><a href="http://rapidshare.com/files/100102354/167-KeiRic-MaiOff.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4042389365641016163?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-54329955230260044192008-03-14T13:16:00.000-07:002008-03-14T09:16:34.618-07:00<div align="center"><img id="BLOGGER_PHOTO_ID_5177630603145970194" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R9qjme61AhI/AAAAAAAAA_E/wt2PS_tdYLA/s200/front+cover.jpg" border="0" /><span style="color:#3366ff;">BIOGRAPHY<br /></span>by Steve Huey<br />He's acknowledged as perhaps the greatest rhythm guitarist in rock &amp; roll, but Keith Richards is even more legendary for his near-miraculous ability to survive the most debauched excesses of the rock &amp; roll lifestyle. His prodigious consumption of drugs and alcohol has been well documented, and would likely have destroyed anyone with a less amazing endurance level. On-stage with the Rolling Stones, he epitomized guitar-hero cool as the quiet, stoic alter ego to Mick Jagger's extroverted frontman, a widely imitated image made all the more fascinating by his tightrope-walking hedonism. Yet that part of Richards' mystique often overshadows his considerable musical legacy. Arguably the finest blues-based rhythm guitarist to hit rock &amp; roll since his idol Chuck Berry, Richards knocked out some of the most indelible guitar riffs in rock history, and he did it so often and with such apparent effortlessness that it was easy to take his songwriting skills for granted. His lean, punchy, muscular sound was the result of his unerring sense of groove and intuitive use of space within songs, all of which played a major part in laying the groundwork for hard rock. Never intensely interested in soloing, Richards preferred to work the groove using open-chord tunings drawn from Delta blues, and his guitars were often strung with only five strings for cleaner fingering, which made it difficult for cover bands to duplicate his distinctive sound precisely. For all his rock-star notoriety, Richards was perfectly happy in the confines of a group, and thus was the last Rolling Stone to release a side-project solo album; his 1988 solo debut appeared more than a quarter century after he co-founded the band that earned him the nickname "Mr. Rock and Roll."<br /><br />Richards was born December 18, 1943, in Dartford, Kent, on the southern outskirts of London. When he was just an infant, his family had to be temporarily evacuated from their home during the Nazi bombing campaign of 1944. In 1951, while attending primary school, Richards first met and befriended Jagger, although they would be split up three years later when they moved on to different schools. By this age, Richards had already become interested in music, and was an especially big fan of Roy Rogers; in his very early adolescence, he sang in a choir that performed for the Queen herself, although he was forced to quit when his voice changed. Around that time, he became interested in American rock &amp; roll and began playing guitar, with initial guidance from his grandfather. Behavior problems at school led to Richards' expulsion in 1959, but the headmaster thought he might find a niche as an artist, and Richards was sent to Sidcup Art School. There he met future Pretty Things guitarist Dick Taylor, who at the time was playing in a blues band with Jagger. Discovering their new mutual interest, Richards and Jagger struck up their friendship all over again, and Richards joined their band not long after. Over the next couple of years, that band evolved into the Rolling Stones, who officially debuted on-stage in the summer of 1962 (by which time Richards had left school).<br /><br />The rest was history — initially a blues and R&amp;B cover band, the Stones branched out into original material penned by Jagger and Richards. The duo took some time and practice to develop into professional-quality songwriters, but by 1965 they'd hit their stride. "(I Can't Get No) Satisfaction" made them superstars in the States as well as the U.K., boasting one of rock's all-time great guitar riffs, which Richards played into a tape recorder in the middle of the night and didn't recall writing when he heard the tape the next morning. With their menacing, aggressively sexual image, the Stones became targets for British police bent on quelling this new threat to public decency, and Richards suffered his first drug bust in 1967 when police raided his residence and found amphetamines in the coat pocket of Jagger's girlfriend, singer Marianne Faithfull. Richards was convicted of allowing the activity on his premises and sentenced to a year in prison, but public furor over the trumped-up nature of the charges and the purely circumstantial evidence prompted a hasty reversal of the decision. The same year, Richards hooked up with bandmate Brian Jones' former girlfriend, model/actress Anita Pallenberg; although the two never officially married, they remained together (more or less) for the next 12 years, and had two children (Marlon, in 1968, and Angela, in 1972).<br /><br />After the death of Brian Jones in 1969, the Stones became a more straightforward, hard-rocking outfit, and Richards' guitar took center stage more than ever before. By this era, he'd taken to calling himself Keith Richard, simply because he thought it sounded better without the s. Privately, the band was sinking further into decadence, clearly audible on its early-'70s masterpieces Sticky Fingers and Exile on Main Street. However, Richards' burgeoning heroin addiction began to affect the consistency of the band's recordings for the next few years. Additionally, he ran into more legal troubles; his French villa was the subject of a drug raid in 1972, as was his British residence the following year. (Rumors dating from this era that Richards had all of his blood replaced in a cleanup effort, while entertaining, were not true.) Over 1976-1977, Richards entered the studio for a few solo sessions, but the only result to see the light of day was the Christmas single "Run Rudolph Run" (issued in 1978). Perhaps the lack of productivity was due to the fact that Richards was in the middle of the most difficult period of his life.<br /><br />In 1976, Richards' infant son Tara, his third child by Pallenberg, died suddenly; the official cause was SIDS, although unsubstantiated rumors about the couple's drug abuse playing a factor circulated as well. In early 1977, Richards was busted for coke, and faced the most serious charges of his life when, in Toronto, he was caught in possession of heroin. He narrowly escaped serving jail time, agreeing to perform a charity concert for the blind and enter drug rehabilitation in the United States. The scare convinced him to clean up, and when the Stones returned in 1978 with Some Girls, it was acclaimed as their strongest, most focused work in years, and helped rejuvenate their popularity as an arena rock attraction. Things went sailing along smoothly for the next few years, and Richards even officially married for the first time in 1983, wedding Patti Hansen, who would bear him two more daughters, Theodora and Alexandra (he and Pallenberg had finally split in 1979). However, around the same time, Jagger decided the Stones should take a new direction more in line with contemporary pop; Richards refused, and Jagger embarked on a solo career that began to take priority over the Stones. It ignited a very public feud between the two, and rumors of the Stones' imminent demise swirled over the next few years. When Jagger refused to tour behind 1986's Dirty Work in order to record his second solo album, Richards retaliated by going out on his own, forming a backing band he dubbed the Xpensive Winos.<br /><br />Richards released his first solo album, Talk Is Cheap, in 1988. Both critically and commercially, it was a far greater success than Jagger's Primitive Cool. Reviews were generally quite complimentary, calling it a solid rock &amp; roll record; plus, buoyed by the minor hit single and MTV favorite "Take It So Hard," Talk Is Cheap went gold. Richards embarked on a supporting tour which produced the concert album Live at the Hollywood Palladium, released three years later, and his success convinced Jagger to return to the fold (of course, the relative failure of his own solo venture helped). Their future thus seemingly assured, the Stones had their biggest success in some time with the 1989 album Steel Wheels and its blockbuster supporting tour. In the early '90s, Richards and Jagger once again began working on solo projects, but this time with the understanding that nothing took precedence over the Stones; Richards' second studio album, Main Offender, was issued in 1992, and again received fairly solid notices, although it didn't get quite the same commercial exposure. Since then, Richards has concentrated on recording and touring with the Stones.<br /><br /><span style="color:#3366ff;">REVIEW</span><br />by Chris True<br />In 1987, it was anyone's guess if the Stones would ever get back together. Sure, Mick Jagger and Keith Richards were well known for their public disagreements, but when Jagger decided to tour in support of his second solo album, Primitive Cool, Richards was disheartened and finally succumbed to the idea of recording without the Rolling Stones. Taking the band he had assembled to back up Chuck Berry for the Hail! Hail! Rock 'n' Roll documentary (along with longtime session player Waddy Wachtel), Richards put together an album that was straightforward, musical, and better than a good portion of the Stones' output in the first half of the '80s. The lead single "Take It So Hard," "Whip It Up," and "Struggle" are classic Richards riffology, and tracks like "Locked Away" are emotional without being maudlin and worldly but not sounding adult contemporary. The main point of Talk Is Cheap is the music, nothing more; Richards obviously didn't want to fret about anything but the groove. While Jagger's solo work sounded like Mick with some studio musicians, Keith had assembled a band, found a productive songwriting partner in Steve Jordan, and created a record that was free of frills. Simply put, Richards sounded like he was playing for himself, and playing with a certain sense of enjoyment. The new band, the X-pensive Winos, had a different work ethic than the Stones, forcing Richards to focus on the music. What resulted was a solid album built on fundamentals rather than style. It's hard not to see who the real musical force was in the Stones after hearing Talk Is Cheap.<br /><br /><span style="color:#3366ff;">CREDITS</span><br />Sam Butler - Vocals (bckgr)<br />Ben Cauley - Horn<br />Bootsy Collins - Bass<br />Sarah Dash - Vocals, Vocals (bckgr)<br />Michael Doucet - Violin<br />Charley Drayton - Bass, Drums, Vocals (bckgr)<br />Stanley Dural - Accordion<br />Jack Hale - Horn<br />Johnnie Johnson - Piano<br />Steve Jordan - Bass, Percussion, Composer, Conga, Drums, Guitar (Bass), Vocals (bckgr)<br />Bobby Keys - Sax (Baritone), Sax (Tenor)<br />Jimmi Kinnard - Horn<br />Chuck Leavell - Organ<br />Andrew Love - Horn<br />The Memphis - Horns Percussion, Horn<br />James Mitchell - Horn<br />Willie Mitchell - Horn, Horn Arrangements<br />Ivan Neville - Piano, Keyboards<br />Maceo Parker - Sax (Alto)<br />Keith Richards - Guitar (Acoustic), Guitar, Percussion, Composer, Guitar (Electric), Vocals, Vocals (bckgr), Producer<br />Patti Scialfa - Vocals (bckgr)<br />Joey Spampinato - Bass<br />Mick Taylor - Guitar<br />Gary Topper - Horn<br />Richard Wachtel - Guitar, Slide Guitar<br />Waddy Wachtel - Guitar (Acoustic), Guitar, Guitar (Electric), Slide Guitar<br />Bernie Worrell - Organ, Clavinet<br /><br /><span style="color:#3366ff;">TRACKS</span><br />1 Big Enough (Jordan, Richards) 3:16<br />2 Take It So Hard (Jordan, Richards) 3:14<br />3 Struggle (Jordan, Richards) 4:09<br />4 I Could Have Stood You Up (Jordan, Richards) 3:11<br />5 Make No Mistake (Jordan, Richards) 4:52<br />6 You Don't Move Me (Jordan, Richards) 4:47<br />7 How I Wish (Jordan, Richards) 3:31<br />8 Rockawhile (Jordan, Richards) 4:38<br />9 Whip It Up (Jordan, Richards) 4:00<br />10 Locked Away (Jordan, Richards) 5:48<br />11 It Means a Lot (Jordan, Richards) 5:22 </div><div align="center"><a href="http://rapidshare.com/files/99436469/165-KeRi-TaIsCh.rar">DOWNLOAD </a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-5432995523026004419?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-23351880552683399662008-03-12T16:38:00.000-07:002008-03-13T11:32:34.373-07:00<div align="center"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R9gw3-61AfI/AAAAAAAAA-0/4JB4TnT6Vrk/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5176941510003065330" style="margin: 0px auto 10px; display: block; text-align: center; width: 200px; height: 202px;" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R9gw3-61AfI/AAAAAAAAA-0/4JB4TnT6Vrk/s320/front+cover.jpg" border="0" /></a><span style="color: rgb(51, 102, 255);">BIOGRAPHY</span><br />by Char Ham<br />The term "blues-rock" brings with it a connotation of a blues artist "selling out" in order to make more money or a rock band blaring heavy riffs with a thinly veiled strain of blues. A worse offense is that many of these rock artists have little or no knowledge of the blues in its historical context or its mythological roots.<br /><br />That is certainly not true in the case of Eric Sardinas. At six, his first love was Delta blues, as it "was the thrill of hearing one person playing the guitar and generating the energy of five - I loved the sheer strength and heart of a single player." Just as unusual was citing his first influences as Barbecue Bob, Charley Patton, and Bukka White, then Elmore James, Muddy Waters, and Big Bill Broonzy. He exclusively concentrates on slide guitar, employing his cherished Dobros, some that are customized to play by Edison's power. Sardinas listens to 78s, then couples these influences with modern sounds.<br /><br />He moved around the country, landing in Los Angeles in 1990. Like the early blues folk, he played acoustic for a living on the street, then formed the Eric Sardinas Project (ESP) by hooking up with bassist Paul Loranger at a jam session. Loranger had the ideal sound that Sardinas wanted, a bassist who had exceptional playing ability on upright and electric and could work the upright in a blues-rock context. Two years later, drummer Scott Palacios joined them. It took ESP six years of experience of performing nearly 300 shows annually, playing from acoustic gigs in coffeehouses to sharing the bill with rock bands at Hollywood clubs. Musical-instrument companies sent them gigging at showcase concerts, which led the band to a gig as the opening act for a West Coast swing of a Johnny Winter's tour. Word got around, receiving the attention of Evidence Records. Blues discoverer Dick Shurman produced Sardinas' 1999 debut, Treat Me Right. In 2000, Sardinas released a three-song single spotlighting his burning take on J.B. Hutto's "Angel Face." Devil's Train, his second full-length album, followed in 2001 and featured more of Sardinas' trademark blues-rock.<br /><br /><span style="color: rgb(51, 102, 255);">CREDITS</span><br />Gia Ciambotti - Vocals (bckgr)<br />Levell Price - Guitar (Bass), Vocals (bckgr)<br />Eric Sardinas - Vocals, Slide Guitar<br />Dave Schulz - Organ, Piano<br /><br /><span style="color: rgb(51, 102, 255);">TRACKS<br /></span>1 All I Need (Sardinas) 4:33<br />2 Ride (Sardinas) 4:38<br />3 Find My Heart (Sardinas) 4:07<br />4 Gone to Memphis (Sardinas) 3:46<br />5 It's Nothin' New (Sardinas) 4:32<br />6 This Time (Sardinas) 4:13<br />7 Just Like That (Sardinas) 5:01<br />8 Burning Love (Linde) 3:03<br />9 Wonderin' Blues (Sardinas) 3:59<br />10 Door to Diamonds (Sardinas) 3:50<br />11 As the Crow Flies (White) 6:25 </div><div align="center"></div><div align="center"><a href="http://rapidshare.com/files/98945495/163_-_ErSaandBiMo.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2335188055268339966?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-62818629753365445782008-03-12T16:31:00.000-07:002008-03-13T11:33:00.071-07:00<div align="center"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R9gvEe61AeI/AAAAAAAAA-s/O8J9dDrctjE/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5176939525728174562" style="margin: 0px auto 10px; display: block; text-align: center; width: 201px; height: 202px;" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R9gvEe61AeI/AAAAAAAAA-s/O8J9dDrctjE/s320/front+cover.jpg" border="0" /></a><span style="color: rgb(51, 102, 255);">BIOGRAPHY</span><br />Sayce was born in Wales, but family moved to Canada when he was two years old, and he grew up in Toronto. His parents, Kenneth and Sheila, listened to music by Eric Clapton, Ry Cooder and Dire Straits, among many other artists. His parents’ love of music inspired his love for the guitar, and he also learned to play the piano and other instruments. Sayce was fifteen years old when he played in his first band. Sayce and his best friend, drummer Cassius Pereira, played in bands together throughout high school, holding band practice in their basements. Sayce's style is strongly influenced by Jimi Hendrix and Stevie Ray Vaughan, whose untimely death in August 1990 greatly affected the young guitarist.<br /><br />Sayce began playing in Toronto clubs at the age of sixteen. He quickly became a regular fixture on Toronto’s bar-scene. One of the clubs Sayce frequented was Grossman's Tavern in Toronto, known for its famous jam sessions with artists such as Robbie Robertson, Stevie Ray Vaughan, Bob Dylan and Jeff Healey. His other musical influences include B. B. King, Albert King, Albert Collins, Buddy Guy, and Robert Cray. With Healey, Sayce toured the world and played in such places as Ohne Filter, Germany, Finland and the Montreux Jazz Festival in Switzerland.<br /><br />Sayce quickly gained notoriety as an axe-slinger through his regular gigs at Toronto clubs from 1992 to 2001, and he gradually developed a solid fan base. In 1996, he released his first CD, the self-titled, Philip Sayce Group, which has since become a rare disc.<br /><br />Looking to further expand his musical horizons, Sayce moved to Los Angeles in September of 2001. He soon landed a gig with Uncle Kracker and toured with him for eighteen months. With Uncle Kracker, Philip appeared on New Year’s Rockin’ Eve, Regis and Kelly, The Tonight Show with Jay Leno, and The CBS Early Show.<br /><br />Sayce also starred in and wrote the music for the 2002 short film, Cockroach Blue, produced and directed by award-winning Robert Crossman. The film was shown at the 2003 Woodstock Film Festival and received popular acclaim.<br /><br />In the fall of 2003, Sayce unexpectedly met John Shanks at an impromptu jam session in the amp department at Westwood Music in Los Angeles. Coincidentally, just a week before, two-time Grammy award winner Melissa Etheridge had mentioned to Shanks that she was looking for a guitar player and was thinking of trying somebody different. Shanks referred Sayce to her and in December 2003, Sayce joined Etheridge and her band for The Lucky Tour. Sayce also appears on Etheridge's Lucky CD and the Lucky Live DVD, released in September, 2004.<br /><br />Sayce released his second solo effort, Peace Machine, in September 2005.<br /><br /><span style="color: rgb(51, 102, 255);">CREDITS</span></div><div align="center">Philip Sayce - Guitars, Lap Steep, Vocals<br />Joel Sacks - Bass<br />Al Cross - Drums<br />Bruce Longman - Background Vocals<br />Alfio Annibalini - Background Vocals, Keyboards, Percussion<br />Cory Turnbull - Bass<br />Marty Cordrey - Drums<br />Etric Lyons - Bass<br />Jorn Andersen - Drums<br /><br /><span style="color: rgb(51, 102, 255);">TRACKS</span><br />1. Grey CIty Storm<br />2. Morning Star<br />3. Backwater Blues<br />4. You Can Run But You Can't Hide<br />5. Were You There<br />6. Already Gone<br />7. Walk A Mile<br />8. Wrong Place, Wrong Time<br />9. Brown Sugar<br />10.Propaganda </div><div align="center"> </div><div align="center"><a href="http://rapidshare.com/files/98934764/162_-_PhSaGr.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-6281862975336544578?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-70805822519589311812008-03-12T16:26:00.000-07:002008-03-13T11:33:24.258-07:00<a href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R9gtmO61AdI/AAAAAAAAA-k/Xgw4cCuZOFY/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5176937906525503954" style="margin: 0px auto 10px; display: block; text-align: center; width: 201px; height: 202px;" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R9gtmO61AdI/AAAAAAAAA-k/Xgw4cCuZOFY/s320/front+cover.jpg" border="0" /></a> <div align="center"><span style="color: rgb(51, 102, 255);">BIOGRAPHY</span><br />High energy blues played with passion !! Innes Sibun made his first album with legendary producer Mike Vernon who produced the John Mayall/Eric Clapton Beano album as well as all the Peter Green era Fleetwood Mac albums. In 1997 Innes met his hero when he opened up for Peter Green at a show in New York, he also played on "Rattlesnake guitar" a tribute cd dedicated to Peter Green which also featured Rory Gallagher, Ian Anderson, Harvey Mandell, Billy Sheehan &amp; Snowy White. He played guitar for Robert Plant on his "Fate of nations" tour throughout America, Europe &amp; South America &amp; can be heard on Robert's "Sixty six to Timbuktu" album as well as on a track on his box set "Nine lives". He has made 5 albums with various independent blues labels such as Viceroy, Provogue &amp; Ulftone. He has toured with Blues legends Johnny Adams, Wild child Butler, Jay Owens &amp; Jesse "guitar" Taylor &amp; opened up for Joe Louis Walker, Ronnie Earl, the fabulous thunderbirds, Roger Chapman, Chris Farlowe,Jools Holland, Walter Trout, Boy George, Dr.Feelgood, the Levellers, Nine below zero, the Bluesband, Kevin Coyne, &amp; Moody Marsden to name but a few. He has also recorded or played live with the following......Wilbur Bascombe (Jeff Beck, aretha Franklin), Rob Stoner (Bob Dylan), Bobby Chouinard (Gary Moore), Jeff Simon (George Thorogood), Jimmy Kunes (Cactus), Leo Lyons, Ric Lee &amp; Chick Churchill of Ten years after,Robert Hart (Bad company), Hamish Stewart (Average white band), Tony Remy, Dick Heckstall-Smith, Chris Youlsden (Savoy Brown), Stackridge, the Korgis, James Cotton, Sherman Robertson &amp; more. His current band fuses blues with rock, jazz &amp; more modern influences. Drummer Robbie Brian has played with Peter Gabriel, Hugh Cornwell &amp; presently plays with Siouixie siouix &amp; has been described as summoning the dark arts when he takes a drum solo (you have to be there !!!) Bassist Steve Hall &amp; Hammond/Rhodes player Tim Blackmore are much in demand session players due to their soulful playing &amp; high level of skill on their instruments. In 2006 the band played shows in Germany, belgium, Austria, Slovenia, Holland, Bosnia &amp; the UK including Colne, Gloucester &amp; Bristol international blues festivals. In 2007 with the release of the critically lauded album "Tail dragger" on ZYX records, Innes &amp; band embarked on shows through Europe as well as taking in dates in Africa &amp; the U.S.A. 2008 so far promises festivals in the UK &amp; Canada as well as shows opening for Johnny Winter &amp; Al Kooper. "The best blues you will hear this year" - Total guitar magazine. "Powerhouse guitarist who plays electric blues. Hugely popular on the continent, Innes is one of the many unsung heroes that populate a British music scene dominated by TV-promoted nonentities" - Venue magazine.<br /><br /><span style="color: rgb(51, 102, 255);">CREDITS </span><br />Tim Blackmore - Hammond organ, Piano.<br />Robbie Brian - drums.<br />Steve Hall - bass guitar.<br />Innes Sibun - Guitar, vocals, mandolin, dobro.<br /><br /><span style="color: rgb(51, 102, 255);">TRACKS<br /></span>1 It Takes Time (Rush) 3:07<br />2 I Don't Get Fooled by Tears (Sibun) 2:54<br />3 I'll Never Love Again (Sibun) 2:31<br />4 I Want You Back (Sibun) 3:46<br />5 As the Years Go Passing By (Malone) 6:29<br />6 Don't Stop Believing (Sibun) 5:18<br />7 I Miss You (Daisy's Song) (Sibun) 3:28<br />8 Someone Like You (Sibun) 4:23<br />9 Southbound Train (Sibun) 2:50<br />10 Sweet Disposition (Sibun) 5:37<br />11 300 Miles Away (Sibun) 7:56<br /><a href="http://rapidshare.com/files/98924183/161_-_InSi-Tail_Dragge.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7080582251958931181?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-31398119174891962482008-03-12T13:00:00.000-07:002008-03-13T11:33:45.856-07:00<div align="center"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R9icAu61AgI/AAAAAAAAA-8/d5SQbfX2Hl8/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5177059308071092738" style="margin: 0px auto 10px; display: block; text-align: center; width: 200px; height: 200px;" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R9icAu61AgI/AAAAAAAAA-8/d5SQbfX2Hl8/s320/front+cover.jpg" border="0" /></a><span style="color: rgb(51, 102, 255);">BIOGRAPHY</span><br />by Andy Kellman<br />New York's Interpol reminds anyone who has ever heard post-punk bands like Joy Division and the Chameleons of those exact bands, plus a few more. The roots of the band — as far as its members are considered — can be traced back to a partnership between Daniel Kessler (a guitarist and vocalist) and a fellow New York University student named Greg Drudy (a drummer). Kessler struck up a friendship with another NYU student, Carlos Dengler, who had previously played guitar and felt like becoming involved with music for a second time. He took up the bass and keyboard duties. And by sheer coincidence, Kessler later bumped into Paul Banks, a guitarist/vocalist he knew from time spent in France. With the lineup settled, Interpol became a fully active band in 1998. After the band's first gigs in early 2000, Drudy vacated his position and was replaced by Sam Fogarino.<br />They started playing out frequently, including regular appearances at clubs in and around New York like Brownie's and the Mercury Lounge. A brief tour of the U.K. in April 2001 was punctuated by a radio session for John Peel's BBC program; at that point, the band was touring in support of a limited-edition EP released through the Chemikal Underground label's Fukd I.D. series. (They had also appeared on a compilation that was released just prior to Fukd I.D. called Clooney Tunes for another U.K. indie, Fierce Panda.) 2001 also saw a self-released EP from the band and another compilation appearance on Arena Rock's This Is Next Year, a double-disc set of Brooklyn-area acts. Matador signed the band in 2002 and issued a three-song single and the band's debut LP (Turn on the Bright Lights) by year's end. The album made the band indie stars, and extensive touring around the world followed. Just prior to releasing their second album (Antics) in September 2004, they opened for the Cure as part of that band's Curiosa Festival. Our Love to Admire, the band's first album for a major label (Capitol), was released in 2007.<br /><br /><span style="color: rgb(51, 102, 255);">REVIEW</span><br />by Heather Phares<br />Though Our Love to Admire is technically Interpol's first major-label album, the way the band attempted to streamline the gorgeously dark atmospherics of Turn on the Bright Lights into something more marketable on Antics made that album feel more like their big-time debut than this album does. On Our Love to Admire, Interpol spends roughly half their time following Antics' gameplan of distilling their sound into readily accessible hooks, and the other half stretching their sound with deluxe arrangements and filligrees like strings, brass, and keyboards (all of which are used to grandiose effect on "Wrecking Ball"). Our Love to Admire's poppy tracks have been polished into black patent leather brilliance: "No I in Threesome"'s jaunty, insistent rhythms and "The Heinrich Maneuver"'s relatively bright, bouncy attack show that Interpol has gotten better, or at least more accomplished, at transforming their sound into singles since Antics. More heartening news for Turn on the Bright Lights fans arrives on Our Love to Admire's ambitious tracks, some of which come close to touching the greatness of Interpol's debut. "Pioneer to the Falls" uses the album's expansive production to the hilt, beginning with elegantly treacherous guitars, strings, and pianos; Daniel Kessler's soaring guitar solo and Paul Banks' repeated entreaties of "you fly straight into my heart" feel like the musical equivalent of storm clouds clearing. The song is filmic and full of ideas, and updates the spirit behind Turn on the Bright Lights without rehashing its sound slavishly. "Mammoth" is another standout, a tense yet hypnotic rocker that builds into a graceful fury around the refrain "spare me the suspense" and the band's relentless rhythm section. However, two of the prettiest songs vie for the title of the album's strongest track: "Rest My Chemistry" is Our Love to Admire's languid, luminous centerpiece (and the song that most clearly recalls Turn on the Bright Lights' magic), while the album's spare, vulnerable finale, "The Lighthouse," boasts some of Banks' most natural, affecting vocals yet. When Our Love to Admire falters — and it falters a fair amount of the time — it's because Interpol's attention to atmosphere and detail outpaces the songwriting. At this point the band is so professional that songs like "The Scale," "Who Do You Think?," and "Pace Is the Trick" can sound good in the moment, but fail to leave a lasting impression. With nearly as many awkward moments as inspired ones, Our Love to Admire is a somewhat schizophrenic listening experience. It feels like half of an album by a band making sure their songs that fit the mold of what they've done before, and half of an album by a band using their major-label leverage to push their boundaries. Who knows which version of the band will prevail, but there are just enough interesting songs on Our Love to Admire to suggest that they can't be written off entirely just yet.<br /><br /><span style="color: rgb(51, 102, 255);">TRACKS </span><br />1 Pioneer to the Falls (Interpol) 5:41<br />2 No I in Threesome (Interpol) 3:51<br />3 The Scale (Interpol) 3:24<br />4 The Heinrich Maneuver (Interpol) 3:28<br />5 Mammoth (Interpol) 4:13<br />6 Pace Is the Trick (Interpol) 4:37<br />7 All Fired Up (Interpol) 3:35<br />8 Rest My Chemistry (Interpol) 5:00<br />9 Who Do You Think? (Interpol) 3:13<br />10 Wrecking Ball (Interpol) 4:33<br />11 The Lighthouse (Interpol) 5:24 </div><div align="center"><a href="http://rapidshare.com/files/99124115/164-In-Our_LoToAd.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-3139811917489196248?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com4tag:blogger.com,1999:blog-30596709.post-23458646567955226952008-03-12T05:29:00.000-07:002008-03-12T06:22:24.840-07:00<div align="justify"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R9fN3O61AaI/AAAAAAAAA-U/8Qu4fX2qswU/s1600-h/f_interpol01.jpg"><img id="BLOGGER_PHOTO_ID_5176832645467013538" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R9fN3O61AaI/AAAAAAAAA-U/8Qu4fX2qswU/s320/f_interpol01.jpg" border="0" /></a>A noite começou tipicamente paulistana, com uma garoa ácida e uma surpresa muito grande... Muitas pessoas se aglomeravam nas imediações do local e logo, a casa estaria cheia...<br />A noite começou com os gaúchos do Cachorro Grande, com um instrumental surpreendente. Uma bateria poderosa e uma guitarra incendiária, lembrando muito a sonoridade do saudoso Dr. Feelgood.<br />Mas o rock poderoso e gritado da banda parecia não conseguir quebrar o gelo com a platéia, que esperava a grande atração – o Interpol.<br />De início, não acreditava que tanta gente lotava o local para cantar a plenos pulmões todas as músicas da banda. A cada acorde da guitarra do performático Daniel Kessler (um show à parte, pois o cara tocava e dançava, deslizando pelo palco) a galera ia ao delírio, emocionando até mesmo meu coração gelado, pois estava preparado para um show frio, de pouca empatia entre banda e público; porém, a cada nova música, fui percebendo o quanto os caras são competentes.<br />O show durou um pouco mais de uma hora e meia, mas foi a certeza de que ao vivo, uma banda pode ser muito superior aos discos de estúdio. <span style="color: rgb(255, 0, 0);">Wagner Gomes (waggom)</span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2345864656795522695?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-91139987572477894232008-03-09T09:58:00.000-07:002008-03-09T06:00:04.971-07:00<div align="center"><span style="color:#3366ff;"><img id="BLOGGER_PHOTO_ID_5175724883207061906" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R9PeW-61AZI/AAAAAAAAA-M/p1ycOX1ws4Y/s200/front+cover.jpg" border="0" />BIOGRAPHY<br /></span>by Jason Ankeny<br />British pop-metal outfit Feeder was formed in London by singer/guitarist Grant Nicholas and drummer Jon Lee, who first teamed in the Welsh band Temper Temper. Originally dubbed Reel, the new group's lineup was complete with the addition of Tokyo-born bassist Taka Hirose. After signing to Echo in 1995, Feeder issued their debut EP, Two Colours, followed by the six-track Swim; a series of well-received singles — "Stereo World," "Tangerine," and "Cement" — expanded the trio's fan base further, and in mid-1997 they launched their full-length debut, Polythene. The hit "Day In, Day Out" preceded the release of Feeder's sophomore effort, 1999's Yesterday Went Too Soon. Despite not catching on in America, Feeder maintained their popularity in Europe. In 2001, after touring the world relentlessly, Feeder achieved their breakthrough hit in the U.K. with "Buck Rogers." The first single from the band's third album, Echo Park, eventually hit number five on the charts. Before the year's end, the band scored another Top 20 hit with the Just a Day EP and hit the road with the Stereophonics. Tracks for a fourth album were already in the works when tragedy struck. Founding member Jon Lee committed suicide in his Miami home in early January 2002. He was 33. Nicholas and Hirose saw it fit to continue with Feeder, and they resumed recording with former Skunk Anansie drummer Mark Richardson behind the kit. The Gil Norton-produced Comfort in Sound was released the following October. In August 2004, Feeder issued a fan-friendly B-sides collection called Picture of Perfect Youth, and Norton was again behind the boards for the Pushing the Senses LP, which followed in 2005. A year later, with tours of Japan and Europe under their belts, Feeder released The Singles in mid-2006. The career-spanning release collected 20 tracks from the band's five previous albums and a brand new track entitled "Lost &amp; Found." Select shows in Milan, Berlin, and London opening for the Rolling Stones followed that summer.<br /><span style="color:#3366ff;">REVIEW</span><br />by Tom Demalon<br />With several well-received singles as precursors, London trio Feeder's debut, Polythene, was released in 1997 in the wake of grunge and Brit rock and trod much of the same ground as their contemporaries. There's nothing necessarily wrong with tracks like "Crash" or "Tangerine," and "Polythene Girl" and "Cement" meld melodic crunch with big, singalong choruses. However, Feeder never really stakes out their own sound, instead resembling other popular acts of the period like Smashing Pumpkins on songs like "My Perfect Day" and "Radiation." They do manage to inject some shifts in dynamics, slowing the tempo a bit on "High" and "Suffocate," which keeps everything from blending together. However, in the end, Polythene is a record that sounds great and sustains interest while you're listening to it, but fails to contain anything memorable once it ends.<br /><span style="color:#3366ff;">CREDITS</span><br />Taka Hirose / Bass<br />Jon Lee / Drums<br />Grant Nicholas / Guitar, Vocals<br />Audrey Riley / String Arrangements<br /><span style="color:#3366ff;">TRACKS</span><br />1 Polythene Girl (Nicholas) 3:24<br />2 My Perfect Day (Nicholas) 4:25<br />3 Cement (Nicholas) 3:18<br />4 High (Nicholas) 4:33<br />5 Crash (Nicholas) 4:09<br />6 Radiation (Nicholas) 4:39<br />7 Suffocate (Nicholas) 4:35<br />8 Descend (Nicholas) 5:20<br />9 Stereo World (Nicholas) 3:28<br />10 Change (Nicholas) 3:23<br />11 Tangerine (Nicholas) 3:55<br />12 Forgive (Nicholas) 4:41<br />13 20th Century Trip (Nicholas) 1:56</div><div align="center"><a href="http://rapidshare.com/files/98183040/160_-_Fe-_Po__1997_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-9113998757247789423?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com3tag:blogger.com,1999:blog-30596709.post-49585272479063223032008-03-06T06:19:00.000-08:002008-03-06T01:19:32.286-08:00<div align="center"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R8-2j39AP9I/AAAAAAAAA9s/Y6WEK9Mt2Mk/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5174555224303484882" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R8-2j39AP9I/AAAAAAAAA9s/Y6WEK9Mt2Mk/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">REVIEW<br /></span>by PASI TUOMINEN<br />The Chicago guitarist-singer in known for his sympathy for rock, but new album "Chills &amp; Thrills" also includes some intensive, slow stuff. Luther Allison's son proves to be an artist in his own right.<br /><br />"Chills &amp; Thrills" is the first studio album by Bernard Allison since his 2004 cd "Higher Power". He has moved to the German Jazzhaus Records, leaving Ruf Records behind; Ruf, in turn, was originally established to serve his father Luther's career. Jazzhaus career seems to make a promising start.<br /><br />As Allison jr played the Halloween Blues Festival in Finland's midwestern city of Vaasa in 2006, bassist Jassen Wilber and keyboardist Rusty Hall had just joined his band. The twosome play on the new record, too. Their interplay was a bit shaky in Vaasa, but all that is gone now. The band plays in style; a fact underlined by the trustworthy Mario Dawson (drums) and Eric Gales (guitar).<br /><br />Bernard Allison keeps the family flag high by doing three of his father's songs. Recorded in New Hope, Minnesota, the album includes six songs of Bernard's self-penned material.<br /><br />BA is known for his inclination towards rock music, but the strengths of "Chills &amp; Thrills" are not necessarily in that neighbourhood. Conversely, he shows his skills as a balladeer here. "Serious" by Luther Allison is the strongest on the cd; a version that is quite obviously cut in a highly determined mood. His vocals are strong, supported by some inspired guitar work. Kathleen Johnson's background vocals add a warm finishing touch. There is also an "After Hours" reprise version of the song in the end of the cd. The decision is slightly awkward, but "Serious" is the most effective blues ballad heard in a while.<br /><br />Additionally, Magic Sam cover "That's Why I'm Cryin'" turns out fine. The 'hero' of the story walks the streets at night – crying. The emotional burden can indeed be heard in the beefy sound of the cut. Allison displays his ability to mix delta style guitar with electric rock; this is evident on "Black &amp; White", his own song, as well as on "Just My Guitar and Me", another Luther cover.<br /><br />The 'statutory' rock songs are there of course. The album's title song builds itself around a cheeky riff; "When I'm Gone" is fun, too: Eric Gales's vocals bring in some all-important variety – although his voice might not be the strongest one you have ever heard. "So Divine" is given some jazz/soul flavour by Jose James's sax. The title of Bernard's own "Groove with Me" alone tells what the song is all about.<br /><br />Bernard Allison is a fine guitarist and his singing voice is quite unique. He is ok as a song-writer, too. The best rock tracks of the new album hardly match his best recordings (Time Flies By, A Woman Named Trouble), but they surely keep you away from boredom.<br /><br />The key track of the album says it: "Chills &amp; Thrills" has been written, recorded and produced seriously. Trouble with women and other states of yearning often dominate the lyrics. There is no use guessing the reasons for parting with Ruf Records; on the other hand, a more sensible way is to think about the future with a new record company. We have a fresh start here. Bernard Allison, 42, still has a thing or two to say.<br /><br /><span style="color:#3366ff;">CREDITS</span><br />Bernard Allison / Guitar, Arranger, Vocals, Producer<br />Eric Gales / Guitar, Guitar (Rhythm), Vocals, Soloist<br />Rusty Hall / Organ, Synthesizer, Piano<br />Kathleen Johnson / Vocals (bckgr)<br />Bruce McCabe / Piano, Clavinet<br />Jassen Wilber / Bass<br />Jose James / Sax<br />Mario Dawson / Drums<br /><br /><span style="color:#3366ff;">TRACKS</span><br />1 Chills &amp; Thrills (Allison) 4:37<br />2 Boogie Man (Blackwell, Russell) 4:14<br />3 So Devine (Allison) 4:26<br />4 When I'm Gone (Allison) 4:12<br />5 Missing Tyrone (Allison) 5:01<br />6 Just My Guitar and Me (Allison, Martins) 6:12<br />7 Compromising for Your Needs (Allison) 4:13<br />8 Black &amp; White (Allison) 3:28<br />9 Serious (Allison) 5:31<br />10 Heart of St. Paul (Bailey) 3:20<br />11 That's Why I'm Crying (Maghett) 5:26<br />12 Groove with Me (Allison) 4:03<br />13 Serious (After Hours) (Allison) 5:42 </div><div align="center"><a href="http://rapidshare.com/files/97432636/157_-_Bernard_Allison_-_Chills___Thrills__2008_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4958527247906322303?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-5527434129126843392008-03-05T07:05:00.000-08:002008-03-05T02:07:15.818-08:00<div align="center"><a href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R85wG39AP8I/AAAAAAAAA9k/I38BydLKkMA/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5174196285296623554" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R85wG39AP8I/AAAAAAAAA9k/I38BydLKkMA/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;">BIOGRAPHY</span><br />by Bil Carpenter<br />Evolving out of the Happyland Jubilee Singers, this traditional black gospel quartet was formed in 1937 at the Talladega Institute for the Deaf and Blind in Alabama. By the '40s they became "The Blind Boys" and recorded for Specialty, Vee Jay, Savoy, Elektra, and other labels. Their first hit was "I Can See Everybody's Mother but Mine" in 1949. Current lineup: Joe Watson, Jimmy Carter, Sam and Bobby Butler, Curtis Foster, Johnny Fields, andClarence Fountain. They appeared on Broadway in Gospel at Colonus, but gained much more fame during the late '90s and early 2000s while recording for Peter Gabriel's Real World label a series of albums beginning with the collaboration-heavy Spirit of the Century. The group also appeared on Gabriel's 2002 album Up.<br /><span style="color:#3366ff;">REVIEW</span><br />by Steve Leggett<br />The Blind Boys of Alabama, who originally formed back in 1939, have had an amazing seven-decade career, one that has seen them release their own brand of gospel on every possible medium the history of recording has to offer, from 78s and LPs to eight-track tapes, cassettes, and CDs, and the consistency of their sound and approach through all of this makes them a venerable national treasure. What's even more telling is that their newest album, the Chris Goldsmith-produced Down in New Orleans, is one of the best the Blind Boys have ever done. Led by original member Jimmy Carter, whose raspy voice has aged into an expressive, earthy delight, the Blind Boys take a Crescent City route here, working with veteran New Orleans musicians like the legendary Allen Toussaint and a solid, push-and-pull rhythm section of David Torkanowski (piano), Roland Guerin (bass), and Shannon Powell (drums) with help from the Preservation Hall Jazz Band and the Hot 8 Brass Band. The result has a joyous, lightly funky feel that reaches back into the long history of traditional Southern gospel even as it updates that tradition with some well-chosen and spiritually compatible secular material. The opener, a version of the old chestnut "Free at Last," swings in exactly the right way, emerging as a lightly funky reaffirmation of everything the Blind Boys have always stood for, and truthfully, everything here has that tone and feel, even though the group tackles a wide variety of songs, including Earl King's "Make a Better World," a pair of songs associated with the great Mahalia Jackson, "If I Could Help Somebody" (featuring Toussaint on piano) and "How I Got Over," country crooner Jim Reeves' "Across the Bridge," and Curtis Mayfield's "A Prayer." Given that New Orleans soulfulness that Crescent City musicians seem to deliver as easily as drawing breath, Down in New Orleans is a sheer delight, uplifting and funky and full of a rare kind of joy. One could say welcome back Blind Boys of Alabama, but these guys have been doing this all along, and that they can deliver one of their best albums 70-some years into their career is nothing short of amazing. Better to burn out than fade away? Don't tell these guys that. They're a testament to the fact that you don't need to do either of those things. You can instead just go out and make great music over and over again.<br /><span style="color:#3366ff;">CREDITS</span><br />Darryl Adams / Sax (Alto), Guest Appearance<br />Keith Anderson / Trombone, Guest Appearance<br />Billy Bowers / Group Member<br />John Brunious / Trumpet, Guest Appearance<br />Caleb Butler / Group Member<br />Jimmy Carter / Group Member<br />Tyrus Chapman / Trombone, Guest Appearance<br />Harry Cook / Drums (Bass), Guest Appearance<br />Sammy Cyrus / Drums (Snare), Guest Appearance<br />John Gilbert / Sax (Tenor), Guest Appearance<br />Ronald Guerin / Bass (Electric), Bass (Upright)<br />Hot 8 Brass Band / Guest Appearance<br />Alvarez Huntley / Trumpet, Guest Appearance<br />Benjamin Jaffe / Tuba, Guest Appearance<br />Ralph Boyd Johnson / Clarinet, Guest Appearance<br />Jerome Jones / Trombone, Guest Appearance<br />Carl LeBlanc / Banjo, Guest Appearance<br />Eric "Ricky" McKinnie / Group Member<br />Ben Moore / Group Member<br />Bennie Pete / Tuba, Guest Appearance<br />Tracy Pierce / Group Member<br />Shannon Powell / Drums<br />David Torkanowsky / Piano, Keyboards, Organ (Hammond)<br />Allen Toussaint / Piano, Guest Appearance<br />Joey Williams / Group Member<br />Raymond "Taff" Williams / Trumpet, Guest Appearance<br /><span style="color:#3366ff;">TRACKS</span><br />1 Free at Last (Traditional) 3:32<br />2 Make a Better World (King) 3:18<br />Performed by: Blind Boys Of Alabama, Hot Eight Brass Band<br />3 How I Got Over (Traditional) 5:03<br />4 You Got to Move (Traditional) 3:35<br />5 Across the Bridge (Traditional) 3:41<br />6 You Better Mind (Traditional) 3:49<br />7 Down by the Riverside (Traditional) 3:51<br />8 If I Could Help Somebody (Williams) 2:28<br />Performed by: Blind Boys Of Alabama, Allen Toussaint<br />9 Uncloudy Day (Traditional) 2:55<br />10 A Prayer (Mayfield) 3:30<br />11 I've Got a Home (Traditional) 2:51<br />12 I'll Fly Away Brumley 4:27<br />Performed by: Blind Boys Of Alabama, Hot Eight Brass Band<br /><a href="http://rapidshare.com/files/97181826/156_-_The_Five_Blind_Boys_of_Alabama_-_Down_In_New_Orleans__2008_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-552743412912684339?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-84428442097852971452008-03-04T06:18:00.000-08:002008-03-04T05:53:23.859-08:00<div align="center"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R80TWvF59gI/AAAAAAAAA9c/sRZBoRD6EJE/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5173812828237854210" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R80TWvF59gI/AAAAAAAAA9c/sRZBoRD6EJE/s200/front+cover.jpg" border="0" /></a><span style="color: rgb(51, 102, 255);"><strong>MORRE O GUITARRISTA CANADENSE JEFF HEALEY</strong></span></div><div align="justify">O guitarrista canadense Jeff Healey, que tocava a guitarra deitada sobre os joelhos, faleceu no domingo (2), vítima de câncer, às vésperas do lançamento de seu novo álbum.<br />Healey, 41 anos, morreu em um hospital de Toronto vítima de um tipo de câncer pouco comum, retino-blastoma, que combatia desde o nascimento e que tirou sua visão quando tinha um ano.<br />"Jeff era um músico fascinante de se assistir, porque tocava a guitarra fora dos parâmetros convencionais, colocando-a encostada sobre seu colo", disse seu empresário Richard Flohil ao canal CTV. "Porém, era um músico virtuoso."<br />O álbum "See the light" da Jeff Healey Band, indicado ao Grammy em 1988, vendeu mais de um milhão de cópias nos Estados Unidos.<br />Healey tocou ao lado de lendas do blues como B.B. King e Stevie Ray Vaughan. Além disso, gravou com George Harrison, Mark Knopfler e Jimmy Rogers, entre outros.<br />Descanse em paz ao lado de outros que já se foram (Jimi Hendrix, George Harrison, Randy Rhoads, Stevie Ray Vaughn, etc.)<br />Com este CD homenageamos o grande guitarrista. </div><div align="justify"> </div><div align="center"><span style="color: rgb(51, 102, 255);"><strong>LIFE AND CAREER</strong></span></div><div align="justify">Born in Toronto, Healey was raised in the city's west end. His father was a firefighter. Healey was blind; he lost his sight when he was one year old, due to retinoblastoma, a rare cancer of the eyes. His eyes had to be surgically removed, and he was given artificial replacements. Nevertheless he began playing guitar when he was only three, developing his unique style of playing the instrument flat on his lap.<br />When he was seventeen he formed the band Blue Direction. This band was a four-piece band, primarily playing bar-band cover tunes; among the other musicians were bassist Jeremy Littler, drummer Graydon Chapman, and a schoolmate, Rob Quail on second guitar. This band played various local clubs in Toronto, including the Colonial Tavern.<br />Shortly thereafter, he was introduced to two musicians, bassist Joe Rockman and drummer Tom Stephen, and formed a trio, who made their first public appearance at The Birds Nest, located upstairs at Chicago's Diner on Queen Street West in Toronto. The new band received a write-up in Toronto's NOW magazine, and quickly were playing almost nightly in local clubs such as Grossman's Tavern and the famed blues club Albert's Hall. At this point, Jeff and the band were featured in a movie, Road House, which was inspired when its creator saw Jeff playing. With the resulting stardom, they soon signed with Arista Records and in 1988 released See The Light, which included the hit single "Angel Eyes". The song "Hideaway" was nominated for the "Best Instrumental" Grammy Award, and in 1990 the band won the "Entertainer of the Year" Juno Award. Other hits have included "How Long Can a Man Be Strong" and a cover of The Beatles' "While My Guitar Gently Weeps".<br />Healey was never particularly enamored with the world of rock music, however, and soon left it for music he preferred, vintage jazz. Jeff had been sitting in with traditional jazz bands around Toronto since the beginning of his music career.<br />In his later years, he released three CDs from his true passion, traditional American jazz from the 1920s and 1930s. He was an avid record collector and amassed a collection of well over 25,000 78 rpm records. For many years Healey ran his music-based club Healey's on Bathurst Street in Toronto, where he played with a rock band on Thursday nights, and with his jazz group, Jeff Healey's Jazz Wizards, on Saturday afternoons. Healey had moved his club to a bigger location at 56 Blue Jays Way and named it Jeff Healey's Roadhouse.<br />Though known primarily as a guitarist, Healey also played trumpet and clarinet during live performances. He also appeared on Deep Purple vocalist Ian Gillan's CD/DVD Gillan's Inn. He can also be seen playing the electric guitar with Stevie Ray Vaughan in SRV's rock video Look At Little Sister. </div><div align="justify"> </div><div align="center"><span style="color: rgb(51, 102, 255);"><strong>CREDITS<br /></strong></span>Jeff Healey - guitar,vocals<br />Tom Stephen - drums<br />Joe Rockman - bass<br /><br /><strong><span style="color: rgb(51, 102, 255);">TRACKS</span> </strong><br />01. I Think I Love You Too Much (Mark Knopler)<br />02. Confidence Man (John Hiatt)<br />03. Angel Eyes (John Hiatt, Fred Koller)<br />04. Cruel Little Number (Jeff Healey, Carl Marsh, Joe Rockman, Tom Stephen, Justis Walkert)<br />05. Heart Of An Angel (Mark Holmes)<br />06. Full Circle (Jeff Healey, Joe Rockman, Tom Stephen)<br />07. While My Guitar Gently Weeps (George Harrison)<br />08. Nice Problem To Have (Robbie Blunt, Jeff Healey, Joe Rockman, Tom Stephen)<br />09. Angel (Jimi Hendrix)<br />10. Hell To Pay (Jeff Healey, Joe Rockman, Tom Stephen)<br />11. It Could All Get Blown Away (Gerry Goffin, Barry Goldberg)<br />12. Highway 49 (Big Joe Williams)</div><div align="center"><a href="http://rapidshare.com/files/96923973/155_-_Jeff_Healey_Band_-_Platinum_And_Gold_Collection__2004_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-8442844209785297145?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-33544995508454064292008-03-03T17:28:00.000-08:002008-03-03T12:28:30.213-08:00<object width="320" height="266" class="BLOG_video_class" id="BLOG_video-ad64d4429df4a7b9" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="movie" value="http://www.youtube.com/get_player"><param name="bgcolor" value="#FFFFFF"><param name="allowfullscreen" value="true"><param name="flashvars" value="flvurl=http://v7.nonxt6.googlevideo.com/videoplayback?id%3Dad64d4429df4a7b9%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1330394856%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D72351C09E6782184AFADC332A0FDE3402FB245E9.30500B74AB6AF2A9AB016BBBF75E85123D14ABB8%26key%3Dck1&amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3Dad64d4429df4a7b9%26offsetms%3D5000%26itag%3Dw160%26sigh%3DeE9ewKn1ZsfRd3p-RcC_QoByBZc&amp;autoplay=0&amp;ps=blogger"><embed src="http://www.youtube.com/get_player" type="application/x-shockwave-flash"width="320" height="266" bgcolor="#FFFFFF"flashvars="flvurl=http://v7.nonxt6.googlevideo.com/videoplayback?id%3Dad64d4429df4a7b9%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1330394856%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D72351C09E6782184AFADC332A0FDE3402FB245E9.30500B74AB6AF2A9AB016BBBF75E85123D14ABB8%26key%3Dck1&iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3Dad64d4429df4a7b9%26offsetms%3D5000%26itag%3Dw160%26sigh%3DeE9ewKn1ZsfRd3p-RcC_QoByBZc&autoplay=0&ps=blogger"allowFullScreen="true" /></object><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-3354499550845406429?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-165078662567149442008-03-03T16:49:00.000-08:002008-03-03T11:55:44.722-08:00<div align="center"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R8xV0-a5USI/AAAAAAAAA9U/sU2JMYr7M7Y/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5173604440539222306" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R8xV0-a5USI/AAAAAAAAA9U/sU2JMYr7M7Y/s200/front+cover.jpg" border="0" /></a><strong><span style="color:#3366ff;">BIOGRAPHY</span><br /></strong>by Steve Huey</div><div align="justify">Something of an anomaly on the Sub Pop roster, the Supersuckers bore a limited surface resemblance to grunge, but they were a party band at heart, donning cowboy hats and kicking out a gleefully trashy brand of throttling, rockabilly-flavored garage punk. Their lyrics were a raucous, over-the-top celebration of all the attendant evils of rock &amp; roll — sex, booze, drugs, Satan, and whatever other vices the band could think of, all glorified with tongue planted firmly in cheek. Save for an abrupt and temporary detour into hardcore honky tonk, their approach stayed relatively consistent through the '90s, as did their quality control.<br />The Supersuckers were formed in Tucson, AZ, in 1988 by high-school friends Eddie Spaghetti (born Edward Carlyle Daly III, bass, vocals), Ron Heathman (guitar), Dan "Thunder" Bolton (guitar), Dancing Eagle (born Dan Seigal, drums), and Eric Martin (lead vocals). After playing the local scene for about a year under the name the Black Supersuckers (taken from a pornographic novel), the band moved to Seattle, ostensibly in search of a climate more conducive to leather jackets. Martin left the band not long after, and Eddie Spaghetti took his place on lead vocals. Shortening their name to the Supersuckers, the band recorded singles for several indie labels, including eMpTy, Sympathy for the Record Industry, and Lucky; these were collected on the eMpTy compilation The Songs All Sound the Same, which became the band's first CD release in 1992. That year, they signed to Sub Pop and issued their proper debut album, The Smoke of Hell, which was produced by Jack Endino and featured cover art by renowned comic artist Daniel Clowes. Featuring one of the band's best-known songs in "Coattail Rider," the record also spun off the single "Hell City, Hell," whose B-side was a fan-favorite cover of Ice Cube's "Dead Homiez."<br />The Supersuckers came into their own with their second album, 1994's La Mano Cornuda, whose title translates as "the horned hand" (i.e., of Satan). It featured signature songs like "Creepy Jackalope Eye" and "She's My Bitch," and is still regarded by many fans as the band's best. Following its release, Ron Heathman temporarily left the group due to drug problems, and was replaced by onetime Didjits guitarist Rick Sims on their next album, 1995's The Sacrilicious Sounds of the Supersuckers. Produced by the Butthole Surfers' Paul Leary, the album was noticeably different from the Supersuckers' usual pedal-to-the-metal roar, owing to Heathman's absence, despite some worthy additions to the group's catalog (like "Born With a Tail"). Fortunately, Heathman made a full recovery and rejoined the band for 1997's Must've Been High, a full-fledged excursion into country music that even featured a guest appearance by Willie Nelson. It was released concurrently with a five-song EP that featured country maverick Steve Earle fronting the band.<br />After issuing their country project, the Supersuckers signed a major-label deal with Interscope. Unfortunately, in the wake of the massive label mergers at the time, Interscope underwent a restructuring and wound up dropping the band without ever releasing the straight-ahead rock &amp; roll album they had recorded. Strongly disenchanted by the experience, the Supersuckers landed on the small Twenty14.com label and finally recorded the proper follow-up to Sacrilicious, recycling some of the material from their ill-fated Interscope debut. The result, The Evil Powers of Rock 'n' Roll, was released in late 1999, and featured the band's affectionate look back on their high-school days in Tucson, "Santa Rita High." The same year, Sub Pop issued a generous 27-track retrospective of the Supersuckers' stay on the label, How the Supersuckers Became the Greatest Rock and Roll Band in the World. After contributing two songs (including a collaboration with Pearl Jam's Eddie Vedder) to the benefit album Free the West Memphis 3 in 2000, the group cut a split LP with Electric Frankenstein in 2001.<br />Burned by Interscope and seeking a permanent home, the Supersuckers formed their own label, Mid Fi, in 2002, and inaugurated it with a live document of their country phase, Must've Been Live. A new, hard-rocking studio album, Motherfuckers Be Trippin', followed in 2003; after its release, longtime drummer Dan Seigal left the group and was replaced by Mike Musburger. While tinkering with a new studio album, the Supersuckers kept the Mid Fi release schedule full with a pair of archival live albums and a collection of singles sides and non-album material, Devil's Food. The Paid EP and Live at Bart's CD Cellar and Record Shop followed in 2006.</div><div align="justify"> </div><div align="center"><span style="color:#3366ff;"><strong>REVIEW </strong></span><br />by Stephen Thomas Erlewine</div><div align="justify">With their gaudy celebration of rock &amp; roll and all of its sins, the Supersuckers never quite fit into the Sub Pop roster — they were always a bit too gonzo, a bit too rowdy compared to the grunge that was Sub Pop's stock-in-trade before they signed the suckers, or to the indie fuzz-pop that ruled the label during their tenure there. Their closest compatriots were the Reverend Horton Heat or Mudhoney, who had left the indie for Reprise Records. Still, the Supersuckers persevered, cranking out three LPs for the label, along with handful of EP and singles. As it turned out, they were one of the more reliable artists in the second wave of Sub Pop, as the compilation How the Supersuckers Became the Greatest Rock and Roll Band in the World proves. The first half of this 27-track compilation, entitled The Greats, is devoted to highlights from their records, and it's a tight, stellar 14 tracks. The rest, entitled The Gravy, is a collection of rarities, B-sides, and miscellany that often lives up to the music that precedes it (after all, it's a blast to hear them bash out covers of "Before They Make Me Run" and "Bloody Mary Morning"). So, it's the kind of compilation that plays equally well to both the hardcore (who will want the rarities) and the casual fan, who will find this to be the best record in the group's catalog.</div><div align="justify"> </div><div align="center"><strong><span style="color:#3366ff;">CREDITS</span><br /></strong>Dancing Eagle / Drums<br />Steve Earle / Guitar, Vocals<br />Blind Marky Felchtone / Guitar, Vocals<br />Eric Martin / Vocals<br />Amy Nelson / Vocals<br />Willie Nelson / Guitar, Vocals<br />Rick Sims / Guitar<br />Eddie Spaghetti / Guitar (Acoustic), Bass, Vocals<br />Brian Thomas / Dobro, Pedal Steel<br /><strong><span style="color:#6633ff;">TRACKS</span> </strong><br />1 Coattail Rider 2:29<br />2 Creepy Jackalope Eye 2:25<br />3 Born with a Tail 3:16<br />4 Luck 1:26<br />5 On the Couch 2:30<br />6 Doublewide 2:16<br />7 Hot Rod Rally 1:55<br />8 She's My Bitch 1:45<br />9 Bad, Bad, Bad 2:20<br />10 Dead in the Water 2:13<br />11 How to Maximize Your Kill Count 1:55<br />12 Ron's Got the Cocaine 1:21<br />13 Roadworn and Weary 3:30<br />14 Supersucker Drive-By Blues 2:35<br />15 Givin' It Away 2:10<br />16 All Right :18<br />17 Saddletramp 2:01<br />18 Can't Resist 2:20<br />19 Dead Homiez 3:08<br />20 Psyched Out 2:53<br />21 Hell City, Hell 2:05<br />22 Before They Make Me Run (Jagger, Richards) 3:48<br />23 Bloody Mary Morning (Willie Nelson) 2:48<br />24 Wake Me When It's Over 3:34<br />25 Good Livin' 2:16<br />26 Monkey 5:06<br />27 Beat to Shit 1:43 </div><div align="center"><a href="http://rapidshare.com/files/96776945/154_-_Supersuckers_-_How_the_Supersuckers_Became_the_Greatest_Rock_and_Roll_Band_in_the_World__1999_.zip">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-16507866256714944?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-43080080878867452322008-03-01T14:50:00.000-08:002008-03-03T05:33:47.894-08:00<a href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R8mWt-a5URI/AAAAAAAAA9M/E17kJ_zF2SU/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5172831363605811474" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R8mWt-a5URI/AAAAAAAAA9M/E17kJ_zF2SU/s200/front+cover.jpg" border="0" /></a> <div align="center"><strong><span style="color:#3366ff;">BIOGRAPHY</span> </strong><br />by William Ruhlmann</div><div align="justify">Though it ultimately must be considered an interim vehicle for singer/songwriter/keyboardist/guitarist Steve Winwood, Traffic was a successful group that followed its own individual course through the rock music scene of the late '60s and early '70s. Beginning in the psychedelic year of 1967 and influenced by the Beatles, the band early on turned out eclectic pop singles in its native Great Britain, though by the end of its first year of existence it had developed a pop-rock hybrid tied to its unusual instrumentation: At a time when electric guitars ruled rock, Traffic emphasized Winwood's organ and the reed instruments played by Chris Wood, especially flute. After Dave Mason, who had provided the band with an alternate folk-pop sound, departed for good, Traffic leaned toward extended songs that gave its players room to improvise in a jazz-like manner, even as the rhythms maintained a rock structure. The result was international success that ended only when Winwood finally decided he was ready to strike out on his own.<br />Steve Winwood (born May 12, 1948) first attracted attention when, at the age of 15, he and his older brother Muff formed a band in their native Birmingham, England, with Spencer Davis and Pete York, eventually called the Spencer Davis Group. They were signed by record executive Chris Blackwell, founder of Island Records, and began recording in 1964. As the band's vocalist, Winwood received the lion's share of attention. By the time he and his brother quit the group in April 1967, the Spencer Davis Group had amassed four Top Ten singles and three Top Ten albums in the U.K., two of those singles also reaching the Top Ten in the U.S.<br />Still not yet 19 years old, Winwood formed Traffic with three 22-year-old friends who had played in lesser-known bands - drummer/singer Jim Capaldi (August 24, 1944 - January 28, 2005), singer/guitarist Mason (born May 10, 1944), and Wood (June 24, 1944 - July 12, 1983). In the spirit of the times (and despite Winwood's prominence), the group was intended to be a cooperative, with the members living together in a country cottage in Berkshire and collaborating on their songs. Blackwell quickly signed them and released their debut single, "Paper Sun," which peaked in the U.K. Top Five in July 1967 and also spent several weeks in the lower reaches of the charts in America, where Blackwell licensed it to United Artists Records, as he had the Spencer Davis Group's recordings.<br />Meanwhile, as Traffic recorded material for its debut album during the summer of 1967, its communal outlook was disrupted by Mason, who, unlike Winwood (a composer who needed help with lyrics and therefore tended toward collaboration), was capable of writing songs on his own and did so. The success of "Paper Sun" encouraged Blackwell to release a follow-up single quickly, and he chose as the most likely candidate among the songs Traffic had recorded so far "Hole in My Shoe," written and sung by Mason. It became an even bigger hit than "Paper Sun," almost topping the British charts in October, but that didn't sit well with Winwood, who felt it was unrepresentative of the sound he wanted for Traffic. The group's third single was "Here We Go Round the Mulberry Bush," the title song from a motion picture, which became their third British Top Ten hit in December, the same month that their debut album, Mr. Fantasy, was released. It, too, earned a Top Ten ranking in January 1968, but by then Mason had left Traffic. A fourth single, "No Face, No Name, No Number," culled from the album, made the British Top 40 in March, the month that Traffic debuted as a live attraction in the U.S., where Mr. Fantasy (initially titled Heaven Is in Your Mind) reached the Top 100.<br />Traffic encountered two problems as a trio. First, given its unusual instrumentation, it had difficulty onstage doing without a player like Mason, who could handle the bass guitar work. In his absence, Winwood was forced to fill in the bass sound by playing the organ's bass pedals with his feet while simultaneously playing the organ keyboards with his hands and singing. Second, without a prolific writer like Mason, the group had more difficulty coming up with enough new material to satisfy its contractual commitments. As a result, Winwood, Capaldi, and Wood reconciled with Mason, who rejoined Traffic in the spring of 1968 and contributed heavily to the band's second album, Traffic, writing half of the songs, among them "Feelin' Alright?," which went on to become a rock standard, particularly after Joe Cocker's 1969 cover version became an American Top 40 hit in 1972.<br />Traffic was released in October 1968, and the band went on tour in the U.S. to promote it. But just after the start of the tour, Winwood, Capaldi, and Wood fired Mason. Then, at the conclusion of the tour, Winwood withdrew, announcing the breakup of Traffic at the beginning of 1969. These events notwithstanding, the album reached the U.K. Top Ten and the U.S. Top 20. And breakup or no, Winwood was contracted to Island and United Artists for five albums, of which only two had been delivered. Thus, in April 1969, the labels released Last Exit, a collection of non-LP singles sides, outtakes, and live recordings. It was another Top 20 success in America.<br />Meanwhile, Capaldi and Wood rejoined Mason along with keyboardist Wynder K. Frog in the short-lived band Wooden Frog, which never recorded, and Winwood teamed with former Cream members Eric Clapton and Ginger Baker as well as former Family member Ric Grech (November 1, 1946 — March 16, 1990) in Blind Faith. This highly touted supergroup made one album, Blind Faith, which topped the charts in the U.S. and U.K., and played one American tour before breaking up. Still owing his record labels two albums, Winwood began work on a solo record in early 1970, but quickly brought in Capaldi and Wood and turned it into a Traffic LP. John Barleycorn Must Die was released in June 1970. In the U.S., it was a gold-selling Top Ten hit; in the U.K. it reached the Top 20.<br />Embarking on extensive touring, Traffic expanded its lineup, adding Ric Grech on bass. In the spring of 1971, in anticipation of British and American touring, drummer Jim Gordon, formerly of Derek and the Dominos, was brought in, as was percussionist Reebop Kwaku Baah. Also joining for a handful of U.K. dates was Dave Mason, who had in the meantime become a solo star with his 1970 album Alone Together. The band was able to work off its contractual commitment with a live album from this lineup, Welcome to the Canteen, released in September. Re-signed to Island, which began releasing albums in the U.S. as well as the U.K., Traffic quickly followed in November with the studio album The Low Spark of High Heeled Boys, which reached the American Top Ten and sold a million copies, though, in an indication of the group's increasingly international focus, it didn't even chart back home in Britain.<br />A winter 1971-1972 tour was aborted by Winwood's poor health (he was later revealed to be suffering from peritonitis), and Grech and Gordon left the band, while Capaldi recorded his debut solo album, Oh How We Danced; it reached the American Top 100. In the fall of 1972, with Winwood recovered, Traffic convened to record a new album, adding drummer Roger Hawkins and bassist David Hood, members of the studio band at the famed Muscle Shoals recording studio. (Keyboardist Barry Beckett, another Muscle Shoals alumnus, played with the band live.) Shoot Out at the Fantasy Factory, released in January 1973, reached the American Top Ten and went gold. The world tour that promoted it was chronicled on Traffic — on the Road, released in October 1973.<br />At the end of the tour, the Muscle Shoals musicians returned home and Kwaku Baah also left Traffic, which recruited bassist Rosko Gee. Capaldi released a second solo album, Whale Meat Again, in the summer of 1974; "It's All up to You" from it reached the U.K. Top 40. With Traffic, he recorded a new album, When the Eagle Flies, released in September. It was the band's fourth consecutive studio album to reach the American Top Ten and go gold, and the group toured to support it, but at the conclusion of the tour Traffic silently disbanded.<br />With a headstart on a solo career, Capaldi scored a Top Five hit in the U.K. in 1975 with a cover of "Love Hurts" from his third album, Short Cut Draw Blood. (The single charted in the U.S., but lost out to a competing version by Nazareth.) Along with former Santana drummer Michael Shrieve, Winwood participated prominently in Japanese percussionist Stomu Yamashta's concept album Go, which made the Top 100 in the U.S. in 1976. In 1977, he finally made his solo bow, releasing the modestly successful album Steve Winwood. A three-and-a-half year silence ensued, broken by the 1980 release of Arc of a Diver, which hit the American Top Five and went platinum, paced by the Top Ten single "While You See a Chance." 1982's Talking Back to the Night was a commercial disappointment, but Winwood had the greatest success of his career with 1986's Back in the High Life, a multi-million seller that threw off four Top 20 singles, among them the chart-topping "Higher Love." In 1987, "Valerie," a remixed version of a song from Talking Back to the Night, hit the Top Ten. 1988's Roll With It was another multi-platinum seller for Winwood, with both the album and the title song topping the charts. But Refugees of the Heart (1990) was less successful. In 1994, Winwood announced a reunion with Capaldi (Wood had died of liver failure), who had continued to record solo albums with diminishing success. The two made a new album, Far From Home, and toured as Traffic during the summer. The album quickly reached the U.S. and U.K. Top 40, but did not sell well, and the tour also performed disappointingly, signaling another retirement of the Traffic name. Nevertheless, the 1967-1974-era band continued to enjoy significant status as a classic rock act, its albums earning CD reissues along with the release of compilations like Smiling Phases (1991) and Feelin' Alright: The Very Best of Traffic (2000). Capaldi's death on January 28, 2005, appeared to put an end to the band.</div><div align="center"><span style="color:#3366ff;"><strong>REVIEW</strong></span><br />by William Ruhlmann</div><div align="justify">After two exemplary releases, Shoot Out at the Fantasy Factory marked a fall-off in quality for Traffic. The problems lay in both composition and performance. Beginning with the title track, based on a guitar riff reminiscent of the recent Deep Purple hit "Smoke on the Water," and continuing through the lengthy "Roll Right Stones," the folkish ballad "Evening Blue," reed player Chris Wood's instrumental "Tragic Magic," and the uncertain self-help song "(Sometimes I Feel So) Uninspired," the material was far from the group's best. Lyricist Jim Capaldi was co-credited with Steve Winwood as the album's producer, and he may have contributed to the cleaner mix that made his words easier to understand. Easier, that is, in the technical sense, since the musing about a sort of minor-league Stonehenge "Roll Right Stones" didn't do much with the image, and, though it struggled for a more positive outlook, "(Sometimes I Feel So) Uninspired" seemed to come out on the side of despair. Winwood's music seemed to recycle his own ideas when it didn't borrow from others. Meanwhile, the rhythm section had been replaced by Muscle Shoals studio aces David Hood and Roger Hawkins, who proved proficient but not as kinetic as their predecessors, so that the playing often seemed mechanical. Capaldi sang no songs here, and Wood's flute and saxophone, so often the flavoring of Traffic songs, were largely absent. What was left was a competent, if perfunctory effort in the band's familiar style. They had built up enough of a following through touring that the album was a commercial success, but it sounds like an imitation of earlier triumphs.</div><div align="justify"> </div><div align="center"><strong><span style="color:#3366ff;">CREDITS</span> </strong><br />Rebop Kwaku Baah /<br />Barry Beckett / Keyboards<br />Jim Capaldi / Drums, Keyboards, Vocals, Producer<br />Roger Hawkins / Drums<br />David Hood / Bass<br />Jimmy Johnson / Clarinet<br />Steve Winwood / Guitar, Keyboards, Vocals, Producer<br />Chris Wood / Wind<br /><strong><span style="color:#3366ff;">TRACKS</span> </strong><br />1 Shoot Out at the Fantasy Factory (Capaldi, Winwood) 6:05<br />2 Roll Right Stones (Capaldi, Winwood) 11:46<br />3 Evening Blue (Capaldi, Winwood) 5:19<br />4 Tragic Magic (Wood) 6:43<br />5 (Sometimes I Feel So) Uninspired (Capaldi, Winwood) 7:19 </div><div align="center"><a href="http://http//rapidshare.com/files/96101824/153_-_Traffic_-_Shoot_Out_At_The_Fantasy_Factory__1973_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4308008087886745232?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-22744022458044903952008-02-29T12:39:00.000-08:002008-03-03T05:36:05.687-08:00<a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R8gmpea5UQI/AAAAAAAAA9E/0pM9yrnkCcw/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5172426666017378562" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R8gmpea5UQI/AAAAAAAAA9E/0pM9yrnkCcw/s200/front+cover.jpg" border="0" /></a> <div align="center"><strong><span style="color:#3366ff;">BIOGRAPHY</span> </strong><br />by Bruce Eder</div><div align="justify">Formed at the dawn of the progressive rock era in 1969, Gentle Giant seemed poised for a time in the mid-'70s to break out of its cult-band status, but somehow never made the jump. Somewhat closer in spirit to Yes and King Crimson than to Emerson, Lake &amp; Palmer or the Nice, their unique sound melded hard rock and classical music, with an almost medieval approach to singing.<br />Gentle Giant was born out of the ruins of Simon Dupree &amp; the Big Sound, an R&amp;B-based outfit led by brothers Derek, Ray, and Phil Shulman. After switching to psychedelia in 1967 and scoring their only major hit that year with "Kites," as Gentle Giant the group abandoned both the R&amp;B and psychedelic orientations of the previous band; Derek sang and played guitar and bass, Ray sang and played bass and violin, and Phil handled the saxophone, augmented by Kerry Minnear on keyboards, and Gary Green on guitar. Their original lineup also featured Martin Smith on drums, but they went through several percussionists in the first three years of their existence.<br />In 1970, Gentle Giant signed to the Vertigo label, and their self-titled first album — a shockingly daring work mixing hard rock and full electric playing with classical elements — came out later that year. Their second effort, 1971's Acquiring the Taste, was slightly more accessible and their third, Three Friends, featuring Malcolm Mortimore on drums, was their first record to get released in the U.S. (on Columbia). Their fourth album, 1973's Octopus, looked poised for a breakthrough; it seemed as though they had found the mix of hard rock and classical sounds that the critics and the public could accept, and they finally had a permanent drummer in the person of John Weathers, an ex-member of the Graham Bond Organisation.<br />In 1974, however, Gentle Giant began coming apart. Phil Shulman decided to give up music after the Octopus tour, and became a teacher. Then the group recorded the album In a Glass House, their hardest-rocking record yet, which Columbia's U.S. arm rejected as too uncommercial. The two-year gap in their American release schedule hurt their momentum, and they weren't heard from again until the Capitol release of The Power and the Glory in 1975.<br />Gentle Giant released Free Hand, their most commercial album, in 1976, but then followed it up with the jarringly experimental Interview. After the 1978 double-album Playing the Fool, the group went through a seeming change of heart and issued a series of albums aimed at mainstream audiences, even approaching disco, but by the end of the 1970s their popularity was in free-fall. Minnear, who had been playing an ever-more central role since the mid-'70s, had already left the group when Gentle Giant called it quits in 1980. Ray Shulman later became a producer and had considerable success in England working with bands like the Sundays and the Sugarcubes, while Derek Shulman became a New York-based record company executive.</div><div align="justify"> </div><div align="center"><strong><span style="color:#3366ff;">REVIEW</span> </strong><br />by Bruce Eder</div><div align="justify">The band's second album is a major advance on its first, featuring superior singing, playing, and songwriting, as well as a more unified sound, without sacrificing the element of surprise in the first record. Many of the melodies and even the riffs here (check out Gary Green's first guitar flourish on "Pantagruel's Nativity") have a pretty high haunt count, and all of the musicianship displays an elegance seldom heard even in progressive circles — but the record also, amazingly enough, rocks really hard as well. Elements of hard rock and Gregorian chants mix freely and, amazingly enough, well throughout this album.</div><div align="justify"> </div><div align="center"><strong><span style="color:#3366ff;">CREDITS</span> </strong><br />Paul Cosh / Organ, Trumpet<br />Gary Green / Guitar, Vocals<br />Kerry Minnear / Organ, Percussion, Piano, Arranger, Celeste, Cello, Clavichord, Harpsichord, Keyboards, Maracas, Piano (Electric), Tambourine, Vocals, Xylophone, Moog Synthesizer, Tympani [Timpani], Mellotron, Vibraphone, Percussion Arrangement<br />Derek Shulman / Bass, Guitar, Clavichord, Sax (Alto), Vocals, Cowbell<br />Phil Shulman / Bass, Clarinet, Piano, Trumpet, Maracas, Saxophone, Sax (Alto), Sax (Tenor), Vocals, Claves, Violin (Electric)<br />Ray Shulman / Organ, Bass, Percussion, Violin, Tambourine, Viola, Vocals, Guitar (12 String), Spanish Guitar, Bass Pedals<br />Martin Cruz Smith / Drums, Gong, Tambourine<br />Chris Thomas / Synthesizer<br />Tony Visconti / Drums (Bass), Recorder, Triangle, Producer<br /><strong><span style="color:#3366ff;">TRACKS</span> </strong><br />1 Pantagruel's Nativity (Minnear, Shulman) 6:52<br />2 Edge of Twilight (Minnear, Shulman) 3:48<br />3 The House, The Street, The Room (Minnear, Shulman) 6:03<br />4 Acquiring the Taste (Minnear, Shulman) 1:38<br />5 Wreck (Minnear, Shulman) 4:37<br />6 The Moon Is Down (Minnear, Shulman) 4:46<br />7 Black Cat (Minnear, Shulman) 3:53<br />8 Plain Truth (Minnear, Shulman) 7:35 </div><div align="center"><a href="http://rapidshare.com/files/95862550/152_-_Gentle_Giant_-_Acquiring_the_Taste__1971_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-2274402245804490395?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com9tag:blogger.com,1999:blog-30596709.post-43128649941961082552008-02-28T16:08:00.000-08:002008-03-03T05:37:02.026-08:00<div align="center"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R8cF-YFntiI/AAAAAAAAA88/MeisPeycdBQ/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5172109266234357282" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R8cF-YFntiI/AAAAAAAAA88/MeisPeycdBQ/s200/front+cover.jpg" border="0" /></a><span style="color:#3366ff;"><strong>BIOGRAPHY</strong> </span><br />by James Christopher Monger</div><div align="justify">A classically trained violinist and current member of the Dave Matthews Band, Boyd Tinsley grew up in Charlottesville, VA. The aspiring guitarist discovered a proficiency for the violin in a middle school strings class, and went on to study under Isadore Saslav, the concertmaster of the Baltimore Symphony. When he was 16, Tinsley balked at the idea of pursuing the life of a classical virtuoso, and began experimenting with other types of music. In 1991, after two unsuccessful solo ventures, he was asked to play on a demo for the still yet to explode Dave Matthews Band, and subsequently joined the group full-time in 1992. In 2003 he announced his plans to one day record a solo record, but admits to enjoying his current occupation(s) as a model and the violinist for one of the world's most popular bands.</div><div align="justify"> </div><div align="center"><strong><span style="color:#3366ff;">REVIEW</span> </strong><br />by Hal Horowitz</div><div align="justify">Considering that, as of mid-2003, violinist Boyd Tinsley had been the first member of the Dave Mathews Band to release a solo album, True Reflections is a remarkably low-key affair. Ballads dominate the program and even when Matthews himself makes a cameo appearance, along with a very subdued Dirty Dozen Brass Band on the title track, the groove stays bubbling under. Yet that is precisely the appeal of Tinsley's debut. Although he remains predominantly in a somber tone, these songs, all but one original, make the most of his dusky, unpretentious voice and organic compositions. Surprisingly, there are few places to showcase his extensive violin skills in these tightly constructed tunes. Rather, he prefers to keep the few solos short and sweet. On first listen the consistent vibe might seem bland, but after a few plays the songs kick in with subtle, flowing melodies and lazy hypnotic rhythms. "Show Me" features a gorgeous, near angelic vocal accompaniment from Toshi Reagon that, along with the ambling tempo, adds a dreamlike quality that is shared by most of these tracks. Lyrics don't stray far from love-lost/love-found variety, but they perfectly fit the melancholy melodies. Buffalo Springfield seems to be an influence, supported by Tinsley's somber cover of Neil Young's "Cinnamon Girl," which is less Everybody Knows This Is Nowhere than Harvest. He treats the track to an unexpectedly atmospheric rearrangement — unique and oddly satisfying — similar to the way he approaches the rest of this engaging debut solo release. In fact, "What a Time for Love" sounds eerily like a lost Young B-side from his Comes a Time period. Not just for Dave Matthews fans, who might find it too pensive and muted, True Reflections is a warm, poignant disc that improves with every spin. </div><div align="center"><strong><span style="color:#3366ff;">CREDITS</span> </strong><br />Jeff Allen / Bass<br />Doyle Bramhall II / Guitar, Vocals (bckgr), Soloist<br />Chris Bruce / Guitar<br />The Dirty Dozen Brass Band / Horn<br />Lisa Germano / Vocals (bckgr)<br />Corey Harris / Vocals (bckgr), Slide Guitar<br />Kevin Harris / Saxophone<br />J.J. Johnson / Percussion, Drums<br />Benjy King / Guitar (Acoustic), Percussion, Organ (Hammond), Wurlitzer<br />Roger Lewis / Saxophone<br />Keith Mack / Guitar<br />Dave Matthews / Vocals (bckgr)<br />Julius McKee / Sousaphone<br />Espen Noreger / Drums<br />Boots Ottestad / Vocals (bckgr)<br />Dave Palmer / Piano, Melodica, Organ (Pump), Wurlitzer<br />David Pitch / Bass<br />Toshi Reagon / Vocals (bckgr)<br />Boyd Tinsley / Violin, Vocals<br />Efrem Towns / Trumpet<br />Patrick Warren / Celeste, Keyboards, Organ (Hammond), Chamberlin, Wurlitzer<br />Sammie Williams / Trombone<br /><strong><span style="color:#3366ff;">TRACKS</span><br /></strong>1 It's Alright (Bruce, Tinsley) 4:59<br />2 Show Me (Bruce, Tinsley) 4:28<br />3 So Glad (Bruce, Tinsley) 3:59<br />4 Listen (Bramhall, Bruce) 4:13<br />5 Cause It's Time (Bruce, Tinsley) 3:34<br />6 Long Time to Wait (Bruce, Tinsley) 5:33<br />7 Perfect World (Bruce, Tinsley) 2:52<br />8 Cinnamon Girl (Young) 3:12<br />9 Run (Bruce, Tinsley) 5:27<br />10 What a Time for Love (Bruce, Tinsley) 3:54<br />11 True Reflections (Tinsley) 5:34<br /><a href="http://rapidshare.com/files/95577555/151_-_Boyd_Tinsley_-_True_Reflections__2003_.rar">DOWNLOAD</a> </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4312864994196108255?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-6074001165357513882008-02-27T06:17:00.000-08:002008-03-03T05:42:31.881-08:00<div align="justify"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R8UpuoFnthI/AAAAAAAAA80/lpwLdSmgFX8/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5171585628116596242" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R8UpuoFnthI/AAAAAAAAA80/lpwLdSmgFX8/s200/front+cover.jpg" border="0" /></a><strong><span style="color:#3366ff;">REVIEW</span> </strong><br />Although only 31 years old, Julian Sas has already been favourably compared to such blues luminaries and guitar giants like Johnny Winter, Rory Gallagher and Jimi Hendrix.<br />Over the last couple of years Julian Sas and his band have become a very popular live<a href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R8UphYFntgI/AAAAAAAAA8s/QljOpiwMWoI/s1600-h/julian+sas+3.jpg"><img id="BLOGGER_PHOTO_ID_5171585400483329538" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R8UphYFntgI/AAAAAAAAA8s/QljOpiwMWoI/s200/julian+sas+3.jpg" border="0" /></a> act, especially in the Benelux and Germany. Every show is the most important, almost a matter of life and death. Two hours of Rock, Blues and Boogie, commitment and dedication. No holding back. This DVD set (and its CD counterpart) capture that essence of Julian Sas. Two hours of rock, boogie, blues, emotion, excitement and above all good, honest music played with verve.<br />This album is wha<a href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R8UpQYFntfI/AAAAAAAAA8k/6dFbf7FjTqY/s1600-h/julian+sas+1.jpg"><img id="BLOGGER_PHOTO_ID_5171585108425553394" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R8UpQYFntfI/AAAAAAAAA8k/6dFbf7FjTqY/s200/julian+sas+1.jpg" border="0" /></a>t the thousands of Julian Sas fans at his gigs have been asking for. It is 100% live and the track list includes all the Julian Sas classics and favourites from his catalogue of studio albums plus an exciting version of Jimi Hendrix' Hey Joe.<br />"When performing live, Julian Sas and his band sometimes blast out a Hendrix song like Hey Joe or Machine Gun. And I have to say that Julian is about the only one who gets away with it"<br />"There is a remarkable chemistry between the band members. The rest of the band picks up Julian's inventive improvisations effortlessly. In a nutshell, superb performers."</div><div align="justify"> </div><div align="center"><strong><span style="color:#3366ff;">CREDITS</span> </strong><br />Julian Sas: Vocals and Guitars<br />Pierre de Haard: Drums<br />Tenny Tahamata: Bass Guitar<br /><strong><span style="color:#3366ff;">TRACKS</span> </strong><br /><span style="color:#3366ff;"><strong>CD 1</strong></span><br />1. Sugarcup Boogie<br />2. Spellbound Woman<br />3. Home Feeling<br />4. Driftin' Boogie<br />5. Mother Earth<br />6. I Believe To My Soul<br />7. A Light In The Dark<br />8. Blues Lessons<br />9. Make My Water<br />10. Roll On </div><div align="center"><span style="color:#3366ff;"><strong>CD 2</strong><br /></span>11. When I Boogie<br />12. Am I Losing My Way<br />13. Ragin' River<br />14. Mean Old City<br />15. I Wonder Who<br />16. Hey Joe<br />17. Blues For The Lost And Found<br />18. Travelling Home<br />19. Bullfrog Blues<br />20. Boogie Jam<br /><a href="http://rapidshare.com/files/95177387/150-1_-_Julian_Sas_-_Delivered__2002__-_CD_1.rar">DOWNLOAD CD 1</a><br /><a href="http://rapidshare.com/files/95193306/150-2_-_Julian_Sas_-_Delivered__2002__-_CD_2.rar">DOWNLOAD CD 2</a> </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-607400116535751388?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com1tag:blogger.com,1999:blog-30596709.post-72265661945375810172008-02-26T12:49:00.000-08:002008-03-03T05:42:31.881-08:00<div align="center"><a href="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R8Q0O4FnteI/AAAAAAAAA8c/u6vogCFH94M/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5171315702306944482" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_wpj7o7T4Ogw/R8Q0O4FnteI/AAAAAAAAA8c/u6vogCFH94M/s200/front+cover.jpg" border="0" /></a><strong><span style="color:#3366ff;">BIOGRAPHY</span><br /></strong>by Jason Ankeny <div align="justify">New Jersey-born blues-rocker Walter Trout spent decades as an ace sideman, playing guitar behind the likes of John Lee Hooker, Big Mama Thornton, and Joe Tex. In 1981, he was also tapped to replace the late Bob Hite in Canned Heat, remaining with the venerable group through the middle of the decade. While filling in one night for an ailing John Mayall, Trout (also a Bluesbreaker for some five years) was spotted by a Danish concert promoter who agreed to finance a solo tour. Assembling his own backing band, in 1990 he released his debut LP, Life in the Jungle, trailed a year later by Prisoner of a Dream. Albums including 1992's Live (No More Fish Jokes), 1994's Tellin' Stories, and 1997's Positively Beale Street followed. Trout continued a steady release schedule, issuing Livin' Every Day in 1999, a live album the following year (recorded at the Tampa Bay Blues Fest), the 2001 studio album Go the Distance, 2003's Relentless — which Trout and his band, the Radicals, recorded in front of a live audience — and 2005's Deep Trout, a compilation of early and unreleased recordings. On the 2006 release Full Circle, Trout realized his dream of creating an album with some of his most admired musicians, including John Mayall, Coco Montoya, and Joe Bonamassa, among others. </div><div align="justify"> </div><div align="center"><span style="color:#3366ff;">REVIEW</span><br />by Steve Huey</div><div align="justify">Blues-rocker Walter Trout struts his stuff on Livin' Every Day, the follow-up to his self-titled 1998 major-label debut. Overall, it's another fine outing for rabid blues guitar fans, full of gritty, gutsy playing and well-executed band support. Although songwriting isn't the album's primary focus, there are a number of tough survivor's tales here that resonate pretty well. On the other side of the coin, his balladry tries to be sincere yet leans toward sentimentality, which can dissipate the fire of the harder-rocking tracks. Still, Livin' Every Day is an entirely worthy effort by one of contemporary blues-rock's most underrated instrumentalists.</div><div align="justify"> </div><div align="center"><strong><span style="color:#6633ff;">CREDITS</span> </strong><br />Wally Bass / Vocals (bckgr)<br />Bertram Brown / Vocals (bckgr)<br />William Brown / Vocals (bckgr)<br />Jackie Johnson / Vocals (bckgr)<br />Jim Spake / Saxophone<br />Scott Thompson / Trumpet<br />Jim Trapp / Bass<br />Walter Trout / Guitar, Harmonica, Vocals<br />Ernest Williamson / Piano<br /><strong><span style="color:#3366ff;">TRACKS</span><br /></strong>1 Livin' Every Day (Trout) 4:42<br />2 Let Me Know (Trout) 4:55<br />3 Playing With a Losin' Hand (Trout) 4:17<br />4 Sweet Buttertfly (Sophie's Song) (Trout) 4:53<br />5 I Thought I Heard the Devil (Trout) 4:36<br />6 Through the Eyes of Love (Trout) 4:59<br />7 Nothin' But the Blues (Trout) 5:19<br />8 City Man (Trout) 2:31<br />9 Fool for Love (Trout) 5:01<br />10 Say What You Mean (Trout) 5:12<br />11 Apparitions (Trout) 6:53<br />12 Junkyards in Your Eyes (Trout) 4:33<br />13 The Love That We Once Knew (Trout) 4:53<br />14 Prisoner of a Dream (Trout) 5:14 </div><div align="center"><a href="http://rapidshare.com/files/95049859/149_-_Walter_Trout___The_Free_Radicals_-_Livin__Every_Day__1999_.rar">DOWNLOAD</a></div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-7226566194537581017?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com2tag:blogger.com,1999:blog-30596709.post-47656004352526076952008-02-25T13:06:00.000-08:002008-03-03T05:42:31.882-08:00<div align="center"><a href="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R8LmyIFntdI/AAAAAAAAA8U/ly4Ios5VRqc/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5170949071013656018" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_wpj7o7T4Ogw/R8LmyIFntdI/AAAAAAAAA8U/ly4Ios5VRqc/s200/front+cover.jpg" border="0" /></a><strong> <span style="color:#3366ff;">BIOGRAPHY</span></strong></div><div align="justify">Since the release of the band’s latest album "As The Crow Flies" (2006) everything changed for the band. Coen's long history of self released CD's and continual live performances, cumulating in the release of his debut "Broken Glass" (2005) CD on Cryingtone Records, established him as an up and coming blues slinger with an original twist of his own.<br />The "live band" sound of "as The Crow Flies", coupled with the tours at major festivals that following year, more than proved to a worldwide audience of rabid fans that Coen Wolters rocks, funks and plays the way he wants to play and leave the comparisions for this crowded genre up to others.<br />It's hard to stand in the shadow of great guitarists, but CWB fans know that Coen's songwriting, music and performances are much more than a typical blues rock Experience.<br />Coen’s performances are always high energy, reflecting his love for live performances. His guitar style is unique and emotionally charged, spiced with just a touch of Texas sizzle.<br />Born in the seventies, Coen began playing guitar until age 18, and within a few of years he was performing in local bands, making a name for himself while his skills advanced rapidly, and dramatically, as the young slinger advanced his name and reputation with each iteration.<br />The early part of his career consisted primarily of playing in rock bands, but by the age of 24 he decided he had to pursue a heartfelt longing to play blues based music.<br />Rapidly progressing from local bar band to an international touring band, the CWB performed on international highly rated festivals like the Skopje Blues &amp; Soul festival (Macedonia), Rother Bluestage in Germany (with Snowy White) and the Grolsch Blues festival in Schoppingen (Germany).<br />Readers of the online rockmagazin “Rocktimes” voted the opener song of Broken Glass as 2nd best song of the year.<br />The German national major radio station “Deutschlandfunk” recorded a live show which will be broadcasted early 2007 for a German nationwide audience.</div><div align="justify"> </div><div align="center"><span style="color:#3366ff;"><strong>TRACKS </strong><br /></span>1 Devil's Train 4:24<br />2 The Day I Died 3:34<br />3 Gales 4:11<br />4 Dance on the Moon 6:08<br />5 Holy Water 3:53<br />6 Hiding 3:48<br />7 Don't Turn Your Back on Me 4:29<br />8 Slow Motion 5:00<br />9 Wilder Than the Wind 4:16<br />10 Dancing with Shadows 6:35 </div><div align="center"><a href="http://rapidshare.com/files/94765059/148_-_Coen_Wolters_Band_-_As_The_Crow_Flies__2006_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-4765600435252607695?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0tag:blogger.com,1999:blog-30596709.post-36893247990004313252008-02-25T13:00:00.000-08:002008-03-03T05:42:31.882-08:00<div align="center"><a href="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R8LlMoFntcI/AAAAAAAAA8M/AVKuNvpRoac/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5170947327256933826" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_wpj7o7T4Ogw/R8LlMoFntcI/AAAAAAAAA8M/AVKuNvpRoac/s200/front+cover.jpg" border="0" /></a><span style="color:#330099;"><strong>BIOGRAPHY<br /></strong></span>by Mark Deming</div><div align="justify">British blues-rockers Back Door Slam boast a tough, streetwise sound that recalls veteran U.K. blues players such as Eric Clapton, Peter Green, and John Mayall, though these young guitar slingers represent a new generation — when bassist Adam Jones joined the group in 2006, guitarist and singer Davy Knowles and drummer Ross Doyle were all of 20 years old, while Jones himself was just 19. The members of Back Door Slam grew up in the tiny seaside community of the Isle of Man, and Knowles decided he wanted to be a guitar player at the age of 11, when he heard "Sultans of Swing" by Dire Straits on the radio while riding in the car with his father. After borrowing his father's acoustic guitar, Knowles began teaching himself to play and digging into his dad's old records, which led him to discover the sounds of the golden age of British blues, while later he began embracing the music's American roots (the name comes from a song by latter-day blues guitarist Robert Cray). After mastering the rudiments of live performing with a handful of local bands, Knowles joined forces with Ross Doyle, bassist Jamie Armstrong, and rhythm guitarist Brian Garvey to form Back Door Slam in 2003. After Garvey died in an auto accident in 2004, the band stripped itself down to a power trio and began earning a potent reputation playing clubs and festivals as well as opening for acts ranging from Don McLean to the Who. In 2006, Jamie Armstrong left the band and Jones arrived to solidify Back Door Slam's lineup. In 2007, Back Door Slam recorded their debut album, Roll Away, and headed to the United States for a concert tour that included appearances at the Lollapalooza and Austin City Limits music festivals.</div><div align="justify"> </div><div align="center"><strong><span style="color:#3366ff;">REVIEW</span> </strong><br />by R.J. Carter<br />Published: June 25, 2007</div><div align="justify">From the opening thumps of Adam Jones' bass, leading into the rat-a-tat of Ross Doyle's snare and ultimately the lead chords and vocals of frontman Davy Knowles, Back Door Slam is a front stoop jam group, combining traditional blues with old school Mellencamp in their debut album, Roll Away.<br />The album takes off with "Come Home", the ubiquitous "my woman done left me" anthem of an angry bluesman, complete with the threat against the man she run off with, as Knowles growls out, "Listen, if I ever get my hands on him / be doin' time in the county farm." This is followed by "Heavy on My Mind", as the lyricist spends "another sleepless night" as he tries to escape his conscience over an action commited.<br />Long guitar riffs punctuate "Outside Woman Blues", which is blues in its most traditional sense in style, cadence, and the protective ideals of jealously guarding your "old lady" from other men, including the caution to players that, "You can't watch your wife and your outside women, too."<br />Roll Away is permeated with songs that are as equally at home in a smoke-filled bar as they are on a balmy afternoon in a wicker chair on a screened-in porch. The moods range from the soft, slow-dance feel of "Gotta Leave" to the yowling "Real Man" which evokes The Ides of March's "Vehicle" in its chorus. The listing also includes a bonus track, a rockier remix of "Real Man", to finish out the album and put an exclamation point to this first musical statement from a band with a lot of heart and soul.</div><div align="center"><span style="color:#3366ff;"><strong>CREDITS </strong></span><br />Dave Armstrong / Keyboards<br />Dan Clarke / Arranger<br />Christine Collister / Vocals (bckgr)<br />Robert Cross / Choir, Chorus<br />Adam Jones / Bass<br /><strong><span style="color:#3366ff;">TRACKS</span> </strong><br />1 Come Home (Knowles) 4:16<br />2 Heavy on My Mind (Knowles) 5:19<br />3 Outside Woman Blues (Reynolds) 3:27<br />4 Gotta Leave (Knowles) 5:49<br />5 Stay (Knowles) 5:36<br />6 Too Late (Knowles) 2:57<br />7 Takes a Real Man (Knowles) 4:41<br />8 It'll All Come Around (Knowles) 3:56<br />9 Too Good for Me (Knowles) 4:54<br />10 Roll Away (Knowles) 3:36<br />11 Real Man (Knowles) 4:07 </div><div align="center"><a href="http://rapidshare.com/files/94755608/147_-_Back_Door_Slam_-_Roll_Away__2007_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-3689324799000431325?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com3tag:blogger.com,1999:blog-30596709.post-3419949204038269352008-02-25T12:54:00.000-08:002008-03-03T05:42:31.882-08:00<div align="center"><a href="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R8LkT4FntbI/AAAAAAAAA8E/M-cG4rGUUnY/s1600-h/front+cover.jpg"><img id="BLOGGER_PHOTO_ID_5170946352299357618" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_wpj7o7T4Ogw/R8LkT4FntbI/AAAAAAAAA8E/M-cG4rGUUnY/s200/front+cover.jpg" border="0" /></a><strong> </strong><span style="color:#3366ff;"><strong>REVIEW</strong></span></div><div align="justify">The skillful hands that play the instruments and the passionate voices that sing the messages of blues/rock music are found in all colors and cultures. It is truly an international form of musical expression. What began many years ago in the delta regions of the southern US and in many of its industrial uban cities in the north, has now spread to virtually every civilized corner of the world.<br />Our tour of great international blues/rock artists brings us today to Sweden, home of<br />Clas Yngström and Sky High.<br />For over 20 years now, Yngström has been a true blues/rock giant throughout Scandinavia, as well as other parts of the world. His latest of many great recordings, "Bluester", may just deliver his finest work yet. This CD is loaded with the same kind or powerful guitar, solid vocals, and great supporting players that trademark every Sky High production. Their web site advertises that the band records 95% original material, and this recording is loaded with nine more excellent Clas Yngström offerings of the 14 total tracks.<br />I have so many favorites, but to mention just a few, try out the heavy blues of "Too Young Too Die", the hard rockin' "You Can't Break Me" and "Showblind", the great blues classic "I'll Play The Blues For You" (love those horns!), or the wah-wah drenched "Set On You". Whatever your particular taste in blues/rock music, you will find a heaping helping of it in this recording.<br />Pick up a copy of "Bluester" and discover what others already know: the name of Clas Yngström can be spoken legitimately in the same breath with the names of all of the world's greatest blues/rockers.<br />"Bluester" is available through US based Havic Records online at www.havic.com . You may also email the band for other ordering options. </div><div align="center"><strong><span style="color:#000099;">THE BAND</span></strong><br />Clas Yngström: Guitars, lead and backing vocals<br />Mats "Östen" Östensson: Drums and percussion<br />Ulf "Rockis" Ivarsson: Electric bass<br />Per Wiberg: Korg organ and piano<br />Petra Kvanna: Backing vocals<br /><strong><span style="color:#000099;">TRACKS</span></strong><br />1 Too Young to Die 4:27<br />2 Stray Dogs 4:26<br />3 You Can't Break Me 4:45<br />4 Wild Women 4:55<br />5 Bluestown 4:25<br />6 Smile 2:55<br />7 The Roots Are Alive 4:27<br />8 Judgement Day 5:09<br />9 Timebomb 2:47<br />10 Showblind 4:13<br />11 Draculeena 4:16<br />12 I'll Play the Blues for You 3:07<br />13 Downshift Boogie 4:36<br />14 Set on You 4:59 </div><div align="center"><a href="http://rapidshare.com/files/94746635/146_-_Sky_High_-_Bluester__1999_.rar">DOWNLOAD</a></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/30596709-341994920403826935?l=tocosongs.blogspot.com' alt='' /></div>Gomes Brothers &amp; Sons (Velhorockeiro, Zé Gomes, Eric e Wagner)http://www.blogger.com/profile/05006544919278523695noreply@blogger.com0